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DTSTART;VALUE=DATE:20251220
DTEND;VALUE=DATE:20260208
DTSTAMP:20260605T212420
CREATED:20251212T102706Z
LAST-MODIFIED:20251231T071333Z
UID:13514-1766188800-1770508799@artgalleryapollo.com
SUMMARY:《會飲》黃至正個展
DESCRIPTION:《會飲》黃至正個展\n展期｜\n2025.12.20 – 2026.02.07\n開幕｜\n2025.12.20 (六) 15:00\n藝術家與談｜\n2026.01.10 (六) 15:00\n→ 報名 \n《會飲 Symposium》其展名直接援引自柏拉圖的一部對話式作品《會飲篇》，該作品記敘了一個宴會場景，眾人在宴會中探討與頌讚愛欲，最後將愛欲從單純的性慾或激情，重新定義為通往形上學真理的理性與精神驅力，而黃至正則在此次展覽中回顧與研究台灣繪畫史上同樣曾於阿波羅畫廊展出過的幾位前輩藝術家。對於至正而言，成立近半個世紀的阿波羅畫廊恰如台灣繪畫史上的一場歷史饗宴，曾於畫廊展出過的藝術家皆為饗宴的與會者之一，而畫作則是宴會上唯一流通的語言，藉由畫作的題材、筆觸與風格，酒酣耳熱的言談從不停止。 \n  \n此次展覽中，黃至正選擇以「靜物」這一經典的題材作為回應台灣美術史的方式。有別於傳統水墨畫中象徵文人雅趣的「清供圖」或「折枝花鳥」，西方靜物畫概念的傳入揭開了日治時期台灣藝術家視覺經驗的現代化轉向，藉由對靜止物體的描繪，藝術家系統性地習得了透視法與理性的科學觀察方式，台灣藝術家亦藉由加入如木瓜、香蕉、鳳梨、百合花、蘭花等南國作物，建構出清晰的在地意象。 \n  \n在《臨界》這件作品中，大量的水果被置放在鏡面上，除了台灣常見的葡萄、蘋果，亦能見到被剖開的石榴，石榴絕非在台灣常見的食物，卻是學院美術教育中，常與石膏像並置的經典臨摹對象。當黃至正在創作過程中思索何謂「在地」這一概念時，經常會想起鑲嵌在他育成經驗中的石榴種子，鏡面中的倒影恰恰是作為藝術家持續提問與思辯的證明。 \n  \n而箔作為黃至正長年關注的材料，藝術家不僅熱衷於箔所承載的文化意涵，亦著迷材質本身的特性，尤其是箔會隨著環境、光線所呈現出的多變面貌，在《扶疏》、《夜航》中，黃至正以不同的技法「擦亮」玻璃杯、「點燃」蠟燭，精心布置了一個燭火搖曳的夜宴，彷彿在作品前方走動時，能夠看見杯子映出自己的倒影，畫作中的燭光足以照亮現實。 \n  \n《餘溫》則是黃至正不吝於表達自身對於藝術家席德進的喜愛，席德進擅以大膽的筆觸與濃烈色彩刻劃人物，黃至正則以柔軟的筆觸與溫潤色調繪製樹下納涼的少年，樹影築起的浪拍打著他的身體，若席德進是以熾熱的目光注視所愛，藉此保存生命最璀璨的一刻，黃至正則總是望向事物最幽微之處，在萬物生成時預見其不可迴避之終結，對藝術家而言，烈火與餘燼盡無不同。 \n  \n在此次展覽《會飲 Symposium》中，藝術家不僅展示了對於掌握金屬箔這一特殊材料的純熟技巧，同時也是藉由回顧所展開與前輩畫家的一場宴席與言談，試圖提問作為創作者要如何真實的面對自身此時此刻的處境，且以一件件的作品構成能夠跨越時代的語句。 \n  \n黃至正畢業於東海大學美術系碩士班創作組。曾獲文化部遴選為 Art Taipei「Made In Taiwan-新人推薦特區」藝術家、臺南新藝獎首獎、阿波羅畫廊與王道銀行教育基金會主辦之「構圖．臺灣」視覺藝術創作徵件計畫入圍等獎項。作品曾受臺南市立美術館、國立臺灣美術館典藏及台中市立美術館典藏。在阿波羅畫廊的推薦與推動下，陸續參與台北國際藝術博覽會、台中藝術博覽會、台南藝術博覽會、One Art、Whatz 等多場藝博會，累計展出達十五次，並獲得眾多藏家高度關注與肯定。今年首次於阿波羅畫廊舉辦個展。 \n→ 黃至正 簡歷\n→ 欣賞 虛擬展廳 \n\n“Symposium” —  Solo Exhibition by HUANG Chih-ChengOpening｜12.20\, 2025 Sat. 15:00Duration｜12.20\, 2025 – 02.07\, 2026Artist Talk｜01.10\, 2026 Sat. 15:00\n→Sign up \n“Symposium” takes its title directly from Plato’s dialogic work Symposium\, which recounts a banquet in which the guests explore and praise the nature of Eros. The dialogue ultimately reframes Eros not merely as sexual desire or passionate impulse\, but as a rational and spiritual force leading toward metaphysical truth. \nIn this exhibition\, Huang Chih-Chen revisits and studies several pioneering Taiwanese artists who likewise exhibited at Apollo Art Gallery in earlier decades. \nFor Huang\, the nearly half-century-old Apollo Art Gallery resembles a grand feast in the history of Taiwanese painting. Every artist who has shown at the gallery becomes a participant in this historical banquet\, and the artworks serve as the sole language exchanged at the table. Through subject matter\, brushwork\, and stylistic choices\, the spirited conversations of this banquet continue without end. \n  \nIn this