《臨界之間》李萬全.胡文賢.林嶺森 聯展 ╳ The One南園
2026-01-06 08:00 - 17:00 (Asia/Taipei)
《臨界之間》李萬全.胡文賢.林嶺森 聯展 ╳ The One南園
展期 | 2026.01.02 – 06.01
地點 | The One南園人文客棧 (新竹縣新埔鎮九芎湖32號)

《臨界之間》呈現停留、過渡、稍縱即逝之感，現實與想像的聯展。作品展示靜物、風景與花卉，畫面中既有船舶停靠於岸邊的瞬間，也有花卉綻放之際所展現的生命節奏，並伴隨著脫離純粹再現、滲入想像的景物。這些景象彷彿停留在行動尚未發生之前，介於抵達與啟程、現實與心象之間。三位藝術家李萬全、胡文賢、林嶺森，皆以油彩以各自的創作語言，捕捉風景的臨界狀態，使觀看成為一種對時間與感知的凝視。
李萬全曾旅居法國，行走於城市與鄉間之間。他將港口中停泊的船舶，或是鄉野間的自然風景，成為創作題材。李萬全以光線的素描原理作為構圖基礎，從具象繪畫的古典語彙出發，逐步吸收印象主義對光與感知的理解，對自然的客觀形體進行深入探求，進一步內化將情感投入其中，呈現出客觀與主觀間的臨界之際。
胡文賢以靜物為其主要題材，他融合超現實主義，將內在的思想、幻想及理想忠實的呈現。複合圖像與錯置空間融合。把日常生活所見的瓶花、蔬果食糧、器具等靜物，透過色彩與筆觸的布局，古典之中帶有獨具氛圍的奇幻與浪漫之感。遊走於現實與異想的臨界線。
林嶺森以照片寫實風格凝結大自然瞬息萬變的光影。他的畫筆如同攝影鏡頭般敏銳，構圖與色調講究而細膩，表達理想中的自然風貌。林嶺森將陽光底下花卉綻放的動人姿態，流露出最美好的一面。奔騰的瀑布，希臘羅馬古城的融入，帶有超現實的元素，增添想像。展現流動之中，瞬息的臨界點。
本次展覽期待透過三位藝術家的作品，引領觀者感受介於停留與流動、現實與想像之間的臨界風景。

#移動畫廊
阿波羅畫廊成立以來致力於推廣藝術，藝術展出不局限於畫廊空間。自2018年起與異數悅遊 The One南園人文客棧 以「共好」的精神攜手合作，將藝術進駐於南園同心樓的公共空間以及各個廂房裡，讓來此隱山歇心的旅人們，恣意游於藝術之間，深入體驗臺灣原創藝術能量與實力。

展期 | 2024.11.12 – 2025.04.30
地點 | The One 南園人文客棧
地址 | 新竹縣新埔鎮九芎湖32號

**參觀及遊園請電話預約**
預約中心 | (02)2562-1777 週一至週六 09:00~18:00
現場服務專線 | (03)589-0011#1101、1102

關於藝術家 → 李萬全 胡文賢 林嶺森
The One官網

冉茂芹，《春到梨山》：台灣‧台中(耶穌堂)
2026-02-28 08:00 - 17:00
冉茂芹，《春到梨山》：台灣‧台中(耶穌堂)
50×60.5cm，1990
從松柏村往後上山，梨花、蘋果花正在開放，滿山都活潑起來。米白色的小教堂在早上的陽光中熠熠生輝，教堂後的山脊被朝霧漫過，全然不見了身影。這裡是梨山春早的景象。
梨山寫生三幾次，有春天也有秋天，第一次就住在松柏村，梨山賓館一帶上上下下倒摸熟了，不僅畫了好幾張寫生畫，回到台北還藉以創作了幾幅風景大畫。

YIM Mau-Kun, Spring Comes to Lishan, Taichung, Taiwan
From Songbai Village, heading further up into the mountains, pear blossoms and apple blossoms are in full bloom, bringing a lively vitality to the hillsides. A small off-white chapel gleams in the morning sunlight, while the ridge behind it is veiled in drifting dawn mist, its outline completely obscured. This is the early spring scenery of Lishan.
I have sketched in Lishan several times, both in spring and in autumn. On my first visit, I stayed in Songbai Village and became thoroughly familiar with the area around the Lishan Guest House, wandering up and down its slopes. I completed several plein-air sketches there, and after returning to Taipei, I used them as the basis for creating a number of large-scale landscape paintings.

冉茂芹，《埔里河》：台灣‧南投‧埔里
2026-02-28 08:00 - 17:00
冉茂芹，《埔里河》：台灣‧南投‧埔里
33.5×45.5 cm，1999年
1999年秋天，發生了驚天動地的921大地震，整個台灣都被搖撼了，而震央正是南投縣的埔里。
那年春天，我台北與髙雄兩地的美術班學員舉辦了一次聨合寫生活動，南北向中的集合點就是埔里，記得住在一處名叫“阿波羅”的hotel。在埔里大約兩叄天吧，後來就各車散開了。
這張畫中的河叫什麼名字？處在埔里鎮的東南西北？也不清楚了，但是，清楚記得畫中的右方是一塊台地，延伸過去就是埔里的市區，我們的腳下是直接巿區的石橋，從橋上望去，小河蜿蜒，流水汩汩，春綠的田陌相連，伸向迷濛遠方，自是一幅畫面。結果，大家都湧到橋上來了，待將畫箱架一字排開：好一幅寫生圖！套一句流行的話是：一道特別的風景線！

YIM Mau-Kun, Old Shed, Nantou, Taiwan
33.5×45.5 cm，1999

After leaving Puli, several cars of us headed toward Shuili. I was rather muddle-headed, with no real sense of the route or direction. My only task was to keep my eyes on the scenery along the way, and the moment I spotted something paint-worthy, I would call for a stop.
We got out at this abandoned work shed to take a look, and sure enough, it was promising—full of pictorial charm. The wooden factory building, with its horizontal and vertical planks, stood in a desolate little courtyard where a graceful flame tree stretched diagonally upward. Fine leaves were scattered over the plank roof and the earthen ground of the yard, occasionally quivering and falling as if nervously shedding themselves. There was not a single person in sight—truly a place abandoned and emptied of life. Only the occasional passing bird cried out once or twice, as if surprised that someone would pause to capture images of such a desolate old building.
In fact, although this scene possessed a distinctive beauty, it was extremely challenging to paint. Especially with trees standing in front of the shed—the trunks, branches, and leaves all had to be depicted, including the fluttering foliage. And all of this had to be completed on site within three hours.
Ruined scenes often stir a sense of melancholy. Perhaps this is not merely my own tendency to “force sorrow” where it need not be.

