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DTSTART;VALUE=DATE:20260321
DTEND;VALUE=DATE:20260607
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SUMMARY:《靜謐之光》陳淑華.林祐如.王雯 漆畫聯展 ╳ 望春風文化藝術基金會
DESCRIPTION:《靜謐之光》陳淑華.林祐如.王雯 漆畫聯展 ╳ 望春風文化藝術基金會\n展期｜2026.03.21 – 06.06\n開幕｜2026.03.21 (六) 15:00\n主辦｜望春風文化藝術基金會\n策展｜阿波羅畫廊\n地點｜望春風文化藝術基金會 (高雄市鼓山區中華一路868號HH大樓26樓)\n預約參觀｜https://lin.ee/mc5OCUE \n  \n《靜謐之光》匯集陳淑華、林祐如、王雯，三位女性藝術家的漆畫創作。他們皆以大自然為創作起點，從花草樹木、山海瀑布，到動物與生命的律動，展現萬物蓬勃的生機。漆畫媒材取自於大自然，創作需要歷經打磨、拋光等多重工序，經過時間的等候，淬鍊成藝術作品。接受大自然的沐浴，透過漆藝層層堆疊與刻劃，將靜謐的內在風景，轉化為獨特的光。 \n資深藝術家陳淑華，以油彩第一名畢業於國立臺灣師範大學美術系，遠赴法國巴黎攻讀美術史博士，創作與學術兼具。2000年代偶然接觸漆藝，著迷於天然漆質感與古樸，投入漆藝創作。回到母校任職教授，從事漆藝教學。生長於彰化農村，自然對於陳淑華而言給予無限的喜悅。她以細膩沉穩的筆觸描繪自然萬物，以及伴隨童年成長的記憶。《富貴白首》牡丹花綻放，鳥站在枝頭上，呈現大自然繁盛的樣貌。畫面微妙的光澤與反射，如同靜謐自然中的呼吸，為觀者帶來平衡與安定的感受。 \n林祐如曾獲選第二屆「構圖．臺灣」首獎及望春風文化藝術基金會主辦的台灣意象繪畫比賽第一名，為基金會的一台紅色Fazioli演奏型鋼琴繪製《蝴蝶展翅》。從土地環境思考，將漆藝媒材結合，以光影錯視，融合繪畫語言與漆藝工藝，構築介於抽象與風景之間的視覺場域，轉化為光影錯視與節奏流動的「記憶風景」，隱喻當代資訊洪流與時代連結的集體感知。《日光瀑布》以十分瀑布為題，表現壯闊奔流的網路資訊，亦如彩虹淵絢麗多元的世界樣態。 \n王雯曾榮獲第二屆「構圖．臺灣」參獎。其作品呈現漆畫細緻的紋理和艷麗的色彩。「孔雀」是兒時美好的記憶，作為超現實的象徵意象，將日常生活中的自然景致與內心深處所嚮往的境界融合。《都市人的窺探》都市裡細看行道樹一角，如同森林裡樹木茂盛的蕨類，孔雀開屏的氣勢。期許平凡生活保有理想與創造不凡。 \n本次展覽感謝望春風文化藝術基金會陳秀麗董事長邀請，阿波羅畫廊長期推薦藝術家陳淑華、林祐如、王雯，策劃漆畫聯展，透過三位藝術家的作品，不僅欣賞漆畫的魅力，感受藝術家從大自然帶來的禮讚，醞釀成精彩的藝術創作。 \n\n  \n關於藝術家 → 陳淑華.林祐如.王雯 \n\n“Tranquil Radiance” — Lacquer Painting Group ExhibitionCHEN Shu-Hwa · LIN Yu-Ju · Wang WenWang Chun-Feng Culture and Arts Foundation ╳ Apollo Art Gallery \nOrganizer | Wang Chun-Feng Culture and Arts FoundationCurator | Apollo Art GalleryDuration | 2026.03.21-06.06Opening | 2026.03.21 Sat. 15:00Venue | Spring Breeze Culture and Arts Foundation26F\, HH Building\, No. 868\, Zhonghua 1st Rd.\, Gushan Dist.\, Kaohsiung\, Taiwan \n  \n“Tranquil Radiance” brings together lacquer works by three female artists—CHEN Shu-Hwa\, LIN Yu-Ju\, and Wang Wen. Each begins with nature as a point of departure\, drawing inspiration from flowers and trees\, mountains and seas\, waterfalls\, animals\, and the rhythms of life\, revealing the vitality and flourishing energy of all living things. Lacquer\, a medium derived from nature\, requires meticulous processes such as layering\, polishing\, and repeated refinement. Through the passage of time\, it is distilled into art. Immersed in nature\, the artists build and carve layer upon layer\, transforming inner landscapes of stillness into a unique radiance. \nSenior artist CHEN Shu-Hwa graduated top of her class in oil painting from the Department of Fine Arts at National Taiwan Normal University\, later earning a Ph.D. in Art History in Paris\, embodying both artistic practice and academic achievement. In the 2000s\, she encountered lacquer art by chance and became captivated by its natural texture and timeless simplicity\, devoting herself to its practice. Returning to her alma mater as a professor\, she has since dedicated herself to teaching lacquer art. Raised in the rural countryside of Changhua\, nature has been a boundless source of joy for her. With delicate and composed