exhibition\, Huang Chih-Chen adopts still life\, a classical genre\, as his means of responding to the trajectory of Taiwanese art history. Distinct from the traditional ink-painting motifs such as qinggong tu or cut-branch bird-and-flower compositions\, which embody the cultivated elegance of the literati\, the introduction of Western still-life concepts marked a modern shift in the visual experience of Taiwanese artists during the Japanese colonial period. \nThrough the depiction of inanimate objects\, artists systematically acquired the use of perspective along with methods of rational\, scientific observation. Taiwanese painters further constructed a clear sense of local identity by incorporating tropical produce such as papayas\, bananas\, pineapples\, as well as lilies and orchids\, into their compositions. \n  \nIn 《Critical Point》\, a large assortment of fruits is arranged upon a mirrored surface. Alongside familiar items such as grapes and apples commonly seen in Taiwan\, the composition also features a split-open pomegranate. Although pomegranates are far from typical in Taiwanese daily life\, they remain a canonical subject of academic training\, frequently paired with plaster casts as objects for foundational study. \n  \nAs Huang Chih-Chen contemplated the notion of “locality” during his creative process\, he often recalled the pomegranate seeds embedded in his formative experiences. The reflections captured within the mirror serve precisely as evidence of the artist’s ongoing inquiry and critical reflection. \n  \nFoil\, a material that has long preoccupied Huang Chih-Chen\, engages him not only through its rich cultural connotations but also through its intrinsic physical qualities. He is particularly drawn to the way foil shifts in appearance depending on its surrounding environment and the light that strikes it. \nIn 《Sparse and Spreading》 and 《Night Flight》\, Huang employs various techniques to “polish” a glass and “ignite” a candle\, meticulously staging a nocturnal banquet illuminated by flickering flames. As viewers move before the works\, they may glimpse their own reflections cast upon the glass\, as though the candlelight within the painting were bright enough to illuminate reality itself. \n  \nIn 《Lingering Warmth》\, Huang Chih-Chen openly expresses his admiration for the artist Hsi Te-chin. While Hsi is known for his bold brushwork and vivid\, saturated colors in portraying the human figure\, Huang instead depicts a youth resting beneath a tree with gentle strokes and a warm\, subdued palette. The shadows cast by the foliage ripple across the boy’s body like waves. \n  \nIf Hsi Te-chin gazed upon his subjects with a fervent intensity\, seeking to preserve the most radiant moments of life\, then Huang Chih-Chen