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DTSTART;VALUE=DATE:20250627
DTEND;VALUE=DATE:20260101
DTSTAMP:20260605T195007
CREATED:20250627T065525Z
LAST-MODIFIED:20250704T104004Z
UID:12785-1750982400-1767225599@artgalleryapollo.com
SUMMARY:《映照》李萬全 個展 ╳ The One南園
DESCRIPTION:《映照》李萬全 個展\n展期 | 2025.06.27 – 12.31 \n地點 | The One南園人文客棧 (新竹縣新埔鎮九芎湖32號) \n  \n藝術家李萬全曾拜師前輩藝術家李石樵，在國立師範大學美術系畢業後，前往美國就讀紐約市立大學布魯克林學院研究所，爾後到法國生活數十年。這段旅外生活，除了受到不同文化的洗禮與交融，西方藝術的思維拓展其視野，以更為宏觀多元的角度融入創作，使其風景靜物作品展現獨具一格的藝術風格。 \n李萬全的創作取材於大自然，利用光線的素描原理構圖，從具象繪畫的古典主義發展到印象主義，對自然的客觀形體已有了充分的探求，進一步從外在形象的隱喻，轉化為內心主觀意識的表現。李萬全細膩觀察眼前的景象，不僅寫實描繪，經由心中反覆迴盪內化，映照藝術家心境。 \n李萬全將日常遊走的城市鄉間，繪下自然的壯麗和遼闊、船隻停泊於湖光水面等，捕捉當下瞬間的光影和場景，凝結於作品裡，流露人們生活於此，與大自然連結，隨著時間流轉有不同的景致和光線。從這次展出的作品，能感受到大自然在不同時刻的瞬息萬變。李萬全的畫筆一如相機，從他的角度，映照他的內在風景。 \n  \n\n#移動畫廊\n阿波羅畫廊成立以來致力於推廣藝術，藝術展出不局限於畫廊空間。自2018年起與異數悅遊 The One南園人文客棧 以「共好」的精神攜手合作，將藝術進駐於南園同心樓的公共空間以及各個廂房裡，讓來此隱山歇心的旅人們，恣意游於藝術之間，深入體驗臺灣原創藝術能量與實力。\n\n\n\n展期 | 2024.11.12 – 2025.04.30\n地點 | The One 南園人文客棧\n地址 | 新竹縣新埔鎮九芎湖32號\n\n\n\n**參觀及遊園請電話預約**\n預約中心 | (02)2562-1777 週一至週六 09:00~18:00\n現場服務專線 | (03)589-0011#1101、1102\n\n  \n關於藝術家 → 李萬全 \nThe One官網
URL:https://artgalleryapollo.com/2021/event/%e3%80%8a%e6%98%a0%e7%85%a7%e3%80%8b%e6%9d%8e%e8%90%ac%e5%85%a8-%e5%80%8b%e5%b1%95-%e2%95%b3-the-one%e5%8d%97%e5%9c%92/
LOCATION:The One\, 九芎湖32號\, 新埔鎮\, 新竹縣\, 台灣
CATEGORIES:slide show,展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251129
DTEND;VALUE=DATE:20251214
DTSTAMP:20260605T195007
CREATED:20251011T090900Z
LAST-MODIFIED:20251220T031707Z
UID:13442-1764374400-1765670399@artgalleryapollo.com
SUMMARY:李石樵紀念展｜巨擘薪傳-前輩藝術家系列 XIV
DESCRIPTION:李石樵紀念展｜巨擘薪傳-前輩藝術家系列 XIV\n展期｜\n2025.11.29 – 12.13\n開幕｜\n2025.11.29 (六) 15:00\n講座｜講者 / 白雪蘭\n2025.11.06 (六) 15:00 \n「藝術是一場眞刀實槍的輸贏，要有極大的勇氣與堅強的決心。它並非是一場拿刀揮劍的比舞，因為那只要比劃精采美妙即可。所以繪畫不只求畫面的完美，而要有深刻的意義與文化内容。」 ── 李石樵 \n  \n1908年出生的李石樵，在臺灣美術史有著重要的地位。1923年就讀台北師範學院，師從石川欽一郎，前往日本留學。作品曾經獲選「臺灣美術展覽會」、「帝國美術展覽會」、新「文部省美術展覽會」等多次肯定，更獲得新「文部省美術展覽會」免審查資格，是臺灣首位獲此殊榮的藝術家。爾後，擔任美術教育者，培育無數的後輩。 \n  \n李石樵不僅止於追求繪畫技術，希冀創作蘊含深刻的意義與文化內涵，作品往往反映當下的時代性。從日治時期繪出台灣特有風景，彰顯台灣本土意識；戰後歷經政權更迭，畫筆下隱喻戰後不安的歷史。面對政局的動盪，潛心研究當代各個藝術派別，力求創新；1980年代隨著台灣經濟起飛，社會逐步穩定，畫面變得明亮。以厚實亮麗的色塊，聚焦於光線的佈局，表現大自然以及台灣景色下的風俗民情。創作歷程皆流露對台灣這塊土地與人文的關懷。 \n  \n阿波羅畫廊感念臺灣前輩藝術家作為開創者，為臺灣美術立下穩固的根基，每年舉辦「巨擘薪傳」向臺灣前輩藝術家致敬。阿波羅畫廊曾舉辦5次李石樵個展，分別在1979、1984、1988、1989、1996年在1979、1984、1988、1989、1996年。今年是李石樵逝世三十週年，將展出1980年代創作的十多件作品，呈現陽光下的海灘、花卉、山林等。11月29日舉行開幕，12月6日邀請白雪蘭進行與談。誠摯邀請您蒞臨欣賞李石樵於晚期眼中的臺灣與藝術觀，以及感受當時的臺灣藝術史。 \n→ 李石樵 簡歷\n→ 虛擬展廳 \n\n“Taiwanese Masters Series XIV” —  LI Shih-Chiao Memorial ExhibitionOpening｜11.29\, 2025 Sat. 15:00Duration｜11.29 – 12.13\, 2025Speech｜12.6\, 2025 Sat. 15:00 / Speaker: Pai Hsueh-Lan \n“Art is a real battle of wins and losses\, requiring great courage and unwavering determination. It is not a graceful performance of waving swords—because in such performances\, beauty alone is enough. Painting must therefore pursue not only visual perfection but also profound meaning and cultural substance.” — LI Shih-Chiao \nBorn in 1908\, LI Shih-Chiao occupies a significant place in