冉茂芹，《舊工棚》：台灣‧南投‧水里
2026-02-28 08:00 - 17:00
冉茂芹，《舊工棚》：台灣‧南投‧水里
33.5×45.5cm，1999
離開埔里後我們三幾輛車往水里方向駛去，我是糊裡糊塗，地點方向一些也沒概念，我唯一的工作是盯住沿途看景緻，一遇有畫頭的即刻叫停。
在這廢棄的工棚處下車看看，果然不錯，蠻有畫味，那一橫一豎的木板廠房，荒落的小院中斜伸著一棵多姿的鳳凰花樹，細碎的樹葉撒落在板棚上和小院的泥土上，還不時神經質地在抖落。沒有半個人影，真正的人去樓空！只有偶爾經過的飛鳥嘠的一兩聲，好像是驚奇竟有人為此荒涼的舊樓留影。
其實，這處景物雖然美感特殊，但難度極大！尤其是板棚前面還有樹木，要畫樹幹樹枝樹葉還要樹葉婆娑！這一切都要在現場三小時完成！
殘破的景物常引起人們的傷感，或許，這應該不只是我的“強說愁”吧？

YIM Mau-Kun, Old Shed, Nantou, Taiwan
33.5×45.5cm，1999

After leaving Puli, several cars of us headed toward Shuili. I was rather muddle-headed, with no real sense of the route or direction. My only task was to keep my eyes on the scenery along the way, and the moment I spotted something paint-worthy, I would call for a stop.
We got out at this abandoned work shed to take a look, and sure enough, it was promising—full of pictorial charm. The wooden factory building, with its horizontal and vertical planks, stood in a desolate little courtyard where a graceful flame tree stretched diagonally upward. Fine leaves were scattered over the plank roof and the earthen ground of the yard, occasionally quivering and falling as if nervously shedding themselves. There was not a single person in sight—truly a place abandoned and emptied of life. Only the occasional passing bird cried out once or twice, as if surprised that someone would pause to capture images of such a desolate old building.
In fact, although this scene possessed a distinctive beauty, it was extremely challenging to paint. Especially with trees standing in front of the shed—the trunks, branches, and leaves all had to be depicted, including the fluttering foliage. And all of this had to be completed on site within three hours.
Ruined scenes often stir a sense of melancholy. Perhaps this is not merely my own tendency to “force sorrow” where it need not be.

冉茂芹，《蘭嶼落日》： 台灣‧台東
2026-02-28 08:00 - 17:00
冉茂芹，《蘭嶼落日》： 台灣‧台東
91×65cm，2004年
蘭嶼在台東外海，是台灣迷人的島嶼，島不大，摩托車環島一周也不到兩小時，島上居住二千多達悟族，捕魚和種植芋頭為生。他們的房屋低矮且深陷於山坡土表，因而，冬暖夏涼。尤其令人驚豔的是達悟人用木板手工製作的小船，兩頭翹起，船身雕刻圖案，填上紅白花紋，美麗極了。
我畫過面向太平洋的東清灣，決意再畫一幅蘭嶼落日，畫中：夕陽西下，漫天浮雲，海浪嘻鬧，排成隊的小船們彷彿向晚霞致敬，這黃昏多麼溫暖和愉快啊，所以，過去曾取了一個稍長的名字「太陽最後的微笑」。

YIM Mau-Kun, Sunset at Lanyu, Taitung, Taiwan
91×65cm，2004

Lanyu lies off the coast of Taitung and is one of Taiwan’s most enchanting islands. The island is small—one can ride a motorcycle around it in less than two hours. It is home to more than two thousand Tao people, who make their living by fishing and cultivating taro. Their houses are low and set deep into the hillside earth, making them warm in winter and cool in summer. Most striking of all are the Tao people’s hand-built wooden boats: both ends curve upward, and the hulls are carved with patterns and painted in red and white designs—exquisitely beautiful.

冉茂芹，《春雨迷濛長岡京》：日本．京都
2026-02-28 08:00 - 17:00
《春雨迷濛長岡京》：日本．京都
45.5×53 cm，2005年
長岡京在京都附近，每次從新大阪坐電車到京都，從窗邊能看到長岡京的景色：它有一灣水，有座小小山，山上有座小小廟。水邊蓋了一排古色的茶室。山上水邊處處可見各種櫻花玉立其中，尤其是湖邊兩排吉野櫻，伸出長枝、搭成棚式的花道，甚是壯觀。
正遊覽間，天忽小雨，只好躲進彎橋那頭的木亭，畫下這湖邊春影。

YIM Mau-Kun, Mist-Veiled Spring Rain in Nagaokakyō, Kyoto, Japan
45.5×53cm，2005

Nagaokakyō lies near Kyoto. Each time I take the train from Shin-Osaka to Kyoto, I can see the scenery of Nagaokakyō from the window: a curve of water, a small hill, and atop it, a small temple. Along the water’s edge stands a row of quaint, timeworn teahouses. On the hill and by the water, cherry trees of various kinds appear everywhere, standing gracefully among the landscape. Most striking of all are the two rows of Yoshino cherry trees by the lakeside, their long branches stretching outward to form a tunnel-like canopy of blossoms—truly a magnificent sight.
While strolling through the area, a light rain suddenly began to fall, so we took shelter in a wooden pavilion at the far end of the arched bridge, where I painted this spring scene by the lake.

冉茂芹，《北野天滿宮》：日本．京都
2026-02-28 08:00 - 17:00
冉茂芹《北野天滿宮》：日本．京都
45×53 cm，2005年
北野天滿宮很大，在主宮旁邊還有捐献者的小廟，造型、色彩多姿多彩，十分可愛。我用四個小時，畫下了這小小廟的可細讀的一景。

YIM Mau-Kun, Kitano Tenmangu Shrine, Kyoto
45×53 cm，2005

Kitano Tenmangū Shrine is expansive, and beside the main sanctuary there are small shrines donated by patrons. Rich in form and color, they are delightful in their variety. I spent four hours painting a carefully observed scene of one of these small shrines.