brushwork\, she depicts the natural world alongside memories from her childhood. In “Prosperity and longevity together\,” blooming peonies and a bird perched on a branch present a vision of nature in full abundance. The subtle sheen and reflections within the composition evoke the quiet breath of nature\, offering viewers a sense of balance and serenity. \nLIN Yu-Ju received the First Prize in the Second “Go To Taiwan” competition\, as well as First Prize in the Taiwan Image Painting Competition organized by the Spring Breeze Culture and Arts Foundation\, for which she created “Butterfly in Flight” on a red Fazioli grand piano. Grounded in reflections on land and environment\, she integrates lacquer techniques with painterly language\, employing optical illusions of light and shadow to construct a visual field between abstraction and landscape. Her works transform into “memory landscapes” shaped by shifting light\, rhythm\, and perception\, metaphorically reflecting the collective consciousness formed within the rapid flow of contemporary information. “Sunlight waterfall\,” inspired by Shifen Waterfall\, evokes the powerful of digital information\, akin to a radiant\, multifaceted world reminiscent of a rainbow-hued abyss. \nWang Wen was awarded Third Prize in the Second “Go To Taiwan” competition. Her works are distinguished by the intricate textures and vivid colors characteristic of lacquer painting. The “peacock\,” a cherished childhood memory\, becomes a surreal symbolic motif\, merging everyday natural scenery with an inner realm of aspiration. In “Urbanites’s peek\,” a close observation of roadside trees in the city recalls the كث lushness of forest ferns and the grandeur of a peacock displaying its plumage. Through this\, she expresses a hope that even within ordinary life\, one may retain ideals and create something extraordinary. \nThis exhibition is made possible through the kind invitation of Chairperson Chen Hsiu-Li of the Wang Chun-Feng Culture and Arts Foundation. Apollo Gallery has long supported and represented CHEN Shu-Hwa\, LIN Yu-Ju\, and Wang Wen\, and has curated this lacquer group exhibition. Through the works of these three artists\, viewers are invited not only to appreciate the unique charm of lacquer art\, but also to experience a poetic tribute to nature—transformed into compelling and refined artistic expressions. \n  \nArtists’ CV → CHEN Shu-Hwa\, LIN Yu-Ju\, Wang Wen
URL:https://artgalleryapollo.com/2021/event/%e3%80%8a%e9%9d%9c%e8%ac%90%e4%b9%8b%e5%85%89%e3%80%8b%e9%99%b3%e6%b7%91%e8%8f%af-%e6%9e%97%e7%a5%90%e5%a6%82-%e7%8e%8b%e9%9b%af-%e6%bc%86%e7%95%ab%e8%81%af%e5%b1%95-%e2%95%b3-%e6%9c%9b%e6%98%a5/
LOCATION:望春風文化藝術基金會\, 中華一路868號HH大樓26樓\, 高雄市鼓山區\, Taiwan
CATEGORIES:slide show,展覽
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260604
DTEND;VALUE=DATE:20260608
DTSTAMP:20260605T121357
CREATED:20260509T033117Z
LAST-MODIFIED:20260529T071759Z
UID:14053-1780531200-1780876799@artgalleryapollo.com
SUMMARY:台中藝術博覽會_阿波羅畫廊_展位B08
