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X-WR-CALDESC:Events for Apollo art gallery
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210826
DTEND;VALUE=DATE:20220901
DTSTAMP:20260609T075015
CREATED:20190606T004449Z
LAST-MODIFIED:20230921T095959Z
UID:692-1629936000-1661990399@artgalleryapollo.com
SUMMARY:伍隱拾逸 – 劉洋哲油畫個展 ╳ The One南園
DESCRIPTION:伍隱拾逸 – 劉洋哲油畫個展\n展期 | 2021.08.26 – 2022.08.31 \n地點 | The One南園人文客棧 (新竹縣新埔鎮九芎湖32號) \n  \n以“伍拾”為策展發想，將油畫創作資歷超過伍拾載的藝術家劉洋哲，及歲數步入伍拾的熟齡〈新大人〉做結合。讓下榻於此的〈新大人〉，在身心沉浸於山林美好之時，亦可與新竹在地知名藝術家劉洋哲藝術創作，來一場近距離地對話。 \n南園這座如世外桃源般的山林莊園，一直是不少人想隱山歇心的宿旅首選。2018年起，The One團隊與阿波羅畫廊以“共好”的精神攜手合作，將藝術進駐於南園同心樓的公共空間，以及各個廂房裡，讓來此隱山歇心的旅人們，也可恣意游於藝術之間，深入體驗台灣原創藝術能量與實力。此次個展精選了28件劉洋哲近十年來所創作的作品。劉洋哲擅長以具象來描繪古蹟、文化景觀與各地風景名勝，這也與他念舊惜情的個性有關。另一方面，他也擅於描繪靜物，縝密的構思與精確的構圖，對比的色彩搭配裝飾性的圖騰，企圖捕捉時代潮流的精神，也是紓解鄉愁情緒的表現。 \n此次個展也將結合古典吉他現場演奏，擔任演出的是享譽國際的古典吉他演奏家劉士堉，他也是藝術家劉洋哲的兒子 \nThe One團隊與阿波羅畫廊共同策畫這場藝術饗宴，邀請不再汲汲營營逐利，想找回自己的〈新大人〉，一同下榻於南園體驗超然無累《伍隱拾逸》之旅。 \n  \nThe One官網
URL:https://artgalleryapollo.com/2021/event/%e5%8d%97%e5%9c%92the-one%e5%8a%89%e6%b4%8b%e5%93%b2%e5%80%8b%e5%b1%95/
LOCATION:The One\, 九芎湖32號\, 新埔鎮\, 新竹縣\, 台灣
CATEGORIES:展覽
ATTACH;FMTTYPE=image/jpeg:https://artgalleryapollo.com/2021/wp-content/uploads/2019/06/南園-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211022
DTEND;VALUE=DATE:20211223
DTSTAMP:20260609T075015
CREATED:20211006T020328Z
LAST-MODIFIED:20220216T044626Z
UID:5512-1634860800-1640217599@artgalleryapollo.com
SUMMARY:Solo exhibition by Mario Weinberg | 馬里歐 韋恩貝格 創作個展
DESCRIPTION:展期. 2021.10.22 ~ 12.22\n地點. 恆 好 屏東縣恆春鎮東門路2巷11弄4號\n開放時間. 週四~二 11:00~20:00 (週三休館)
URL:https://artgalleryapollo.com/2021/event/%e9%a6%ac%e9%87%8c%e6%ad%90-%e9%9f%8b%e6%81%a9%e8%b2%9d%e6%a0%bc%e5%80%8b%e5%b1%95/
LOCATION:恆。好 HunHau\, 東門路2巷11弄4號\, 恆春鎮\, 屏東縣\, 台灣
CATEGORIES:展覽
ATTACH;FMTTYPE=image/jpeg:https://artgalleryapollo.com/2021/wp-content/uploads/2021/10/248519162_1861373560724535_8691812668184345657_n-scaled.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20211113
DTEND;VALUE=DATE:20211206
DTSTAMP:20260609T075015
CREATED:20211103T005847Z
LAST-MODIFIED:20220219T065345Z
UID:5670-1636790400-1638691199@artgalleryapollo.com
SUMMARY:Young & Top楊桃派(八) - 趙馥樂.郭俊佑