冉茂芹，《小樹林》：台灣．宜蘭
2026-02-28 08:00 - 17:00
冉茂芹，《小樹林》：台灣．宜蘭
53×45 cm，2007年
這是宜蘭、台北交界處的森林研究所。
在好朋友楊恩生教授大力推薦下，我背著油畫箱進到這幽靜的山林湖泊之中，眼前的小樹林彷彿是一群舞完的姑娘對著我說：「留下來！」，夕陽也灑進兩抹溫暖的陽光，還說什麼呢？我終於畫完這無聲的小樹林。
畫樹林很難，難在要有深度，有空間感，方如古人所說：「可居，可遊」，所謂有意境。

YIM Mau-Kun, Small Grove, Yilan, Taiwan
53×45 cm，2007年

This is the Forest Research Institute at the border between Yilan and Taipei.
At the strong recommendation of my good friend Professor Yang En-sheng, I carried my oil-painting kit into this tranquil mountain forest and lakeside setting. The small grove before me seemed like a group of dancers who had just finished their performance, turning to me as if to say, “Stay.” The setting sun cast two bands of warm light into the scene—what more needed to be said? In the end, I completed this silent little grove.
Painting a forest is difficult. The challenge lies in creating depth and a sense of space, so that it becomes, as the ancients described, “a place one could dwell in, a place one could wander through”—in other words, a scene imbued with poetic atmosphere.

冉茂芹，《田疇晚雲》：台灣．桃園．龍潭
2026-02-28 08:00 - 17:00
冉茂芹，《田疇晚雲》：台灣．桃園．龍潭
31×41 cm，2010年
清末民初大學者王國維說：「有造境，有寫境，此理想與寫實二派之所由分。然二者頗難分別，因大詩人所造之境必合乎自然，所寫之境必鄰於理想故也。」
畫家心中有詩，眼中有詩，下筆畫面必有詩意而少匠氣也。早些年赴美講學，見女婿Uffe(丹麥人，中國古文化教授)的書架上有這本《 人間詞語解讀》，翻閱後直索之，帶回台北。常翻閱，常有悟。

YIM Mau-Kun, Evening Clouds over the Fields, Taoyuan, Taiwan
Wang Guowei, a great scholar of the late Qing and early Republican period, once said:
“There is the creation of a realm, and there is the depiction of a realm. This is how the idealist and realist schools are distinguished. Yet the two are rather difficult to separate, for the realm created by a great poet must accord with nature, while the realm depicted must inevitably verge upon the ideal.”

When a painter carries poetry in the heart and poetry in the eye, the painted image will naturally be imbued with poetic resonance and free of mere craftsmanship. Years ago, while lecturing in the United States, I noticed a copy of Renjian Ciyu Jiedu on the bookshelf of my son-in-law Uffe (a Dane and a professor of classical Chinese culture). After browsing through it, I immediately asked for it and brought it back to Taipei. I return to it often, and each time I do, I gain new insights.

冉茂芹，《道格拉斯》：台灣．台北
2026-02-28 08:00 - 17:00
冉茂芹，《道格拉斯》：台灣．台北
53×41 cm，2013年
這是我油畫人物雕刻化最明顯的畫例，我眼前的人物完全〝弗魯貝爾〞(俄國十九世紀大師) 化了，完全〝米開朗基羅〞化了。我像鑲嵌師那樣去〝切〞去〝按〞去〝捶打〞，使形像雕塑化，力求帶來另一種美感。

YIM Mau-Kun, Douglas
53×41cm，2013年

This is the most striking example of the sculptural transformation of figures in my oil painting. The figure before my eyes became completely “Vrubel-ized”—transformed in the manner of Mikhail Vrubel—and entirely “Michelangelo-ized,” in the spirit of Michelangelo. Like an inlay craftsman, I “cut,” “press,” and “hammer,” sculpturalizing the form and striving to bring forth a different kind of beauty.

冉茂芹，《貴妃遙想》：台灣．台北
2026-03-04 08:00 - 17:00
《貴妃遙想》：台灣．台北
60×45.5 cm，2015年
在「雙橋畫室」有名模特兒學員劉薰愛，她造形能力很好，畫得快，也很像。她除了接演出通告，還自組畫室，廣納學生。
我的畫室幾次邀她担任肖像模特兒，她認真且富創意：這個扮相就是她模仿楊貴妃而設想的另一番面貌，就叫《貴妃側影》吧。

YIM Mau-Kun, Thoughts on a Concubine
60×45.5cm，2015年

At the “Shuangqiao Studio,” there was a well-known model student named Liu Xun’ai. She had strong abilities in posing, painted quickly, and achieved a close likeness. In addition to accepting performance and modeling engagements, she also established her own studio and attracted many students.
My studio invited her several times to sit as a portrait model. She was earnest and highly creative: this particular look was her imagined reinterpretation inspired by Yang Guifei. Let it be titled Profile of the Imperial Consort.

冉茂芹 油畫寫生 個展｜光影拾歲
2026-03-07 - 2026-04-07
冉茂芹 油畫寫生 個展
藝術家｜冉茂芹
展期｜2026.03.07 – 2026.04.07
地點｜阿波羅畫廊
台北市大安區忠孝東路四段218-6號A棟2樓

冉茂芹 油畫寫生 個展｜光影拾歲
長期以風景和肖像畫作為創作核心，冉茂芹的繪畫實踐，並不止於對地點或景象的描繪，而是透過藝術家的視角去觀看我們所在的世界。回顧其創作歷程，1990年至2015年間，他於台灣多處地景及日本創作寫生。這些地點橫跨不同文化與自然條件，並未在展覽中被作為旅行紀錄或地域比較的對象，而是為藝術家反覆進入同一種創作狀態的不同場域。本次展覽透過許多風景作品，呈現藝術家與繪畫之間所建立的觀看方式。