DESCRIPTION:《映像之所》 \n  \n「映像」不只是畫面，更是情感與記憶的投射；「之所」則是一方安放這些思緒的空間。本展匯集 戴壁吟、胡文賢、Uwe Mertsch、廖迎晰、裵秀英、黃至正、洪司丞、劉默霖、練佳昕、彭冠銘，以及臺藝新人獎 王蘊臻，十一位來自不同世代與文化背景的藝術家，透過各自的創作實踐，回應世界、時間與自我之間的關係。 \n在這些作品中，觀看呈現出多樣而不一致的狀態。有些藝術家以細膩而專注的方式貼近現實經驗，試圖捕捉感知中的細節與質地；也有創作選擇保留模糊、留白或沉默，使觀看成為一種未完成、持續生成的過程。媒材橫跨繪畫、水墨、工藝、雕塑、裝置與複合形式，藝術家將個人的生命經驗、情感狀態與環境感受，轉化為畫面、材料與空間結構，使作品成為被保留下來的感知痕跡。 \n《映像之所》並不試圖建立單一的觀看標準，而是並置多種理解世界的方式，讓不同創作在同一空間中彼此對話。作品所承載的，不只是對外在世界的回應，也是一種回望自身的過程。每一件作品都是一則靜謐的故事，等待觀者在行走與停留之間，映照自身的記憶、感受與所處的位置。 \n  \n欣賞 → 虛擬展廳 \n  \n━━━━━━━━━━━━━━尊榮貴賓預展2026.06.04（四）12:00－20:00公眾展覽2026.06.05（五）11:00－19:002026.06.06（六）11:00－19:002026.06.07（日）11:00－18:00地點｜臺中國際會展中心 4樓 H廳地址｜臺中市西屯區黎明路三段1000號 \n\n2026 Art Taichung Exhibition Proposal \nCuratorial Theme: 《Reflections》 \nReflections brings together artists from different generations and cultural backgrounds\, including Dai Bih-In\, Santos Hu\, Uwe Mertsch\, Liao Ying-Hsi\, Bae Soo-Young\, Huang Chih-Cheng\, Hung Shih-Cheng\, Liu Mo-Lin\, Lian Chia-Shin\, and Peng Guan-Ming\, as well as the NTUA Emerging Artist Award — Wang Yun-Zhen \nThrough their individual artistic practices\, the exhibition explores the relationships between the world\, time\, and the self. \nWithin these works\, the act of seeing unfolds in diverse and non-uniform ways. Some artists approach lived experience with precision and attentiveness\, seeking to capture subtle details and textures of perception. Others deliberately preserve ambiguity\, blankness\, or silence\, allowing viewing to remain an open-ended and continuously evolving process. Spanning media such as painting\, ink\, craft\, sculpture\, installation\, and mixed forms\, the artists transform personal life experiences\, emotional states\, and environmental awareness into images\, materials\, and spatial structures. Each work thus becomes a trace of perception\, preserved through artistic form. \nRather than proposing a single mode of interpretation\, Reflections places multiple ways of understanding the world side by side\, enabling dialogue among different artistic approaches within a shared space. The works do not merely respond to external realities\, but also embody a process of self-reflection. Each piece stands as a quiet narrative\, inviting viewers—through movement and pause—to reflect upon their own memories\, emotions\, and sense of place. \n  \nView AR Exhibition\n\n\n\n\n\n\n\n\n\n\n\nVIP Preview2026.06.04 (Thu) 12:00–20:00 \nPublic Exhibition2026.06.05 (Fri) 11:00–19:002026.06.06 (Sat) 11:00–19:002026.06.07 (Sun) 11:00–18:00 \nVenue｜4F\, Hall H\, Taichung International Convention & Exhibition CenterAddress｜No. 1000\, Sec. 3\, Liming Rd.\, Xitun Dist.\, Taichung City\, Taiwan \n\n\n\n\n\n\n\n\n 
URL:https://artgalleryapollo.com/2021/event/%e5%8f%b0%e4%b8%ad%e8%97%9d%e8%a1%93%e5%8d%9a%e8%a6%bd%e6%9c%83_%e9%98%bf%e6%b3%a2%e7%be%85%e7%95%ab%e5%bb%8a_%e5%b1%95%e4%bd%8db08/
CATEGORIES:slide show,展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260620
DTEND;VALUE=DATE:20260802
DTSTAMP:20260605T121357