the history of Taiwanese art. In 1923\, he enrolled in the Taipei Normal School and studied under Ishikawa Kinichiro before pursuing further studies in Japan. His works were repeatedly selected for the Taiwan Fine Arts Exhibition\, the Imperial Fine Arts Exhibition\, and the new Ministry of Education Fine Arts Exhibition\, earning him widespread acclaim. He later received exemption from review by the new Ministry of Education Fine Arts Exhibition—the first Taiwanese artist to be granted this honor. LI went on to devote himself to art education\, nurturing generations of younger artists. \nLI Shih-Chiao’s pursuits extended far beyond technical mastery; he sought to infuse his works with deep meaning and cultural resonance\, often reflecting the spirit of the times. During the Japanese colonial period\, he painted uniquely Taiwanese landscapes that emphasized a growing local consciousness. After the war\, his works subtly conveyed the uneasy atmosphere of political transition. Amid changing regimes\, he immersed himself in various contemporary art movements and strove for innovation. By the 1980s\, as Taiwan’s economy blossomed and society stabilized\, his works took on a brighter tone. Through vibrant\, solid blocks of color and meticulous attention to light\, he depicted nature and Taiwan’s customs and scenery. Throughout his artistic journey\, LI consistently expressed profound care for Taiwan—its land and its people. \nApollo Art Gallery honors the pioneering contributions of senior Taiwanese artists who established the foundations of Taiwanese art. Each year\, the gallery presents the “Taiwanese Masters ” series as a tribute. Apollo Art Gallery has previously held five solo exhibitions for LI Shih-Chiao\, in 1979\, 1984\, 1988\, 1989\, and 1996. This year marks the 30th anniversary of LI’s passing. The exhibition will feature more than ten works from the 1980s\, showcasing scenes of sunlit beaches\, flowers\, forests\, and more. \nThe opening will take place on November 29\, and on December 6\, Pai Hsueh-Lan will join us for an in-depth dialogue.You are sincerely invited to attend\, to appreciate LI Shih-Chiao’s late artistic vision of Taiwan\, and to experience the era of Taiwanese art history that shaped his work. \n→ LI Shih-Chiao’s CV\n→ AR Exhibition
URL:https://artgalleryapollo.com/2021/event/%e7%ac%ac%e5%8d%81%e5%9b%9b%e5%b1%86-%e5%b7%a8%e6%93%98%e8%96%aa%e5%82%b3-%e6%9d%8e%e7%9f%b3%e6%a8%b5%e7%b4%80%e5%bf%b5%e5%b1%95/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
CATEGORIES:展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251220
DTEND;VALUE=DATE:20260208
DTSTAMP:20260605T195007
CREATED:20251212T102706Z
LAST-MODIFIED:20251231T071333Z
UID:13514-1766188800-1770508799@artgalleryapollo.com
SUMMARY:《會飲》黃至正個展
