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X-ORIGINAL-URL:https://artgalleryapollo.com/2021
X-WR-CALDESC:Events for Apollo art gallery
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TZID:Asia/Taipei
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DTSTART;VALUE=DATE:20260613
DTEND;VALUE=DATE:20270101
DTSTAMP:20260926T010059
CREATED:20260611T093922Z
LAST-MODIFIED:20260611T093922Z
UID:14992-1781308800-1798761599@artgalleryapollo.com
SUMMARY:《資訊之森》洪司丞 個展 ╳ The One南園
DESCRIPTION:《資訊之森》洪司丞 個展 ╳ The One南園\n展期 | 2026.06.13 – 12.31 \n地點 | The One南園人文客棧 (新竹縣新埔鎮九芎湖32號) \n  \n《資訊之森》以當代數位環境為背景，聚焦人工智慧、區塊鏈與Web3技術快速發展下，人類在虛擬與現實交錯之間的感知狀態與精神處境。隨著科技不斷改變創作模式與社群結構，虛擬世界早已不再只是想像，而逐漸成為日常生活的一部分。藝術家透過此次展覽，重新思考數位時代中的觀看方式、身份認同，以及資訊洪流所帶來的孤獨與迷失感。 \n「資訊之森」象徵當代人置身於如叢林般龐雜的網絡世界。在Web3時代中，DAO等新型態社群逐漸成形，資訊傳遞與人際互動模式也持續被重塑。然而，在看似自由且開放的數位環境背後，亦潛藏著資訊單一化、機器干擾與真假難辨等問題。藝術家藉由作品提出提問：當虛擬逐漸滲透現實，我們是否也過度依賴顯示器與數據來理解世界？而在流量與演算法主導的時代，人類又該如何重新辨識真實與自我？ \n作品透過圖像與空間的建構，營造出介於虛擬與現實之間的感知場域，引導觀者進入一座充滿未知的數位森林。藝術家以帶有象徵性的視覺語彙，描繪資訊衝突、身份錯位與虛擬情感等現象，讓觀眾在觀看的過程中感受到浩瀚、孤寂與不安並存的心理狀態。同時，也反映出人在數據化社會中的生存處境與精神投射。 \n《資訊之森》不只是對科技發展的回應，更是一場關於現實與虛擬邊界的思辨。透過作品，藝術家試圖建立一個與觀者對話的平台，邀請觀眾重新思考數位時代下的感知經驗，以及人類在未知世界中的探索、選擇與存在價值。 \n  \n\n#移動畫廊\n阿波羅畫廊成立以來致力於推廣藝術，藝術展出不局限於畫廊空間。自2018年起與異數悅遊 The One南園人文客棧 以「共好」的精神攜手合作，將藝術進駐於南園同心樓的公共空間以及各個廂房裡，讓來此隱山歇心的旅人們，恣意游於藝術之間，深入體驗臺灣原創藝術能量與實力。\n\n\n\n展期 | 2026.06.13 – 12.31\n地點 | The One 南園人文客棧\n地址 | 新竹縣新埔鎮九芎湖32號\n\n\n\n**參觀及遊園請電話預約**\n預約中心 | (02)2562-1777 週一至週六 09:00~18:00\n現場服務專線 | (03)589-0011#1101、1102\n\n  \n關於藝術家 → 洪司丞 \nThe One官網
URL:https://artgalleryapollo.com/2021/event/%e3%80%8a%e8%b3%87%e8%a8%8a%e4%b9%8b%e6%a3%ae%e3%80%8b%e6%b4%aa%e5%8f%b8%e4%b8%9e-%e5%80%8b%e5%b1%95-%e2%95%b3-the-one%e5%8d%97%e5%9c%92/
LOCATION:The One\, 九芎湖32號\, 新埔鎮\, 新竹縣\, 台灣
CATEGORIES:slide show,展覽
ATTACH;FMTTYPE=image/jpeg:https://artgalleryapollo.com/2021/wp-content/uploads/2026/06/官網.jpg
ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260720
DTEND;VALUE=DATE:20260930
DTSTAMP:20260926T010059
CREATED:20260407T040546Z
LAST-MODIFIED:20260909T043504Z
UID:14080-1784505600-1790726399@artgalleryapollo.com
SUMMARY:黑貓域｜高橋行雄 個展 ╳ 恆。好
DESCRIPTION:黑貓域｜高橋行雄 個展 ╳ 恆。好\n展期｜\n2026.04.28 – 09.29 \n本次展覽邀請日本藝術家高橋行雄，出生於日本東北地方的岩手縣，自1989年開始他以「貓」為主題，創作張張栩栩如生的作品。曾連續十年獲選參展法國LE SALON的他，在法國更是以「貓畫家」的美名備受肯定。從他的創作中，可以感受到他不僅是一位愛貓的紳士，同時對貓性格也瞭如指掌。自身為飼主，藉由長期對貓的觀察，描繪出貓各種動人的姿態及容顏，猶如花朵般地在一瞬之間綻放！行雲流水般的色鉛筆技法，畫出蓬鬆茸茸的貓毛，似棉花糖般的輕盈。高橋將自己對藝術的執著，透過貓系列的作品創作傳達給欣賞者，從而療癒人心。同時，高橋更關注「愛與被愛」，隱約流露出飼主給予愛，貓接受飼主的愛，展現飼主與貓之間互動的重現。 \n恆。好是阿波羅畫廊位於屏東恆春的空間，自2017年起，定期安排展覽展出，為阿波羅畫廊拓展南臺灣的據點。 \n→恆。好 \n  \n\nTakahashi Yukio Solo Exhibition\nDuration｜\n28.04 – 29.09\, 2026 \n  \n\n\n\n\n\n\n\n\nThis exhibition features Japanese artist Takahashi Yukio\, who was born in Iwate Prefecture in the Tohoku region of Japan. Since 1989\, he has centered his work on the theme of “cats\,” creating vividly lifelike pieces. Having been selected for the prestigious LE SALON in France for ten consecutive years\, he has earned wide recognition there as the renowned “cat painter.” \nThrough his work\, one can sense that he is not only a gentleman who deeply loves cats\, but also someone who thoroughly understands their nature. As a cat owner himself\, his long-term observation allows him to capture a wide range of expressive feline postures and appearances—each moment blooming like a flower in an instant. With fluid\, graceful