對冉茂芹而言，旅行繪畫並不是為了捕捉壯麗景觀或是標誌性景點，而更接近一種「田野式」的創作行動。他堅持對景寫生時，讓自身實際置身於風景之中，在現場觀察光線、空氣、結構與時間的流動。無論是在日本河岸長時間凝視光影變化，或是在台灣田疇、城市邊緣駐足作畫，繪畫皆發生於當下。
《落日蘭嶼》以夕光中的船隻與海岸為構圖主體，畫面中略帶想像色彩的造型與柔和光線，使風景呈現出介於現實與感受之間的靜謐氛圍。
在肖像繪畫方面，冉茂芹的畫風承襲俄羅斯畫派嚴謹細膩的寫實傳統畫法，展現出紮實醇厚的功力。溫和高雅的色調運用，使畫中人物流露出一種內斂、優柔溫潤的氣質，形象清晰而非流於形式上的描摹。
值得注意的是，這些肖像多半來自不同文化背景與族群，有些是來臺的交換學生，有些則是旅途中相遇的人等等。無論膚色或文化差異，冉茂芹皆以同樣的觀看方式與創作態度，使人物形象在畫布上展現出跨越地域與文化差異的共通性。
《黔東南苗家女》描繪在結婚前的苗族少女，畫面透過服飾、色彩與姿態，呈現當地文化中蘊含的節慶氣息與生命喜悅。
《貴妃遙想》以唐代人物為創作起點，冉茂芹透過層次豐富而內斂的色彩處理，使歷史人物在畫面中呈現出兼具想像與情感重量的肖像形象。

冉茂芹並不將寫實視為單純的複製畫面，而是追求一種介於再現與轉化之間的狀態。他曾引用齊白石所言：「妙在似與不似之間，太似為媚俗，不似為欺世」，作為自身創作的核心精神。在畫面中，透過構圖的取捨、筆觸的節奏，以及顏料厚薄的層次變化，保留感受尚未定型的時間痕跡。這樣的處理，讓作品不僅描繪所見之景，更呈現一種具有生命力度的靈光。
本次展覽恰逢春季開展（2026年3月7日至4月7日），時節上的呼應，更讓展覽多了一層重啟的象徵意義。藝術家冉茂芹曾提及，前幾年的春天受疫情影響，心境容易感到鬱卒，但隨著畫展的舉辦，心情也隨之雀躍起來，這本質上就是一種心理上的重啟 。

藝術家簡歷→冉茂芹
虛擬展廳→欣賞

YIM Mau-Kun Oil Painting from Life – Solo Exhibition A Decade of Gathering Light and Shadow
Opening｜Saturday, March 7, 2026, 15:00
Exhibition Dates｜March 7 – April 7, 2026
Artist Talk｜Saturday, March 28, 2026, 15:00
Long devoted to landscape and portrait painting as the core of his practice, Yim Mau-Kun’s work goes beyond the depiction of specific sites or scenes. His painting is an ongoing act of seeing that unfolds through movement and presence. Reviewing his artistic trajectory, from 1990 to 2015 his exhibited works encompass numerous locations across Taiwan—including Taichung, Keelung Islet, Kaohsiung, Nantou, Yilan, Longtan in Taoyuan, and the back hills of Xindian—as well as sites in Japan such as Nagaokakyō, Kyoto, Nara, Osaka, the Kōya River, and Fukuyama Botanical Garden. Though these places span diverse cultural and natural conditions, they are not presented as travel records or regional comparisons. Rather, they are treated as different fields in which the artist repeatedly enters the same creative state. Taking this as its point of departure, the exhibition brings together landscapes from multiple regions to reveal how Yim establishes a distinctive and sustained mode of looking through movement, pause, and the act of painting.
For Yim Mau-Kun, painting while traveling is not about capturing spectacular views or iconic landmarks; it is closer to a form of “fieldwork.” He insists on painting directly from life, placing his body within the landscape and observing light, air, structure, and the flow of time on site. Whether lingering along riverbanks in Japan to contemplate subtle shifts of light and shadow, or pausing to paint amid Taiwan’s farmlands, botanical gardens, and urban fringes, his paintings emerge in the present moment and maintain a direct, intimate relationship with their surroundings.
Sunset at Lanyu centers on boats and coastline bathed in evening light. The slightly imagined forms and gentle illumination create a tranquil atmosphere suspended between reality and perception. In portraiture, Yim Mau-Kun’s style inherits the rigorous and refined realism of the Russian academic tradition, demonstrating a solid and mature command of form. His use of restrained, elegant color imbues his figures with a quiet, tender, and warm temperament—clearly defined yet never reduced to mere outward likeness.
Notably, many of these portraits depict individuals from diverse cultural and ethnic backgrounds—some exchange students visiting Taiwan, others people encountered during the artist’s travels. Regardless of differences in skin color or cultural origin, Yim approaches each subject with the same distance of observation and creative attitude, allowing the figures to embody a cultural presence that transcends geography. Miao Girl from Southeast Guizhou portrays a Miao girl before marriage; through costume, color, and posture, the painting conveys the festive spirit and vitality embedded in local culture. Consort’s Reverie takes a figure from the Tang dynasty as its point of departure; through layered yet restrained color treatment, Yim renders a historical figure imbued with both imaginative resonance and emotional weight.
Yim Mau-Kun does not regard realism as the faithful replication of detail, but as a pursuit of a state of seeing that lies between representation and transformation. He has often cited Qi Baishi’s words—“The marvel lies between likeness and unlikeness; too much likeness is vulgar, too little is deceitful”—as a guiding principle of his practice. Through compositional choices, the rhythm of brushwork, and variations in paint thickness, his landscapes remain poised in this “between,” preserving traces of time before sensation fully settles. Such an approach allows the works not only to depict what is seen, but also to reveal a vital, living aura.
Opening in spring, the exhibition gains an added layer of symbolic renewal through the season itself. Yim Mau-Kun has mentioned that in recent years, springtime under the shadow of the pandemic left him feeling subdued, yet the staging of exhibitions rekindled a sense of joy—a psychological reawakening at its core. This transition from melancholy to delight is vividly embodied in his decades-spanning works painted from life. The exhibition features a selection of oil paintings closely associated with spring scenery, including Spring Comes to Lishan (Jesus Church) from 1990, as well as a series capturing cherry blossoms in full bloom in Nara and Osaka, such as Under the Cherry Tree and Cherry Blossom Grove.
Artist’s CV
AR Exhibiton