DESCRIPTION:《會飲》黃至正個展\n展期｜\n2025.12.20 – 2026.02.07\n開幕｜\n2025.12.20 (六) 15:00\n藝術家與談｜\n2026.01.10 (六) 15:00\n→ 報名 \n《會飲 Symposium》其展名直接援引自柏拉圖的一部對話式作品《會飲篇》，該作品記敘了一個宴會場景，眾人在宴會中探討與頌讚愛欲，最後將愛欲從單純的性慾或激情，重新定義為通往形上學真理的理性與精神驅力，而黃至正則在此次展覽中回顧與研究台灣繪畫史上同樣曾於阿波羅畫廊展出過的幾位前輩藝術家。對於至正而言，成立近半個世紀的阿波羅畫廊恰如台灣繪畫史上的一場歷史饗宴，曾於畫廊展出過的藝術家皆為饗宴的與會者之一，而畫作則是宴會上唯一流通的語言，藉由畫作的題材、筆觸與風格，酒酣耳熱的言談從不停止。 \n  \n此次展覽中，黃至正選擇以「靜物」這一經典的題材作為回應台灣美術史的方式。有別於傳統水墨畫中象徵文人雅趣的「清供圖」或「折枝花鳥」，西方靜物畫概念的傳入揭開了日治時期台灣藝術家視覺經驗的現代化轉向，藉由對靜止物體的描繪，藝術家系統性地習得了透視法與理性的科學觀察方式，台灣藝術家亦藉由加入如木瓜、香蕉、鳳梨、百合花、蘭花等南國作物，建構出清晰的在地意象。 \n  \n在《臨界》這件作品中，大量的水果被置放在鏡面上，除了台灣常見的葡萄、蘋果，亦能見到被剖開的石榴，石榴絕非在台灣常見的食物，卻是學院美術教育中，常與石膏像並置的經典臨摹對象。當黃至正在創作過程中思索何謂「在地」這一概念時，經常會想起鑲嵌在他育成經驗中的石榴種子，鏡面中的倒影恰恰是作為藝術家持續提問與思辯的證明。 \n  \n而箔作為黃至正長年關注的材料，藝術家不僅熱衷於箔所承載的文化意涵，亦著迷材質本身的特性，尤其是箔會隨著環境、光線所呈現出的多變面貌，在《扶疏》、《夜航》中，黃至正以不同的技法「擦亮」玻璃杯、「點燃」蠟燭，精心布置了一個燭火搖曳的夜宴，彷彿在作品前方走動時，能夠看見杯子映出自己的倒影，畫作中的燭光足以照亮現實。 \n  \n《餘溫》則是黃至正不吝於表達自身對於藝術家席德進的喜愛，席德進擅以大膽的筆觸與濃烈色彩刻劃人物，黃至正則以柔軟的筆觸與溫潤色調繪製樹下納涼的少年，樹影築起的浪拍打著他的身體，若席德進是以熾熱的目光注視所愛，藉此保存生命最璀璨的一刻，黃至正則總是望向事物最幽微之處，在萬物生成時預見其不可迴避之終結，對藝術家而言，烈火與餘燼盡無不同。 \n  \n在此次展覽《會飲 Symposium》中，藝術家不僅展示了對於掌握金屬箔這一特殊材料的純熟技巧，同時也是藉由回顧所展開與前輩畫家的一場宴席與言談，試圖提問作為創作者要如何真實的面對自身此時此刻的處境，且以一件件的作品構成能夠跨越時代的語句。 \n  \n黃至正畢業於東海大學美術系碩士班創作組。曾獲文化部遴選為 Art Taipei「Made In Taiwan-新人推薦特區」藝術家、臺南新藝獎首獎、阿波羅畫廊與王道銀行教育基金會主辦之「構圖．臺灣」視覺藝術創作徵件計畫入圍等獎項。作品曾受臺南市立美術館、國立臺灣美術館典藏及台中市立美術館典藏。在阿波羅畫廊的推薦與推動下，陸續參與台北國際藝術博覽會、台中藝術博覽會、台南藝術博覽會、One Art、Whatz 等多場藝博會，累計展出達十五次，並獲得眾多藏家高度關注與肯定。今年首次於阿波羅畫廊舉辦個展。 \n→ 黃至正 簡歷\n→ 欣賞 虛擬展廳 \n\n“Symposium” —  Solo Exhibition by HUANG Chih-ChengOpening｜12.20\, 2025 Sat. 15:00Duration｜12.20\, 2025 – 02.07\, 2026Artist Talk｜01.10\, 2026 Sat. 15:00\n→Sign up \n“Symposium” takes its title directly from Plato’s dialogic work Symposium\, which recounts a banquet in which the guests explore and praise the nature of Eros. The dialogue ultimately reframes Eros not merely as sexual desire or passionate impulse\, but as a rational and spiritual force leading toward metaphysical truth. \nIn this exhibition\, Huang Chih-Chen revisits and studies several pioneering Taiwanese artists who likewise exhibited at Apollo Art Gallery in earlier decades. \nFor Huang\, the nearly half-century-old Apollo Art Gallery resembles a grand feast in the history of Taiwanese painting. Every artist who has shown at the gallery becomes a participant in this historical banquet\, and the artworks serve as the sole language exchanged at the table. Through subject matter\, brushwork\, and stylistic choices\, the spirited conversations of this banquet continue without end. \n  \nIn this exhibition\, Huang Chih-Chen adopts still life\, a classical genre\, as his means of responding to the trajectory of Taiwanese art history. Distinct from the traditional ink-painting motifs such as qinggong tu or cut-branch bird-and-flower compositions\, which embody the cultivated elegance of the literati\, the introduction of Western still-life concepts marked a modern shift in the visual experience of Taiwanese artists during the Japanese colonial period. \nThrough the depiction of inanimate objects\, artists systematically acquired the use of perspective along with methods of rational\, scientific observation. Taiwanese painters further constructed a clear sense of local identity by incorporating tropical produce such as