DESCRIPTION:Young & Top楊桃派(八) – 趙馥樂.郭俊佑\n開幕 | 2021.11.13(六) 15:00\n展期 | 2021.11.13 – 12.04 \n  \n「我一直在描繪城市風景的過程中進行具象到抽象的轉換，從繪畫形式上去抽離一些既定的意象，或是一些明確的符號，避免去陳述具有指向性的敘事。這種抽象化的活動對我來說是一種解放，我想把畫面回歸到最純粹的線條和顏色的情感之中。而在繪畫手法上，我盡我最大的可能去消除工具的質感，避免顏料堆疊，甚至是氣味，透過謹慎的繪畫行動去創造出近乎機械的畫面感。」──趙馥樂 \n在德希達的「解構」(deconstruction)概念中，解構是分析和閱讀的方式，也是批判與寫作的角度。馥樂利用「分析」、「閱讀」、「批判」和「寫作」這四個階段步驟去建立畫面的敘事。將建築物和其置身的場景進行分解、挖掘和揭示，創建出一個沒有所指的場域。 \n「2021五月下旬，因疫情日益嚴峻，開始待在家進行這一系列的油畫創作，由於對家裡層層堆疊的空間感到好奇，進而回溯至五六歲之時，對存在此空間感到的恐懼感及不安感提出一個再想像，至今，這些深刻的記憶猶存於心，藉此機會重新整理，回顧當時在場的種種感受。」──郭俊佑 \n郭俊佑 《儲存空間》是為自己到目前為止統整而成的內心世界，那些被化約後的概念，對自己的影響很大，從裡頭不難看出的物件比如游泳池夜海，自己深感這樣的孤獨；小時候最喜愛潛到游泳池最底部，望著沒有人游泳的池子裏，聽著過濾循環與水波沉靜的聲音，並且感到快樂，這種寂寞漸漸形成一種孤高感，一種很微妙的心理。畫面右半邊設置了水族過濾器與一個類魚缸且內有小空間，是一直以來內心嚮往的空間樣貌，也是形成自己的條件之一。 \n「楊桃派」以發掘台灣三十五歲以下藝術創作者、鼓勵藝術之原創精神，並扶植踏入藝術市場為目的。這次受邀的兩位藝術家趙馥樂及郭俊佑分別以不同的語彙及創作風格呈現出對於建築空間的詮釋。
URL:https://artgalleryapollo.com/2021/event/%e9%83%ad%e4%bf%8a%e4%bd%91-young-top%e6%a5%8a%e6%a1%83%e6%b4%be/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
CATEGORIES:展覽
ATTACH;FMTTYPE=image/jpeg:https://artgalleryapollo.com/2021/wp-content/uploads/2021/11/臉書一般-01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211201
DTEND;VALUE=DATE:20220101
DTSTAMP:20260609T075015
CREATED:20211201T000424Z
LAST-MODIFIED:20220219T074845Z
UID:6483-1638316800-1640995199@artgalleryapollo.com
SUMMARY:街頭藝人：曾仕猷個展 – 虛擬展覽 Street Artist: Solo Exhibition by TZEN Sieur – Online Exhibition
DESCRIPTION:街頭藝人：曾仕猷個展 – 虛擬展覽\n  \n進入虛擬展覽 \n(本檔已下線，歡迎欣賞其他虛擬展覽) \n一九六〇年代的美國，社會內部的矛盾與不滿，興起反叛思潮的社會運動。一棟棟的高樓大廈，勾勒天際線，形塑出紐約繁華的城市樣貌。光鮮亮麗的背後，默默存在於城市角落的貧民窟，聚集一群不被社會重視的人。面對貧富差距大、失業、種族歧視等問題，加上社會充斥反叛思維的氛圍之下，以噴漆塗鴉在牆上，宣洩長期累積的壓抑情緒，表達對社會的控訴，一九七〇年代更興盛，發展出街頭藝術，成為美國紐約的獨特文化。 \n藝術家曾仕猷旅居美國紐約期間，為布魯克林及曼哈頓的街頭藝術感動。聽聞市政府決定拆除老舊建築，不捨當中的街頭藝術消逝，於2009-2010年創作約莫80件街頭藝人系列油畫作品。以畫筆著實紀錄老舊建築的塗鴉創作，融合想像力：人面半獸、跳著嘻哈舞蹈的舞者，抑或是冒著火花的人，表現人體各種可能，不僅增強畫面的視覺張力效果，流露藝術家對美國紐約的印象。 \n  \nVisit Online Exhibition \n(This Exhibition had ended\, welcome to appreciated other online exhibitions) \nRife with disparity and discontentment\, the 1960s saw a wave of countercultural ideas and social movements that formed one of the most tumultuous and divisive decade in American history. In New York\, towering buildings build up one after another\, weaving a spectacular skyline for the burgeoning metropolis. But lurking beyond the façade\, struggling in the slums of the city\, are the misfits. Under the rising tensions of countercultural ideas and issues of social disparity\, unemployment\, and racism\, they sprayed and splattered the conditions of their repression on street walls\, an act of accusation against the city itself. The rise of such art emerged as an unique culture of New York in the 1970s. \nDuring his time in New York\, Tzen Si-Eur was deeply moved by the street arts of