2026 台南國際藝術博覽會 展房612
2026-03-07 08:00 - 17:00
|藝術家 |
黃歌川 、陳昭宏、劉洋哲、戴壁吟、葉東進、裵秀英、王綺穗、黃至正、蘇泓諺、張凱閔、林禹良、江為彬
|地點 |
台南晶英酒店 Silks Place Tainan (台南市中西區和意路 1 號)
|展房 |
612
臺南為清朝臺灣府的府城前身，是臺灣文化的發源地之一，也是臺灣藝術發展的重要起點。從荷蘭、明清到日治，再到現代，臺南在多重文化交融與長時間的生活累積之中，形成一種層層堆疊的城市質地。這座城市不僅保存著歷史文化遺產，也持續在當代社會裡轉化、更新與生長，成為臺灣不可忽視的文化寶庫。
這次的展覽為《觀看之間》關注的是人如何透過自身經驗、背景與感受去理解所處的世界。觀看並非單一而固定的行為，而是一種在時間、生活與創作歷程中不斷被形塑與調整的狀態。本次聯展匯集十二位來自不同世代與創作脈絡的藝術家，分別為 黃歌川 、陳昭宏、劉洋哲、戴壁吟、葉東進、裵秀英、王綺穗、黃至正、蘇泓諺、張凱閔、林禹良、江為彬
他們以各自的觀看方式回應所見，並將這些觀看轉化為作品中的畫面、材料與結構，使創作成為一種被保留下來的視線。
黃歌川
作品風格以跨域融合為核心，展現出強烈的實驗精神與求新求變的特質。他研發革新的冰裂紋蠟染畫技法，將繁雜的工序化繁為簡，以具立體錯覺感的冰裂紋作為作品靈魂，創造出強大的視覺衝擊力與豐富的肌理質感。
1950年代參與台灣現代繪畫運動，與朱德群、楊英風、陳庭詩等共同推動藝術社團，分別創立「中華民國畫學會」、「中華民國版畫學會」等，對戰後台灣藝術發展具奠基性貢獻。
陳昭宏
知名的照相寫實主義藝術家。他從早期抽象轉向具象，受大師安格爾啟發，以細膩筆觸與噴槍技法著稱。作品聚焦女人與花，精確捕捉肌膚光澤、毛孔與水珠等微觀細節。他常利用特寫與局部構圖，模糊攝影與繪畫界限，展現強烈感官美感與生命瞬間。其創作過程被視為一種練功與提煉，追求極致純度與精確，將藝術昇華至宗教般的生命修行層次。
作品曾參與過阿波羅畫廊的兩次個展，並在Art Taipei、Taipei Art Week、Art Solo、Art Taichung、Art Tainan等國內外重要藝術博覽會中展出。他的作品被紐約古根漢美術館、聖荷西美術館、臺北市立美術館等機構典藏，並成為當代照相寫實主義的重要代表之一。
劉洋哲
藝術風格融合西洋油畫與現代版畫技法，展現出飽和鮮明的色彩與繽紛層次感。他以具象表現為核心，將台灣本土元素、歷史古蹟與日常物件結合，並融入超現實風格，使平凡景物帶有神祕且具趣味性的意境。其作品特質寧靜厚實，透過層次豐富的油彩堆疊，傳達出深沉的鄉愁與人文關懷。
創作亦屢獲重要獎項肯定，為臺灣現代版畫發展的重要代表人物之一。其作品獲國立巴黎圖書館、法國版畫美術館、國立臺灣美術館、國立歷史博物館，以及多所中國與日本美術館與文化機構典藏。
戴壁吟
作品風格從早期的印象派轉向獨特的抽象藝術。他以自製手工紙為核心，視紙張為創作的主格而非僅是基底，並強調其肌理、韌性與空間感。畫中常融入阿拉伯數字與日常用品壓印（如扇子、衣架），呈現單純、抒情且具禪意的視覺語言。其風格深受老莊哲學與西班牙大師達比埃斯影響，展現出藝術還原心性單純的精神境界。
戴壁吟持續於臺灣與國際間展出，並多次與阿波羅畫廊合作舉辦個展及參與 Art Taipei、Art Taichung、Art Tainan 等重要藝術博覽會。其創作亦以「紙」為核心媒材發展出系列作品，相關研究與創作成果出版成書，包括《紙與戴壁吟對話》與《臺灣紙戴壁吟》等。長年旅居西班牙的經驗，使其創作橫跨歐洲與臺灣藝術脈絡，並在繪畫、材料與空間表現之間持續展開探索。
葉東進
葉東進融合數學理性與藝術感性。他擅用油彩蠟筆，透過層層堆疊與敲打顯現特殊肌理。作品構圖簡約且色彩雅緻，常以山巒、孤鳥與新月象徵生命流轉與內在根源。風格寧靜祥和並帶有神祕光影，展現出超越現實、沉澱後的內心風景與靈性氣韻亦長期參與臺北、臺中、臺南等地之藝術博覽會，並多次透過阿波羅畫廊於國內外藝術平台展出作品。其創作成果亦收錄於出版品《藉題發揮得意忘形》。
裵秀英
裴秀英的作品以「連結的美學」為核心，巧妙將廢棄電路板、半導體晶圓與金屬管材轉化為充滿情感的裝置藝術。她運用鍍鉻色彩與光潔表面營造出神祕的未來科技感，常以心型、蝴蝶及蘋果為符碼，象徵生命的蛻變與人際情感的意念傳遞。其風格融合科技與人文，將電子電路比擬為人類的血管與經絡，挑戰對廢棄物的傳統認知，在冰冷機械中注入真誠的生命能量
作品橫跨雕塑、公共藝術及跨界合作，致力於創造與當代文化及情感的深刻對話。裵秀英曾為韓國K-pop女團(G)I-DLE設計廣告及《韓國大音樂獎》的獎盃，並且其作品已被包括首爾市政廳在內的多個重要場所與韓劇《Confidence Man KR》收藏。
王琦穗
王綺穗以水分子與水滴為核心符號，隱喻原住民身分認同與集體記憶的流動。她擅長動態影像感寫實語言，藉由影格序列捕捉流動瞬間，營造電影般的動態效果。近年更將傳統編織工藝融入藝術實踐，親手織就麻布並運用輕透罩染法，在低限且模糊的寫實風格中，利用水滴濾鏡展現虛實交錯的光影，構築出具包容性的「安全空間」
持續於臺灣與歐洲展出作品，個展與聯展曾於高雄市立美術館、屏東美術館、大象藝術空間館、家畫廊、游移美術館、甘樂阿舍美術館，以及英國、奧地利、捷克等地舉行。其作品獲國立臺灣美術館、葉榮嘉美術館及中環美術館典藏，並曾參與多項藝術駐村與公共藝術計畫。
黃至正
黃至正的作品以金屬箔為基底，結合水墨、影像轉印與縫紉等複合媒材。他深受陰翳美學影響，擅捕捉窗簾透光的細緻光影，營造憂傷感性的氛圍。創作核心圍繞生命議題、家族記憶與性別情慾，透過拆解與重組圖像，將個人情感與壓抑的慾望轉化為極具層次感的視覺語彙
曾獲文化部「MIT新人推薦藝術家」、臺南新藝獎首獎、高雄獎等肯定，作品被臺南市美術館與國立臺灣美術館典藏。長期與阿波羅畫廊合作，並多次參與Art Taipei、Art Taichung、Art Tainan等國內重要藝術博覽會。
蘇泓諺
蘇泓諺的作品以黑、白、灰為基調，受天生色弱影響，營造出如古早電影般冷冽且具劇場感的氛圍。他常以無人空間與日常物件為載體，探討記憶斷面、時間流逝與生命存有。透過留白與結構張力，構築出靜默而緊繃的心理場域，引發觀者對生命脆弱與持續的延遲性共鳴。
2025年參與《次序之外》楊桃派新銳藝術家助長計畫，於阿波羅畫廊展出，並同年參與臺南藝術博覽會阿波羅畫廊展位。其作品亦曾展出於《競技場》臺藝大美術系校慶美展、《綠蹤》臺藝大美術系創作展、《Container 容器》等展覽。
張凱閔
張凱閔的作品以油彩為主要媒材，核心特色在於構築「遊戲化」與「模擬性」的場景。他擅長將日常生活轉化為具荒誕感的圖像，使作品遊走於真實與虛構的邊界。畫中人物常處於規則未明的任務狀態，在秩序與混亂間反覆運行。其創作體現對「遊戲性」的迷戀，藉由繪畫建立另類空間以抵抗數位疲勞，並捕捉人在擬像中迷航的張力。
2025年參與《次序之外》楊桃派新銳藝術家助長計畫於阿波羅畫廊展出，並曾參與《有展跟美展一樣》畢業展、《綠蹤》創作展、《Container 容器》及多場聯展，作品持續於不同展示脈絡中呈現。
林禹良
林禹良的作品以繪畫為主要媒材，常以森林、林道及夜色為場景，探討人物與環境間緊密卻不明確的關係。其風格特徵在於畫面中面容模糊、背向觀者且穿著相似的人物，營造出具系統性卻難以界定的沉靜視覺層次。此外，他將昆蟲採集意象擬人化，透過對光源、競爭與落空的描繪，呈現出對生命狀態細膩且具思辨性的觀察與解讀。
2025年參與《次序之外》楊桃派新銳藝術家助長計畫，於阿波羅畫廊展出；亦曾參與《蒔花．弄草》聯展、馥蘭朵烏來度假酒店聯展，以及多場校內外聯展。其創作歷程中曾多次獲得全國性繪畫與寫生競賽獎項肯定。
江為彬
江為彬以水族缸造景為靈感，透過油畫構築出微型生態系的畫面世界。其風格強調在自由生長與理性編排之間取得平衡，藉由水草、石塊與魚群建立沉靜且有序的空間配置。他常以「朱文錦」等飼料魚為媒介，探討生命被觀看與分類時的價值差異，在微觀的水中場景中展現生命的韌性、平等性與共生關係，將現實情緒轉化為具感官律動的水中異想。
2025年參與《次序之外》楊桃派新銳藝術家助長計畫，於阿波羅畫廊展出，亦曾參與《有展跟美展一樣》畢業展、《台藝大繪畫科》聯展等校內外展覽。其創作歷程中曾獲道教總廟三清宮建宮五十週年佳作，以及風野盃寫生比賽優選等獎項肯定。