papayas\, bananas\, pineapples\, as well as lilies and orchids\, into their compositions. \n  \nIn 《Critical Point》\, a large assortment of fruits is arranged upon a mirrored surface. Alongside familiar items such as grapes and apples commonly seen in Taiwan\, the composition also features a split-open pomegranate. Although pomegranates are far from typical in Taiwanese daily life\, they remain a canonical subject of academic training\, frequently paired with plaster casts as objects for foundational study. \n  \nAs Huang Chih-Chen contemplated the notion of “locality” during his creative process\, he often recalled the pomegranate seeds embedded in his formative experiences. The reflections captured within the mirror serve precisely as evidence of the artist’s ongoing inquiry and critical reflection. \n  \nFoil\, a material that has long preoccupied Huang Chih-Chen\, engages him not only through its rich cultural connotations but also through its intrinsic physical qualities. He is particularly drawn to the way foil shifts in appearance depending on its surrounding environment and the light that strikes it. \nIn 《Sparse and Spreading》 and 《Night Flight》\, Huang employs various techniques to “polish” a glass and “ignite” a candle\, meticulously staging a nocturnal banquet illuminated by flickering flames. As viewers move before the works\, they may glimpse their own reflections cast upon the glass\, as though the candlelight within the painting were bright enough to illuminate reality itself. \n  \nIn 《Lingering Warmth》\, Huang Chih-Chen openly expresses his admiration for the artist Hsi Te-chin. While Hsi is known for his bold brushwork and vivid\, saturated colors in portraying the human figure\, Huang instead depicts a youth resting beneath a tree with gentle strokes and a warm\, subdued palette. The shadows cast by the foliage ripple across the boy’s body like waves. \n  \nIf Hsi Te-chin gazed upon his subjects with a fervent intensity\, seeking to preserve the most radiant moments of life\, then Huang Chih-Chen consistently turns his attention toward the most delicate and elusive states of being. He perceives\, at the very moment things come into existence\, the inevitability of their end. For the artist\, blazing fire and lingering embers are ultimately indistinguishable. \n  \nIn the exhibition 《Symposium》\, the artist not only demonstrates his mastery of working with metallic foil but also initiates\, through this act of retrospection\, an imagined banquet and dialogue with the painters who came before him. Through this encounter\, he seeks to question how a creator might genuinely confront their own present condition. Each work becomes a phrase capable of transcending its time\, contributing to an ongoing conversation across generations. \n  \nHuang Chih-Chen received his MFA in Fine Arts from Tunghai University. He was selected by the Ministry of Culture for Art Taipei’s “Made in Taiwan – Young Artist Discovery” program and has received several honors\, including the First Prize of the Tainan New Art Award and finalist recognition in “GOTO Taiwan\,” a visual arts initiative organized by Apollo Art Gallery and the O-Bank Education Foundation. His works have been collected by the Tainan Art Museum\, the National Taiwan Museum of Fine Arts\, and the Taichung City Tun District Art Center. \n→ HUANG Chih-Cheng’s CV\n→ AR Exhibition