CREATED:20260505T072526Z
LAST-MODIFIED:20260529T090316Z
UID:14442-1781913600-1785628799@artgalleryapollo.com
SUMMARY:吟遊於母星之間｜曾詩涵 個展
DESCRIPTION:吟遊於母星之間｜曾詩涵 個展\n展期｜\n2026.06.20 – 08.01\n開幕｜\n2026.06.20 (六) 15:00\n藝術家與談｜\n2026.07.04 (六) 15:00\n→ 報名 \n《吟遊於母星之間》聚焦藝術家曾詩涵近年重要生命經驗與精神轉化歷程，靈感源自2025年前往尼泊爾喜馬拉雅山聖母峰基地營（EBC）健行，以及同年於法國科西嘉島駐村的經驗。透過膠彩、水墨與礦物顏料層層堆疊，藝術家重新編織自然地景與內在感知之間的關係。 \n近年曾詩涵的創作逐漸由具象敘事轉向精神性探索。面對高海拔環境中的氣候變化、身體極限與旅途中的自我對話，她將山脈、河流、動物與能量感受轉化為畫面中的精神痕跡。作品大量運用膠彩揉紙技法，結合礦物、新岩與土顏料堆疊出如岩層般的肌理，也首次嘗試手工手抄紙創作，描繪帶有神秘色彩的靈獸意象。 \n曾詩涵與阿波羅畫廊合作多年，最早於2016年參與台北國際當代藝術博覽會 Young Art Taipei 2016（YAT 2016），其後於2017年參與阿波羅畫廊新銳藝術家助長計畫《楊桃派》，並持續參與畫廊策劃之展覽與藝術博覽會。此次個展亦呈現藝術家多年創作累積的重要階段，展現藝術家與畫廊長期合作脈絡中的重要成果，邀請觀者進入一段關於自然、生命與內在感知的精神旅程。 \n  \n→ 曾詩涵 簡歷 \n\n“Wandering Between Origins” —  Solo Exhibition by TSENG Shih-HanOpening｜20.06\, 2026 Sat. 15:00Duration｜20.06 – 01.08\, 2026Artist Talk｜04.07\, 2026 Sat. 15:00\n→Sign up \n  \nWandering Between Origins centers on Taiwanese artist TSENG Shih-Han’s recent life experiences and process of spiritual transformation. The exhibition is inspired by her 2025 trek to Everest Base Camp (EBC) in the Himalayas of Nepal\, as well as her residency experience in Corsica\, France later that year. Through layered applications of Nihonga\, ink\, and mineral pigments\, the artist reconstructs the relationship between natural landscapes and inner perception. \nIn recent years\, TSENG’s artistic practice has gradually shifted from figurative narratives toward spiritual exploration. Confronting changing climates\, physical limits\, and moments of self-reflection within high-altitude environments\, she transforms mountains\, rivers\, animals\, and energetic sensations into spiritual traces embedded within her paintings. Many works employ the traditional crumpling-paper technique in Nihonga\, layered with mineral pigments\, synthetic mineral pigments\, and earth pigments to create textures reminiscent of geological formations. The artist also presents handmade paper works for the first time\, depicting mystical spiritual creatures and imagined beings. \nTSENG Shih-Han has maintained a long-term relationship with Apollo Art Gallery. Her earliest participation with the gallery dates back to Young Art Taipei 2016 (YAT 2016)\, followed by Young & Top\, Apollo Art Gallery’s emerging artist support project\, in 2017. Since then\, she has continuously participated in exhibitions and art fairs organized by the gallery. This solo exhibition represents an important stage in the artist’s evolving practice and reflects the long-term trajectory of collaboration between the artist and the gallery. \n  \n→ TSENG Shih-Han’s CV
URL:https://artgalleryapollo.com/2021/event/%e3%80%8a%e5%90%9f%e9%81%8a%e6%96%bc%e6%af%8d%e6%98%9f%e4%b9%8b%e9%96%93%e3%80%8b%e6%9b%be%e8%a9%a9%e6%b6%b5-%e5%80%8b%e5%b1%95-2/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
CATEGORIES:slide show,展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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