colored-pencil techniques\, he renders the cats’ soft\, fluffy fur with a lightness reminiscent of cotton candy. \nTakahashi conveys his dedication to art through his cat series\, offering viewers a sense of warmth and healing. At the same time\, his works subtly explore the theme of “love and being loved\,” revealing the tender relationship between owner and cat—the love given by the owner and received by the cat—capturing their intimate interactions. \n“HunHau” is Apollo Art Gallery’s space located in Hengchun\, Pingtung. Since 2017\, it has hosted regular exhibitions\, serving as an important extension of Apollo Gallery’s presence in southern Taiwan. \n\n\n\n\n\n\n\n\n\n\n\n\n→ HunHau
URL:https://artgalleryapollo.com/2021/event/%e9%ab%98%e6%a9%8b%e8%a1%8c%e9%9b%84-%e5%80%8b%e5%b1%95-%e2%95%b3-%e6%81%86%e3%80%82%e5%a5%bd/
LOCATION:恆。好 HunHau\, 東門路2巷11弄4號\, 恆春鎮\, 屏東縣\, 台灣
CATEGORIES:slide show,展覽
ATTACH;FMTTYPE=image/jpeg:https://artgalleryapollo.com/2021/wp-content/uploads/2026/04/官網.jpg
ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20261018
DTSTAMP:20260926T010059
CREATED:20260905T072533Z
LAST-MODIFIED:20260918T090506Z
UID:15168-1790380800-1792281599@artgalleryapollo.com
SUMMARY:分水嶺｜王綺穗 個展 "Watershed" Solo Exhibition by WANG Chi-Sui
DESCRIPTION:Watershed 分水嶺｜王綺穗 個展\n展期｜\n2026.09.26 – 10.17\n開幕｜\n2026.09.26 (六) 15:00\n藝術家與談｜\n2026.10.09 (五) 15:00\n→報名 \n  \n \n🔗王綺穗 簡歷 & 作品 \n  \n藝術家王綺穗在《Watershed 分水嶺》個展，結合繪畫、編織等複合媒材，以水為主軸，探討時間流轉、記憶承載與身份認同的內在關係。為觀者帶來連結自然、自我與族群歷史的藝術體驗。 \n王綺穗出身臺東，母系隸屬西拉雅族、父系溯源為卑南族的原住民。獨特的成長背景與族群經歷，讓她對「流動、歸屬、溯源」有著極為深刻的體悟。「Watershed」不僅止於水，而是水與地形的互動關係。一場雨落下來，水滴形成溪，匯聚成河流，流向海洋。各方的水流，循著不同的地貌與路徑前行，共同形塑廣大的流域。Watershed也意指轉折點，每一滴水皆有其源頭，帶著留存的記憶，隨著流動的過程，構築獨特的生命歷程。如同水，身份亦非固定不變的存在，經不斷流動、分散與匯聚逐漸形成，漫長的旅程中尋回原始歸屬的可能。 \n王綺穗以「水具有記憶」為創作核心，寄託對自身族群身份的探尋、梳理與回望。新系列作品以纖維織物、水的形體與未被收束的經線等，探討記憶、結構與流動之間的關係。織物既是一種被組織的形式，也承載著時間累積的痕跡；垂落於表面的線則停留在尚未完成和固定的狀態。水在其間聚集、下墜與滲流，如同記憶穿越既有結構，在時間與移動之中持續改變形態。作品並不試圖指向一個完整而固定的身份，而是將「形成」本身視為持續發生的過程——在編織與鬆解、聚合與離散之間，尋找尚未被決定的流向。「分水嶺」不是界線的終點，而是一個流向開始分岔、重新生成的臨界時刻。 \n透過繪畫與編織，不僅表現水的各種型態，更跳脫水的物理表象，反映個人生命遷徙與時代變遷的隱喻象徵。既是對自然景致的細膩觀察，也是藝術家人生境遇的真實寫照。從家族歷史的追尋、記憶的重構，逐漸理解自身為原住民身分的歷程。 \n王綺穗畢業英國新堡大學美術系取得藝術創作研究博士，現任國立臺北藝術大學電影與新媒體學院教授教授。曾於台南市美術館、高雄市立美術館，英國、奧地利等國內外舉辦展覽。阿波羅畫廊於今年台南藝術博覽會展出王綺穗作品，此次首度於畫廊舉辦個展，發表王綺穗最新作品，誠摯邀請您蒞臨欣賞！ \n  \n \n💻前往欣賞→虛擬展廳 \n  \n \n🖥收看 → 人間衛視《藝次元宇宙》專訪 \n  \n \n📺 收聽 → 漢聲廣播電台 訪問 \n\n  \n“Watershed” Solo Exhibition by WANG Chi-Sui\nDuration｜2026.09.26 – 10.17\nOpening｜2026.09.26 Sat.15:00\nArtist Talking｜2026.10.09 Fri.15:00\n→Sign up \n \n🔗WANG Chi-Sui’s CV & Artworks \n  \nArtist Wang Chi-Sui’s solo exhibition Watershed brings together painting\, weaving\, and mixed media to explore the intrinsic connections between the passage of time\, the carrying of memory\, and identity\, with water as its central theme. The exhibition offers viewers an artistic experience that connects nature\, the self\, and the histories of communities. \nBorn in Taitung\, Wang Chi-Sui is an Indigenous artist whose maternal lineage belongs to the Siraya people and whose paternal lineage traces back to the Puyuma people. Her distinctive upbringing and experiences with her cultural heritage have given her a profound understanding of “flow\, belonging\, and tracing one’s origins.” Watershed refers not simply to water\, but to the interaction between water and the landscape. When rain falls\, droplets