URL:https://artgalleryapollo.com/2021/event/%e3%80%8a%e6%9c%83%e9%a3%b2%e3%80%8b%e9%bb%83%e8%87%b3%e6%ad%a3%e5%80%8b%e5%b1%95-2/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
CATEGORIES:slide show,展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251229
DTEND;VALUE=DATE:20260411
DTSTAMP:20260605T195007
CREATED:20260103T060416Z
LAST-MODIFIED:20260106T081532Z
UID:13659-1766966400-1775865599@artgalleryapollo.com
SUMMARY:構圖台灣 ╳ 恆。好
DESCRIPTION:構圖台灣 ╳ 恆。好\n藝術家｜\n余采軒.林千瑋.林芃穎.金祺龍.高冠羣.陳廷菲.陳怡安.傅聖雅.彭冠銘.劉康彥\n展期｜\n2025.12.29 – 2026.04.10\n地點｜恆。好\n屏東縣屏東鎮東門路2巷11弄2&4號 \n\n\n《構圖．臺灣》第四屆入圍聯展，集結十位藝術家，透過繪畫、裝置與複合媒材等形式，呈現當代創作中對空間、日常與文化感知的多元回應。本屆展覽延續「構圖．臺灣」對於當代視覺語彙的關注，呈現年輕世代藝術家在各自創作脈絡中的觀察與實踐。\n\n\n\n「恆 · 好」是阿波羅畫廊位於屏東恆春的展覽空間，自2017年起持續策劃並推出多元展覽，邀請不同世代與創作背景的藝術家於此發表作品，逐步建立南臺灣穩定的藝術據點。空間座落於恆春東門，也讓藝術融入日常風景，成為旅途中可駐足停留的文化場域。\n\n\n→恆。好\n\n\n《Go To Taiwan》Joint Exhibition  \n\nArtists｜\nYU Cai-Xuan\, LIN Chien-Wei\, LIN Peng-Ying\, JIN Chi-Lung\, KAO Kuan-Chun\, CHEN Ting-Fei\, CHEN Yi-An\, FU Sheng-Ya\, PENG Guan-Ming\, LIU Kang -Yen\nDuration｜\n2025.12.29 – 2026.04.10\nLocation｜HunHau\n\nNo. 2\, Aly. 11\, Ln. 2\, Dongmen Rd.\, Hengchun Township\, Pingtung County 946\, Taiwan \nGo To Taiwan: The 4th Selected Artists Joint Exhibition brings together ten artists working across painting\, installation\, and mixed media. Through diverse artistic approaches\, the exhibition presents multifaceted responses to space\, everyday life\, and cultural perception in contemporary practice. Continuing the exhibition’s long-standing focus on contemporary visual language\, this edition highlights observations and artistic practices shaped by different generational and creative contexts. \n「HunHau」 is an exhibition space of Apollo Art Gallery located in Hengchun\, Pingtung. Since 2017\, it has continuously curated and presented a diverse range of exhibitions\, inviting artists from different generations and creative backgrounds to present their works\, gradually establishing a stable art presence in southern Taiwan. Situated within the historic Hengchun Old Town\, the space allows art to merge naturally into the everyday landscape\, becoming a cultural stop where visitors can pause and engage during their journey. \nWelcome to wander through HunHau Old Town and visit Heng. Hao to experience the artworks. \n\n\n→HunHau
URL:https://artgalleryapollo.com/2021/event/13659/
LOCATION:恆。好 HunHau\, 東門路2巷11弄4號\, 恆春鎮\, 屏東縣\, 台灣
CATEGORIES:slide show,展覽
ATTACH;FMTTYPE=image/jpeg:https://artgalleryapollo.com/2021/wp-content/uploads/2026/01/官網_.jpg
ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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