冉茂芹，《遠眺基隆嶼》
33×45cm，1992年

藝術家被和平島海邊的岩石獨特的造型吸引，先用沾有淡淡黑色畫筆呈現石頭造型的輪廓線，再上色 。色彩局部壓（輪廓）線。呈現岩石造型及色彩。

《遠眺基隆嶼》描繪北海岸的礁岩風景。前景鋪展大小不一的岩塊與沙色地面，岩面交織黃褐、灰綠與紫灰等色階；中景是一道湛藍海面，浪花在岩縫間泛白；遠方水平線上，基隆嶼靜置於畫面偏左，右側可見一艘小船。作品以近景礁石的質感描寫，對照遠方島嶼的明確輪廓，展現藝術家對自然景物的細膩觀察，以及寫生中所凝結的光影與空氣感。
與今日現地景觀相比，隨著時間推移，畫中風景與今日現地之間的差異，也使這件作品多了一層關於記憶與時間的意味。

YIM Mau-Kun, Overlooking Keelung Island
33×45cm，1992年

Fascinated by the distinctive forms of the rocks along the shore at Heping Island, the artist first traced their contours with a brush toned in a light black, and then applied color. In some passages, the paint is pressed against the contour lines, reinforcing both structure and chromatic character.

This work depicts the rocky coast of northern Taiwan. In the foreground, rocks of varied sizes spread across a sandy ground, rendered in layered ochres, gray-greens, and violet-grays. The middle distance opens onto a band of vivid blue sea, where white surf breaks between the stones. On the horizon, Keelung Island rests slightly to the left, with a small boat at the right.

Compared with the landscape today, the differences that time has brought between the painted scene and the present site add another layer of meaning, evoking memory and the passage of time.