BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Apollo art gallery - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://artgalleryapollo.com/2021
X-WR-CALDESC:Events for Apollo art gallery
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Asia/Taipei
BEGIN:STANDARD
TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:CST
DTSTART:20250101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20260228T080000
DTEND;TZID=Asia/Taipei:20260228T170000
DTSTAMP:20260722T060713
CREATED:20260228T052226Z
LAST-MODIFIED:20260228T062807Z
UID:13889-1772265600-1772298000@artgalleryapollo.com
SUMMARY:冉茂芹，《舊工棚》：台灣‧南投‧水里
DESCRIPTION:冉茂芹，《舊工棚》：台灣‧南投‧水里\n33.5×45.5cm，1999 \n離開埔里後我們三幾輛車往水里方向駛去，我是糊裡糊塗，地點方向一些也沒概念，我唯一的工作是盯住沿途看景緻，一遇有畫頭的即刻叫停。 \n在這廢棄的工棚處下車看看，果然不錯，蠻有畫味，那一橫一豎的木板廠房，荒落的小院中斜伸著一棵多姿的鳳凰花樹，細碎的樹葉撒落在板棚上和小院的泥土上，還不時神經質地在抖落。沒有半個人影，真正的人去樓空！只有偶爾經過的飛鳥嘠的一兩聲，好像是驚奇竟有人為此荒涼的舊樓留影。 \n其實，這處景物雖然美感特殊，但難度極大！尤其是板棚前面還有樹木，要畫樹幹樹枝樹葉還要樹葉婆娑！這一切都要在現場三小時完成！\n殘破的景物常引起人們的傷感，或許，這應該不只是我的“強說愁”吧？ \n  \nYIM Mau-Kun\, Old Shed\, Nantou\, Taiwan\n33.5×45.5cm，1999\n \nAfter leaving Puli\, several cars of us headed toward Shuili. I was rather muddle-headed\, with no real sense of the route or direction. My only task was to keep my eyes on the scenery along the way\, and the moment I spotted something paint-worthy\, I would call for a stop. \nWe got out at this abandoned work shed to take a look\, and sure enough\, it was promising—full of pictorial charm. The wooden factory building\, with its horizontal and vertical planks\, stood in a desolate little courtyard where a graceful flame tree stretched diagonally upward. Fine leaves were scattered over the plank roof and the earthen ground of the yard\, occasionally quivering and falling as if nervously shedding themselves. There was not a single person in sight—truly a place abandoned and emptied of life. Only the occasional passing bird cried out once or twice\, as if surprised that someone would pause to capture images of such a desolate old building. \nIn fact\, although this scene possessed a distinctive beauty\, it was extremely challenging to paint. Especially with trees standing in front of the shed—the trunks\, branches\, and leaves all had to be depicted\, including the fluttering foliage. And all of this had to be completed on site within three hours. \nRuined scenes often stir a sense of melancholy. Perhaps this is not merely my own tendency to “force sorrow” where it need not be.
URL:https://artgalleryapollo.com/2021/event/%e3%80%8a%e8%88%8a%e5%b7%a5%e6%a3%9a%e3%80%8b%ef%bc%9a%e5%8f%b0%e7%81%a3%e2%80%a7%e5%8d%97%e6%8a%95%e2%80%a7%e6%b0%b4%e9%87%8c/
CATEGORIES:作品
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20260228T080000
DTEND;TZID=Asia/Taipei:20260228T170000
DTSTAMP:20260722T060713
CREATED:20260228T051911Z
LAST-MODIFIED:20260228T062822Z
UID:13878-1772265600-1772298000@artgalleryapollo.com
SUMMARY:冉茂芹，《埔里河》：台灣‧南投‧埔里