consistently turns his attention toward the most delicate and elusive states of being. He perceives\, at the very moment things come into existence\, the inevitability of their end. For the artist\, blazing fire and lingering embers are ultimately indistinguishable. \n  \nIn the exhibition 《Symposium》\, the artist not only demonstrates his mastery of working with metallic foil but also initiates\, through this act of retrospection\, an imagined banquet and dialogue with the painters who came before him. Through this encounter\, he seeks to question how a creator might genuinely confront their own present condition. Each work becomes a phrase capable of transcending its time\, contributing to an ongoing conversation across generations. \n  \nHuang Chih-Chen received his MFA in Fine Arts from Tunghai University. He was selected by the Ministry of Culture for Art Taipei’s “Made in Taiwan – Young Artist Discovery” program and has received several honors\, including the First Prize of the Tainan New Art Award and finalist recognition in “GOTO Taiwan\,” a visual arts initiative organized by Apollo Art Gallery and the O-Bank Education Foundation. His works have been collected by the Tainan Art Museum\, the National Taiwan Museum of Fine Arts\, and the Taichung City Tun District Art Center. \n→ HUANG Chih-Cheng’s CV\n→ AR Exhibition
URL:https://artgalleryapollo.com/2021/event/%e3%80%8a%e6%9c%83%e9%a3%b2%e3%80%8b%e9%bb%83%e8%87%b3%e6%ad%a3%e5%80%8b%e5%b1%95-2/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
CATEGORIES:slide show,展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20251229
DTEND;VALUE=DATE:20260411
DTSTAMP:20260605T212420
CREATED:20260103T060416Z
LAST-MODIFIED:20260106T081532Z
UID:13659-1766966400-1775865599@artgalleryapollo.com
SUMMARY:構圖台灣 ╳ 恆。好
DESCRIPTION:構圖台灣 ╳ 恆。好\n藝術家｜\n余采軒.林千瑋.林芃穎.金祺龍.高冠羣.陳廷菲.陳怡安.傅聖雅.彭冠銘.劉康彥\n展期｜\n2025.12.29 – 2026.04.10\n地點｜恆。好\n屏東縣屏東鎮東門路2巷11弄2&4號 \n\n\n《構圖．臺灣》第四屆入圍聯展，集結十位藝術家，透過繪畫、裝置與複合媒材等形式，呈現當代創作中對空間、日常與文化感知的多元回應。本屆展覽延續「構圖．臺灣」對於當代視覺語彙的關注，呈現年輕世代藝術家在各自創作脈絡中的觀察與實踐。\n\n\n\n「恆 · 好」是阿波羅畫廊位於屏東恆春的展覽空間，自2017年起持續策劃並推出多元展覽，邀請不同世代與創作背景的藝術家於此發表作品，逐步建立南臺灣穩定的藝術據點。空間座落於恆春東門，也讓藝術融入日常風景，成為旅途中可駐足停留的文化場域。\n\n\n→恆。好\n\n\n《Go To Taiwan》Joint Exhibition  \n\nArtists｜\nYU Cai-Xuan\, LIN Chien-Wei\, LIN Peng-Ying\, JIN Chi-Lung\, KAO Kuan-Chun\, CHEN Ting-Fei\, CHEN Yi-An\, FU Sheng-Ya\, PENG Guan-Ming\, LIU Kang -Yen\nDuration｜\n2025.12.29 – 2026.04.10\nLocation｜HunHau\n\nNo. 2\, Aly. 11\, Ln. 2\, Dongmen Rd.