｜展出資訊｜
展覽：ART TAINAN 2026 台南藝術博覽會｜阿波羅畫廊｜《觀看之間》
｜貴賓預展｜
2026/03/12 (四) 15:00–19:00
｜公眾展期｜
2026/03/13 (五) – 03/15 (日)
｜開放時間｜
12:00–19:00 ( 3/15 至 18:00 )
｜地點｜
台南晶英酒店 Silks Place Tainan (台南市中西區和意路 1 號)
Tainan, formerly the seat of Taiwan Prefecture during the Qing dynasty, is one of the birthplaces of Taiwanese culture and an important point of origin in the development of Taiwanese art. From the Dutch and Ming-Qing periods to Japanese rule and the modern era, Tainan has developed a richly layered urban character through the convergence of multiple cultures and the long accumulation of everyday life. The city not only preserves its historical and cultural heritage, but also continues to transform, renew, and grow within contemporary society, making it one of Taiwan’s most significant cultural treasures.
This exhibition, Between Ways of Seeing, focuses on how people come to understand the world through their own experiences, backgrounds, and perceptions. Seeing is not a singular or fixed act, but rather a condition continuously shaped and reshaped through time, life, and artistic practice. This group exhibition brings together twelve artists from different generations and creative trajectories: Ko-Chuan HUANG, Hilo CHEN, Yang Che LIU, Bih-In DAI, Tung-Jinn YEH, Soo-Young BAE, Chi-Sui WANG, Chih-Cheng HUANG, Hung-Yen SU, Kai-Min CHANG, Yu-Liang LIN, and Wei-Pin CHIANG.Through their distinct modes of seeing, they respond to what they perceive and transform these acts of perception into image, material, and structure, allowing artistic creation to become a preserved line of sight.
Ko-Chuan HUANG
Huang’s artistic practice centers on cross-disciplinary integration and is marked by a strong experimental spirit and a constant drive for innovation. He developed an innovative crackle-pattern batik technique, simplifying an otherwise complex process and turning the illusionistic crackled surface into the soul of the work, creating powerful visual impact and richly textured surfaces.In the 1950s, he participated in Taiwan’s modern painting movement and, together with artists such as Chu Teh-Chun, Yuyu Yang, and Chen Ting-Shih, helped promote important art societies, including the Chinese Painting Association and the Republic of China Printmaking Association, making a foundational contribution to the development of postwar Taiwanese art.
Hilo CHEN
A renowned Photorealist artist, Hilo Chen shifted from early abstraction to figuration under the influence of the master Ingres. He is known for his meticulous brushwork and airbrush technique. His works focus on women and flowers, capturing microscopic details such as the sheen of skin, pores, and water droplets with remarkable precision. Through close-up views and cropped compositions, he blurs the boundary between photography and painting, revealing an intense sensual beauty and fleeting moments of life. His creative process has often been regarded as a form of discipline and refinement, pursuing absolute purity and precision, and elevating art to a level akin to spiritual cultivation.His works have been featured in two solo exhibitions at Apollo Art Gallery and in major domestic and international art fairs, including Art Taipei, Taipei Art Week, Art Solo, Art Taichung, and Art Tainan. His works are held in the collections of institutions such as the Solomon R. Guggenheim Museum in New York, the San Jose Museum of Art, and the Taipei Fine Arts Museum, and he is widely regarded as an important representative of contemporary Photorealism.
Yang Che LIU
Liu’s artistic language combines Western oil painting and modern printmaking techniques, distinguished by saturated, vivid colors and richly layered visual depth. Rooted in figuration, his work integrates Taiwanese local elements, historical architecture, and everyday objects, while incorporating surrealist touches that imbue ordinary scenes with mystery and poetic charm. His works are characterized by a sense of calm solidity, and through thick layers of oil paint he conveys profound nostalgia and humanistic concern.His artistic achievements have been recognized by numerous major awards, and he is regarded as one of the important representatives of modern Taiwanese printmaking. His works are collected by the Bibliothèque nationale de France, the French Museum of Printmaking, the National Taiwan Museum of Fine Arts, the National Museum of History, and various museums and cultural institutions in China and Japan.
Bih-In DAI
Dai’s work evolved from early Impressionist influences into a distinctive abstract language. Centering on handmade paper, he treats paper not merely as a support but as the principal subject of creation, emphasizing its texture, resilience, and spatial presence. Arabic numerals and impressions of everyday objects such as fans and hangers often appear in his works, forming a visual language that is simple, lyrical, and imbued with a Zen-like sensibility. His style is deeply influenced by Daoist philosophy and the Spanish master Antoni Tàpies, revealing a spiritual pursuit of restoring the purity of one’s inner nature through art.Dai has continued to exhibit in Taiwan and internationally, and has repeatedly collaborated with Apollo Art Gallery through solo exhibitions and participation in major art fairs such as Art Taipei, Art Taichung, and Art Tainan. With paper as his primary medium, he has developed a sustained body of work, and related studies and publications include Dialogue Between Paper and Dai Bih-In and Taiwan Paper: Dai Bih-In. His long residence in Spain has allowed his practice to move fluidly between European and Taiwanese artistic contexts, continuing to explore the relationship among painting, material, and space.
Tung-Jinn YEH
Yeh’s work brings together mathematical rationality and artistic sensibility. He is skilled in using oil pastel, building up and striking through layers to reveal distinctive textures. His compositions are concise and his colors refined, often using mountains, solitary birds, and crescent moons as symbols of life’s flow and inner roots. Quiet and serene, yet touched by mysterious light, his work evokes inner landscapes and spiritual resonance that seem to transcend reality. He has long participated in art fairs in Taipei, Taichung, and Tainan, and has repeatedly exhibited on domestic and international platforms through Apollo Art Gallery. His creative achievements have also been documented in the publication Borrowing the Theme, Forgetting the Form.
Soo-Young BAE