DESCRIPTION:冉茂芹，《埔里河》：台灣‧南投‧埔里\n33.5×45.5 cm，1999年 \n1999年秋天，發生了驚天動地的921大地震，整個台灣都被搖撼了，而震央正是南投縣的埔里。 \n那年春天，我台北與髙雄兩地的美術班學員舉辦了一次聨合寫生活動，南北向中的集合點就是埔里，記得住在一處名叫“阿波羅”的hotel。在埔里大約兩叄天吧，後來就各車散開了。 \n這張畫中的河叫什麼名字？處在埔里鎮的東南西北？也不清楚了，但是，清楚記得畫中的右方是一塊台地，延伸過去就是埔里的市區，我們的腳下是直接巿區的石橋，從橋上望去，小河蜿蜒，流水汩汩，春綠的田陌相連，伸向迷濛遠方，自是一幅畫面。結果，大家都湧到橋上來了，待將畫箱架一字排開：好一幅寫生圖！套一句流行的話是：一道特別的風景線！ \n  \nYIM Mau-Kun\, Old Shed\, Nantou\, Taiwan\n33.5×45.5 cm，1999\n \nAfter leaving Puli\, several cars of us headed toward Shuili. I was rather muddle-headed\, with no real sense of the route or direction. My only task was to keep my eyes on the scenery along the way\, and the moment I spotted something paint-worthy\, I would call for a stop. \nWe got out at this abandoned work shed to take a look\, and sure enough\, it was promising—full of pictorial charm. The wooden factory building\, with its horizontal and vertical planks\, stood in a desolate little courtyard where a graceful flame tree stretched diagonally upward. Fine leaves were scattered over the plank roof and the earthen ground of the yard\, occasionally quivering and falling as if nervously shedding themselves. There was not a single person in sight—truly a place abandoned and emptied of life. Only the occasional passing bird cried out once or twice\, as if surprised that someone would pause to capture images of such a desolate old building. \nIn fact\, although this scene possessed a distinctive beauty\, it was extremely challenging to paint. Especially with trees standing in front of the shed—the trunks\, branches\, and leaves all had to be depicted\, including the fluttering foliage. And all of this had to be completed on site within three hours. \nRuined scenes often stir a sense of melancholy. Perhaps this is not merely my own tendency to “force sorrow” where it need not be.
URL:https://artgalleryapollo.com/2021/event/%e3%80%8a%e5%9f%94%e9%87%8c%e6%b2%b3%e3%80%8b%ef%bc%9a%e5%8f%b0%e7%81%a3%e2%80%a7%e5%8d%97%e6%8a%95%e2%80%a7%e5%9f%94%e9%87%8c/
CATEGORIES:作品
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20260228T080000
DTEND;TZID=Asia/Taipei:20260228T170000
DTSTAMP:20260722T060713
CREATED:20260228T043543Z
LAST-MODIFIED:20260228T062836Z
UID:13875-1772265600-1772298000@artgalleryapollo.com
SUMMARY:冉茂芹，《春到梨山》：台灣‧台中(耶穌堂)
DESCRIPTION:  \n \n冉茂芹，《春到梨山》：台灣‧台中(耶穌堂)\n50×60.5cm，1990 \n從松柏村往後上山，梨花、蘋果花正在開放，滿山都活潑起來。米白色的小教堂在早上的陽光中熠熠生輝，教堂後的山脊被朝霧漫過，全然不見了身影。這裡是梨山春早的景象。 \n梨山寫生三幾次，有春天也有秋天，第一次就住在松柏村，梨山賓館一帶上上下下倒摸熟了，不僅畫了好幾張寫生畫，回到台北還藉以創作了幾幅風景大畫。 \n  \n\n\n\n\n\n\n\n\nYIM Mau-Kun\, Spring Comes to Lishan\, Taichung\, Taiwan \nFrom Songbai Village\, heading further up into the mountains\, pear blossoms and apple blossoms are in full bloom\, bringing a lively vitality to the hillsides. A small off-white chapel gleams in the morning sunlight\, while the ridge behind it is veiled in drifting dawn mist\, its outline completely obscured. This is the early spring scenery of Lishan. \nI have sketched in Lishan several times\, both in spring and in autumn. On my first visit\, I stayed in Songbai Village and became thoroughly familiar with the area around the Lishan Guest House\, wandering up and down its slopes. I completed several plein-air sketches there\, and after returning to Taipei\, I used them as the basis for creating a number of large-scale landscape paintings.
URL:https://artgalleryapollo.com/2021/event/%e3%80%8a%e6%98%a5%e5%88%b0%e6%a2%a8%e5%b1%b1%e3%80%8b%ef%bc%9a%e5%8f%b0%e7%81%a3%e2%80%a7%e5%8f%b0%e4%b8%ad%e8%80%b6%e7%a9%8c%e5%a0%82/
CATEGORIES:作品
END:VEVENT
END:VCALENDAR