\, Hengchun Township\, Pingtung County 946\, Taiwan \nGo To Taiwan: The 4th Selected Artists Joint Exhibition brings together ten artists working across painting\, installation\, and mixed media. Through diverse artistic approaches\, the exhibition presents multifaceted responses to space\, everyday life\, and cultural perception in contemporary practice. Continuing the exhibition’s long-standing focus on contemporary visual language\, this edition highlights observations and artistic practices shaped by different generational and creative contexts. \n「HunHau」 is an exhibition space of Apollo Art Gallery located in Hengchun\, Pingtung. Since 2017\, it has continuously curated and presented a diverse range of exhibitions\, inviting artists from different generations and creative backgrounds to present their works\, gradually establishing a stable art presence in southern Taiwan. Situated within the historic Hengchun Old Town\, the space allows art to merge naturally into the everyday landscape\, becoming a cultural stop where visitors can pause and engage during their journey. \nWelcome to wander through HunHau Old Town and visit Heng. Hao to experience the artworks. \n\n\n→HunHau
URL:https://artgalleryapollo.com/2021/event/13659/
LOCATION:恆。好 HunHau\, 東門路2巷11弄4號\, 恆春鎮\, 屏東縣\, 台灣
CATEGORIES:slide show,展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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DTSTART;TZID=Asia/Taipei:20260106T080000
DTEND;TZID=Asia/Taipei:20260106T170000
DTSTAMP:20260605T212420
CREATED:20260106T033735Z
LAST-MODIFIED:20260123T063440Z
UID:13693-1767686400-1767718800@artgalleryapollo.com
SUMMARY:《臨界之間》李萬全.胡文賢.林嶺森 聯展 ╳ The One南園
DESCRIPTION:《臨界之間》李萬全.胡文賢.林嶺森 聯展 ╳ The One南園\n展期 | 2026.01.02 – 06.01 \n地點 | The One南園人文客棧 (新竹縣新埔鎮九芎湖32號) \n  \n《臨界之間》呈現停留、過渡、稍縱即逝之感，現實與想像的聯展。作品展示靜物、風景與花卉，畫面中既有船舶停靠於岸邊的瞬間，也有花卉綻放之際所展現的生命節奏，並伴隨著脫離純粹再現、滲入想像的景物。這些景象彷彿停留在行動尚未發生之前，介於抵達與啟程、現實與心象之間。三位藝術家李萬全、胡文賢、林嶺森，皆以油彩以各自的創作語言，捕捉風景的臨界狀態，使觀看成為一種對時間與感知的凝視。 \n李萬全曾旅居法國，行走於城市與鄉間之間。他將港口中停泊的船舶，或是鄉野間的自然風景，成為創作題材。李萬全以光線的素描原理作為構圖基礎，從具象繪畫的古典語彙出發，逐步吸收印象主義對光與感知的理解，對自然的客觀形體進行深入探求，進一步內化將情感投入其中，呈現出客觀與主觀間的臨界之際。 \n胡文賢以靜物為其主要題材，他融合超現實主義，將內在的思想、幻想及理想忠實的呈現。複合圖像與錯置空間融合。把日常生活所見的瓶花、蔬果食糧、器具等靜物，透過色彩與筆觸的布局，古典之中帶有獨具氛圍的奇幻與浪漫之感。遊走於現實與異想的臨界線。 \n林嶺森以照片寫實風格凝結大自然瞬息萬變的光影。他的畫筆如同攝影鏡頭般敏銳，構圖與色調講究而細膩，表達理想中的自然風貌。林嶺森將陽光底下花卉綻放的動人姿態，流露出最美好的一面。奔騰的瀑布，希臘羅馬古城的融入，帶有超現實的元素，增添想像。展現流動之中，瞬息的臨界點。 \n本次展覽期待透過三位藝術家的作品，引領觀者感受介於停留與流動、現實與想像之間的臨界風景。 \n  \n\n#移動畫廊\n阿波羅畫廊成立以來致力於推廣藝術，藝術展出不局限於畫廊空間。自2018年起與異數悅遊 The One南園人文客棧 以「共好」的精神攜手合作，將藝術進駐於南園同心樓的公共空間以及各個廂房裡，讓來此隱山歇心的旅人們，恣意游於藝術之間，深入體驗臺灣原創藝術能量與實力。\n\n\n\n展期 | 2024.11.12 – 2025.04.30\n地點 | The One 南園人文客棧\n地址 | 新竹縣新埔鎮九芎湖32號\n\n\n\n**參觀及遊園請電話預約**\n預約中心 | (02)2562-1777 週一至週六 09:00~18:00\n現場服務專線 | (03)589-0011#1101、1102\n\n  \n關於藝術家 → 李萬全 胡文賢 林嶺森 \nThe One官網
URL:https://artgalleryapollo.com/2021/event/%e3%80%8a%e8%87%a8%e7%95%8c%e4%b9%8b%e9%96%93%e3%80%8b%e6%9d%8e%e8%90%ac%e5%85%a8-%e8%83%a1%e6%96%87%e8%b3%a2-%e6%9e%97%e5%b6%ba%e6%a3%ae-%e8%81%af%e5%b1%95-%e2%95%b3-the-one%e5%8d%97%e5%9c%92/
CATEGORIES:slide show,展覽
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