gather into streams\, converge into rivers\, and eventually flow toward the sea. Water from different directions follows distinct terrains and pathways\, collectively shaping vast watersheds. Watershed also signifies a turning point. Every drop of water has an origin\, carrying traces of memory as it moves\, and through this process of flow\, forms a unique life trajectory. Like water\, identity is not a fixed or immutable entity. It gradually takes shape through continuous movement\, dispersal\, and convergence\, and along this long journey\, there remains the possibility of rediscovering an original sense of belonging. \nAt the core of Wang’s practice is the idea that “water holds memory\,” through which she explores\, traces\, and reflects upon her own cultural identity. Her new series employs woven fibers\, the forms of water\, and loose\, unfinished warp threads to examine the relationships between memory\, structure\, and flow. Textile is both an organized form and a carrier of traces accumulated over time\, while the threads hanging across its surface remain in a state that is neither complete nor fixed. Water gathers\, falls\, and seeps through these structures\, much like memory moving through established frameworks and continually transforming through time and movement. Rather than pointing toward a complete and fixed identity\, the works regard “becoming” itself as an ongoing process. Between weaving and unraveling\, convergence and dispersion\, they search for a direction that has yet to be determined. The “watershed” is not the endpoint of a boundary\, but a critical moment when a flow begins to diverge and generate new possibilities. \nThrough painting and weaving\, Wang not only depicts the various forms of water but also moves beyond its physical appearance\, using it as a metaphor for personal migration and the transformations of an era. Her works are at once subtle observations of natural landscapes and authentic reflections of her own life experiences. Through tracing family history and reconstructing memories\, she gradually comes to understand and embrace her Indigenous identity. \nWang Chi-Sui received a PhD in Fine Art from Newcastle University in the United Kingdom and is currently a professor at the School of Film and New Media\, Taipei National University of the Arts. She has exhibited extensively in Taiwan and internationally\, including exhibitions at the Tainan Art Museum and the Kaohsiung Museum of Fine Arts\, as well as in the United Kingdom\, Austria\, and other countries. \nApollo Art Gallery presented Wang Chi-Sui’s works at Art Tainan earlier this year. Watershed marks her first solo exhibition at the gallery and presents her latest works. We sincerely invite you to join us and experience the exhibition. \n  \n \n🖥 View AR Exhibition \n  \n \n🖥 Watch the Interview \n  \n \n📺  Listen to the Interview
URL:https://artgalleryapollo.com/2021/event/%e5%88%86%e6%b0%b4%e5%b6%ba%ef%bd%9c%e7%8e%8b%e7%b6%ba%e7%a9%97-%e5%80%8b%e5%b1%95-watershed-solo-exhibition-by-wang-chi-sui/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
CATEGORIES:slide show,展覽
ATTACH;FMTTYPE=image/jpeg:https://artgalleryapollo.com/2021/wp-content/uploads/2026/09/王綺穗-FB1_0912.jpg
ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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