冉茂芹，《港灣正忙》：台灣．高雄
 40.5 × 52.5 cm，1998年

在《港灣正忙：高雄》中，冉茂芹描繪的是港邊修船的真實場景。畫面中央的大船被拖上岸停放維修，巨大的船體幾乎佔滿整個視野，和周圍人員、器具、地面空間形成鮮明對比，

也讓人更直接感受到港區工作的規模與重量。船身表面交錯著深藍、鏽紅與灰黑色塊，在光線下呈現出厚重、粗礪而帶有時間痕跡的質感。

據冉茂芹老師回憶，當時眼前這艘船非常巨大，實際場景比畫面所見更為震撼；船隻是從旁邊的海面拖上陸地維修，整個過程大約需要一個月左右。
這件作品所呈現的，不只是港灣忙碌的工作景象，也是一種來自現場觀看的真實壓迫感與視覺衝擊。

YIM Mau-Kun, Busy Harbor
40.5 × 52.5 cm，1998年

In Busy Harbor: Kaohsiung, YIM Mau-Kun depicts a real scene of ship repair at the harbor. The large vessel at the center has been hauled ashore for maintenance; its massive hull nearly fills the viewer’s field of vision, creating a stark contrast with the surrounding workers, equipment, and ground space, and making the scale and weight of labor feel immediate.

Across the surface of the ship, deep blues, rust reds, and gray-black tones intersect, forming a heavy, rugged texture marked by time under shifting light.

According to the artist’s recollection, the ship before him was enormous, and the actual scene was even more overwhelming than what the painting shows. The vessel was towed from the nearby water onto land for repairs, and the entire process took about a month.

What the work presents is not only a busy working harbor, but also a direct, on-site sense of pressure and visual impact born of looking.