At the heart of Bae’s work is an “aesthetics of connection.” She transforms discarded circuit boards, semiconductor wafers, and metal tubing into emotionally charged installations. Through chrome finishes and polished reflective surfaces, she creates a mysterious futuristic atmosphere. Hearts, butterflies, and apples recur as symbolic forms, suggesting transformation and the transmission of emotional energy between people. Her practice merges technology and humanity, likening electronic circuitry to human veins and meridians, challenging conventional perceptions of waste and infusing cold machinery with sincere vitality.Her work spans sculpture, public art, and interdisciplinary collaboration, always seeking profound dialogue with contemporary culture and emotion. Bae has designed advertising visuals for the K-pop girl group (G)I-DLE and the trophy for the Korean Music Awards, and her works have been collected by major venues including Seoul City Hall and featured in the Korean drama Confidence Man KR.
Chi-Sui WANG
Wang centers her practice on water molecules and droplets as metaphors for Indigenous identity and the fluidity of collective memory. She is known for a realist language informed by moving-image aesthetics, using sequential visual fragments to capture moments in motion and create a cinematic effect. In recent years, she has incorporated traditional weaving techniques into her artistic practice, hand-weaving linen and applying translucent glazing methods. Within a restrained and softly blurred realist language, she uses a “droplet lens” effect to produce interwoven layers of illusion and reality, constructing an inclusive “safe space.”She continues to exhibit in Taiwan and Europe, with solo and group exhibitions held at the Kaohsiung Museum of Fine Arts, Pingtung Art Museum, Da Xiang Art Space, Home Gallery, Yo-Yi Art Museum, Ganle A-She Art Museum, and venues in the United Kingdom, Austria, and the Czech Republic. Her works are held in the collections of the National Taiwan Museum of Fine Arts, the Yeh Rong-Jia Art Museum, and the Chung Huan Art Museum, and she has participated in numerous artist residencies and public art projects.
Chih-Cheng HUANG
Huang works on metal foil grounds, combining ink, image transfer, sewing, and mixed media. Influenced by the aesthetics of shadow, he is particularly attentive to delicate light filtered through curtains, creating an atmosphere tinged with melancholy and sensitivity. His practice revolves around themes of life, family memory, gender, and desire. Through the dismantling and reassembly of images, he transforms personal feeling and repressed longing into a highly layered visual language.He has received recognition including the Ministry of Culture’s MIT New Artist recommendation, the Grand Prize at the Tainan New Arts Award, and the Kaohsiung Award. His works are held in the collections of the Tainan Art Museum and the National Taiwan Museum of Fine Arts. Huang has long collaborated with Apollo Art Gallery and has participated in major domestic art fairs such as Art Taipei, Art Taichung, and Art Tainan.
Hung-Yen SU
Working primarily in black, white, and gray, Su’s paintings are shaped by his congenital color weakness, creating an atmosphere reminiscent of old cinema, cold, theatrical, and suspended. He often uses uninhabited spaces and everyday objects as carriers for reflections on fragments of memory, the passage of time, and the condition of existence. Through negative space and structural tension, he constructs silent yet taut psychological fields, inviting viewers into a delayed resonance of fragility and endurance.In 2025, he participated in Beyond the Order, the Young Art Promotion Project, exhibited at Apollo Art Gallery, and also joined Apollo Art Gallery’s presentation at ART TAINAN that same year. His works have also appeared in exhibitions such as Arena, Green Trace, and Container.
Kai-Min CHANG
Chang works primarily in oil painting, constructing “game-like” and simulated scenarios as the core of his visual language. He transforms everyday life into absurd image systems that hover between reality and fiction. Figures in his paintings often appear to be carrying out tasks governed by unclear rules, endlessly cycling between order and disorder. His work reveals a fascination with play and simulation, using painting to create alternative spaces that resist digital fatigue while capturing the tension of drifting through a world of images.In 2025, he participated in Beyond the Order, the Young Art Promotion Project at Apollo Art Gallery. His works have also been shown in the graduation exhibition Same as the Art Exhibition, as well as Green Trace, Container, and other group exhibitions.
Yu-Liang LIN
Lin works primarily in painting and often stages his scenes in forests, woodland paths, and nocturnal landscapes, exploring relationships between figures and environment that are intimate yet difficult to define. His work is marked by blurred faces, figures seen from behind, and similarly dressed characters, producing a visual order that feels coherent yet elusive. He also anthropomorphizes the imagery of insect collecting, using depictions of light, competition, and disappointment to offer subtle and reflective observations on the conditions of life.In 2025, he participated in Beyond the Order, the Young Art Promotion Project at Apollo Art Gallery. He has also exhibited in Planting Flowers, Tending Grass, a group exhibition at Volando Urai Spring Spa & Resort, as well as in various academic and independent exhibitions. His practice has received recognition in several national painting and plein-air competitions.
Wei-Pin CHIANG
Inspired by aquarium landscape design, Chiang constructs painted worlds that resemble miniature ecosystems. His work seeks a balance between organic growth and rational arrangement, using aquatic plants, stones, and fish to build calm and ordered spatial compositions. He often uses feeder fish such as Zhu Wen Jin as his subject, probing differences in the value assigned to life when it is observed and categorized. Within these microcosmic underwater scenes, he reveals resilience, equality, and coexistence, transforming real emotions into aquatic reveries with a distinct sensory rhythm.In 2025, he participated in Beyond the Order, the Young Art Promotion Project at Apollo Art Gallery, and also showed works in Same as the Art Exhibition, NTUA Painting Division, and other exhibitions. His achievements include an Honorable Mention at the 50th Anniversary of Sanqing Temple and an Excellence Award at the Fengye Cup Plein Air Painting Competition.
Exhibition Information
ExhibitionART TAINAN 2026 | Apollo Art Gallery | Between Ways of Seeing
VIP PreviewMarch 12, 2026 (Thu.) 15:00-19:00
Public DaysMarch 13 (Fri.)-March 15 (Sun.), 2026
Opening Hours12:00-19:00(March 15 until 18:00)
VenueSilks Place TainanNo. 1, Heyi Rd., West Central Dist., Tainan City, Taiwan