Brooklyn and Manhattan. When the city government decided to begin demolishing old buildings\, Tzen Si-Eur was reluctant to see the lost of street art and began from 2009-2010 a series of some 80 oil paintings of street artists. From his brush flows the documentation and imagination of the arts in these buildings: a centaur\, a hip hop dancer\, a man bursting in flames\, and various conceptions on the possibility of the human body. These enhances the dramatic elements of the work\, as well as present the artist’s impression of the city.
URL:https://artgalleryapollo.com/2021/event/%e8%a1%97%e9%a0%ad%e8%97%9d%e4%ba%ba%ef%bc%9a%e6%9b%be%e4%bb%95%e7%8c%b7%e5%80%8b%e5%b1%95-%e8%99%9b%e6%93%ac%e5%b1%95%e8%a6%bd-street-artist-solo-exhibition-by-tzen-sieur-online/
CATEGORIES:展覽
ATTACH;FMTTYPE=image/jpeg:https://artgalleryapollo.com/2021/wp-content/uploads/2021/12/未命名-1-01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211201
DTEND;VALUE=DATE:20220101
DTSTAMP:20260609T075015
CREATED:20211130T235752Z
LAST-MODIFIED:20230928T042751Z
UID:6477-1638316800-1640995199@artgalleryapollo.com
SUMMARY:黃歌川個展 – 虛擬展覽 |  Solo Exhibition by HUANG Ko-Chuan – Online Exhibition
DESCRIPTION:黃歌川 冰裂紋之美\n  \n進入展覽 \n(本檔已下線，歡迎欣賞其他虛擬展覽) \n黃歌川「冰裂紋蠟染」作品，呈現如冰裂開的紋路，變化無窮，充滿立體感，讓人不經意地想要觸碰。特別是，黃歌川用冰裂紋技法，來表現樹皮的紋路、水流動的波紋、山石的肌理等，增加畫面的趣味性。 \n國際冰裂紋蠟染畫先驅 ─黃歌川研發獨創技法，將傳統蠟染工藝，跨入現代繪畫領域，重新賦予蠟染新的生命，對世界蠟染藝術發展史上，留下不可磨滅的貢獻。因作品不可複製，獨一無二，在市場上極為稀有。 \n上世紀50年代，黃歌川參與台灣現代繪畫運動，與朱德群、楊英風、陳庭詩等人，分別創立「中華民國畫學會」、「中華民國版畫學會」等，為今日台灣藝術發展奠定基業做出貢獻。 \n作品入選世界三大藝術展之一的巴西聖保羅國際雙年展、歷屆全國美展(免審查資格)等國內外聯展與個展無數，並獲國立歷史博物館、福建省美術館等國內外機構與私人藏家典藏。 \n黃歌川其名列入文化部戰後台灣美術叢書，以及國史館民國人物傳記之中。國立歷史博物館從2021起，每年8月14日訂為史博黃歌川日。 \n  \n  \nThe Beauty of Ice-Crack Batik Painting by HUANG KO-CHUAN \nHUANG KO-CHUAN created works featuring patterns akin to cracks in the ice\, full of multifarious and stereoscopic sense\, tempting one to touch them. \nIn particular \, Huang expressed the patterns of objects such as tree bark\, water flowing waves\, mountain stone texture through Ice-Crack techniques to give his works a sense of playfulness. \nAs an international pioneer in Ice-Crack Batik Painting HUANG KO-CHUAN created the exclusive ice-crack batik dyeing technique. Huang elevating traditional handicraft batik into modern art forms while infusing it with new life. Huang made an indelible contribution to the global development of batik art. As his works are unique and one of a kind\, they are very rare on the market. \nIn the 1950s\, Huang