第四屆《構圖·臺灣》入圍者聯展

藝術家｜
余采軒.林千瑋.林芃穎.金祺龍.高冠羣.陳廷菲.陳怡安.傅聖雅.彭冠銘.劉康彥
時間｜
2025.09.12-10.03 王道銀行藝廊 / 2025.10.11-11.22 阿波羅畫廊

自2014年起，由阿波羅畫廊與王道銀行教育基金會攜手推動的「構圖‧臺灣」視覺藝術創作徵件，致力於發掘並扶植35歲以下具潛力的新銳藝術家。2025年迎來第四屆，陪伴青年創作者拓展視野，形塑個人創作語彙，累積穩健的基礎。

本屆入圍有十位藝術家，以多元的媒材，各自表現不一樣的臺灣樣貌。首獎陳怡安《魅他域的漫遊者系列－漂浮的邊界》以膠彩呈現現實與虛擬邊界日漸模糊景觀，反映當今時代現象。貳獎傅聖雅《平整收折的時間 02》將影像透過摺紙，勾勒與外婆生活的家族記憶，呈現女性在家庭角色被期待的身影。參獎由兩位藝術家獲得：陳廷菲《5000ml》從提水的生活經驗，日常的瓶裝水容器為出發，透過紅銅敲擊塑形，轉化成新的視覺語彙。劉康彥《你家就是我家》以油畫棒和墨，繪出臺灣特有建築肌理，重塑日常熟悉的城市風景。

入圍作品亦各懷特色。余采軒《遺落的顏色：臺灣海岸的低語》以攝影呈現人類遺留於自然的斑斕色彩，強烈對比訴說臺灣海岸對人類的控訴。林千瑋《+∞CXQD》以纖維表現臺灣季節流轉，展現臺灣島嶼隨時間不斷推移的多重輪廓。林芃穎《巷弄中的寧靜》以油彩捕捉陽光映照的臺灣巷弄，光影變化賦予平凡角落新的生命。金祺龍《台北東區夕象》臺北繁華都市街道，在夕陽照射下，金黃與藍紫光影相互輝映，構成另一面城市面貌。高冠羣《Land撕cape-城市風景線-售本區》取材自鐵皮圍籬中的塗鴉風景，標示「售本區」，呈現自然與文明的矛盾。彭冠銘《繩像-1》以臺灣傳統護身符為題材，透過互動裝置表現信仰與生命劫難的成長力量，期許配戴者能找回面對困境的能量。

本次展覽將與台北藝術週共襄盛舉，10月18日舉辦開幕。邀請觀眾將近距離感受臺灣新生代的創作能量，進入他們對時代與個人的深層凝視，展現當代藝術的多元風貌，見證臺灣當代藝術未來的無限可能。

The 4th Go to Taiwan Finalists’ Group Exhibition

Artists｜
YU Cai-Xuan, LIN Chien-Wei, LIN Peng-Ying, JIN Chi-Lung, KAO Kuan-Chun, CHEN Ting-Fei, CHEN Yi-An, FU Sheng-Ya, PENG Guan-Ming, LIU Kang -Yen
Duration｜
2025.09.12-10.03 O-Bank Gallery / 2025.10.11-11.22 Apollo Art Gallery

Since 2014, Apollo Art Gallery and the O-Bank Education Foundation have jointly organized the Composition Taiwan Visual Arts Call for Entries, dedicated to discovering and supporting emerging artists under the age of 35. In 2025, the program enters its fourth edition, continuing to accompany young creators in broadening their horizons, shaping their artistic vocabularies, and building a solid foundation for their practice.

Among this year’s ten shortlisted artists, Chen Yi-An received first prize with Wanderer of the Metaverse Series – Floating Boundaries, a mineral pigment painting that captures the increasingly blurred line between reality and the virtual, reflecting contemporary phenomena. Fu Sheng-Ya, awarded second prize for Flattened and Folded Time 02, used origami to transform images into memories of living with her grandmother, portraying women’s expected roles within the family. Third prize went to two artists: Chen Ting-Fei, whose work 5000ml draws on the daily experience of carrying water and reshapes bottled containers in hammered red copper to create a new visual language; and Liu Kang-Yen, whose Your Home Is My Home uses oil pastels and ink to depict the textures of Taiwanese architecture, reimagining familiar urban landscapes.

The other shortlisted works also reveal distinct perspectives. Yu Tsai-Hsuan’s Forgotten Colors: Whispers of Taiwan’s Coastline photographs the vivid traces humans leave in nature, contrasting colors that voice the coastline’s indictment of humanity. Lin Chien-Wei’s +∞CXQD employs fiber to express Taiwan’s seasonal cycles, evoking the island’s shifting contours through time. Lin Peng-Ying’s Tranquility in the Alleyways captures sunlit Taiwanese alleyways in oil, where light and shadow breathe new life into ordinary corners. Jin Chi-Long’s Evening Glow in Taipei’s East District portrays Taipei’s bustling streets at sunset, where golden hues and bluish-purple tones reveal another facet of urban life. Kao Kuan-Chun’s Land-sc(r)ape – Urban Skyline – For Sale draws from graffiti landscapes on corrugated iron fences marked with “For Sale,” highlighting the tension between nature and civilization. Peng Kuan-Ming’s Rope Image–1 references traditional Taiwanese amulets in an interactive installation that embodies faith and resilience, offering wearers renewed energy to face challenges.

Presented in conjunction with Taipei Art Week, the exhibition opens on October 18. Audiences are invited to experience firsthand the creative energy of Taiwan’s new generation, to encounter their profound reflections on both the times and the self, and to witness the diverse facets of contemporary art along with the boundless possibilities for the future of Taiwanese art.