took part in the Taiwan Modern Painting Movement and established the Graphic Art Society of the Republic of China\, the Art Society of the Republic of China\, along with Chu Teh-chun\, Yang Yu-yu\, and Chen Ting-shih . Such are Huang’s contributions to setting the foundation for Taiwan’s art development today. \nHuang’s artworks were selected for numerous solo exhibitions and domestic/international joint exhibitions e.g. Bienal de São Paulo in Brazil\, which is one of the world’s top 3 art exhibitions\, and highly sought after by institutions and private collectors in Taiwan and overseas\, such as National Museum of History Taiwan and Fujian Provinical Art Museum. \nHuang is listed in books on Taiwan’s post-war art development compiled by the Ministry of Culture\, as well as biographies of people from the early Republic published by Academia Historica. From 2021\, the National Museum of History has appointed Huang Ko-Chuan Day on August 14 every year.
URL:https://artgalleryapollo.com/2021/event/%e9%bb%83%e6%ad%8c%e5%b7%9d%e5%80%8b%e5%b1%95-%e8%99%9b%e6%93%ac%e5%b1%95%e8%a6%bd-solo-exhibition-by-huang-ko-chuan-online-exhibition/
CATEGORIES:展覽
ATTACH;FMTTYPE=image/jpeg:https://artgalleryapollo.com/2021/wp-content/uploads/2021/12/官網-01-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211211
DTEND;VALUE=DATE:20220123
DTSTAMP:20260609T075015
CREATED:20211229T035449Z
LAST-MODIFIED:20220219T070124Z
UID:7651-1639180800-1642895999@artgalleryapollo.com
SUMMARY:暮光的植栽者 – 李怡萱個展
DESCRIPTION:暮光的植栽者 – 李怡萱個展\n開幕 | 2021.12.11 (六) 15:00 \n展期 | 2021.12.11-2022.01.22 \n地點 | 阿波羅畫廊 \n  \n「如小精靈的動物潛藏在畫面中各個角落，像夢幻仙境中出現的小動物在樂園裡恣意玩樂、躲藏，如同天使守護腳下這塊土地。」 \n李怡萱將父親耕種的植物躍身成主角，述說在菜園成長的土地記憶。運用裝飾性符號、二維圖式風格與蒙太奇營造畫面，以家的意象與傳統符號拼貼，表達傳承的精神。 \n「日出而作，日落而息，與土地共生共榮」，植栽者隨暮光時刻耕種的生命狀態。 \n李怡萱以壓克力顏料、岩彩顏料等複合媒材，染出層層暮光，塑造植栽者隨太陽週期作息的時間與空間氛圍，如薄霧罩染這個世代，植栽者努力耕種、為土地付出的精神性，於不同世代間激盪出情感連結的依附關係。 \n李怡萱為阿波羅畫廊與王道銀行教育基金會主辦的「構圖‧台灣」視覺藝術創作徵件計畫第二屆入圍者。陸續與畫廊合作參與「楊桃派Young&Top」、台南藝術博覽會、Whaaaaat’s Fair等展覽，今年獲選台北國際藝術博覽會MIT新人推薦。 \n本次是李怡萱首次在阿波羅畫廊的個展，期許怡萱持續激發潛力，用其藝術語彙構圖台灣。
URL:https://artgalleryapollo.com/2021/event/%e6%9a%ae%e5%85%89%e7%9a%84%e6%a4%8d%e6%a0%bd%e8%80%85-%e6%9d%8e%e6%80%a1%e8%90%b1%e5%80%8b%e5%b1%95/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
CATEGORIES:展覽
ATTACH;FMTTYPE=image/jpeg:https://artgalleryapollo.com/2021/wp-content/uploads/2021/12/展覽主圖1600x600.jpg
ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
END:VEVENT
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