《靜謐之光》陳淑華.林祐如.王雯 漆畫聯展 ╳ 望春風文化藝術基金會
2026-03-21 - 2026-06-06 | 望春風文化藝術基金會, 中華一路868號HH大樓26樓, 高雄市鼓山區, Taiwan
《靜謐之光》陳淑華.林祐如.王雯 漆畫聯展 ╳ 望春風文化藝術基金會
展期｜2026.03.21 – 06.06
開幕｜2026.03.21 (六) 15:00
主辦｜望春風文化藝術基金會
策展｜阿波羅畫廊
地點｜望春風文化藝術基金會 (高雄市鼓山區中華一路868號HH大樓26樓)
預約參觀｜https://lin.ee/mc5OCUE

《靜謐之光》匯集陳淑華、林祐如、王雯，三位女性藝術家的漆畫創作。他們皆以大自然為創作起點，從花草樹木、山海瀑布，到動物與生命的律動，展現萬物蓬勃的生機。漆畫媒材取自於大自然，創作需要歷經打磨、拋光等多重工序，經過時間的等候，淬鍊成藝術作品。接受大自然的沐浴，透過漆藝層層堆疊與刻劃，將靜謐的內在風景，轉化為獨特的光。
資深藝術家陳淑華，以油彩第一名畢業於國立臺灣師範大學美術系，遠赴法國巴黎攻讀美術史博士，創作與學術兼具。2000年代偶然接觸漆藝，著迷於天然漆質感與古樸，投入漆藝創作。回到母校任職教授，從事漆藝教學。生長於彰化農村，自然對於陳淑華而言給予無限的喜悅。她以細膩沉穩的筆觸描繪自然萬物，以及伴隨童年成長的記憶。《富貴白首》牡丹花綻放，鳥站在枝頭上，呈現大自然繁盛的樣貌。畫面微妙的光澤與反射，如同靜謐自然中的呼吸，為觀者帶來平衡與安定的感受。
林祐如曾獲選第二屆「構圖．臺灣」首獎及望春風文化藝術基金會主辦的台灣意象繪畫比賽第一名，為基金會的一台紅色Fazioli演奏型鋼琴繪製《蝴蝶展翅》。從土地環境思考，將漆藝媒材結合，以光影錯視，融合繪畫語言與漆藝工藝，構築介於抽象與風景之間的視覺場域，轉化為光影錯視與節奏流動的「記憶風景」，隱喻當代資訊洪流與時代連結的集體感知。《日光瀑布》以十分瀑布為題，表現壯闊奔流的網路資訊，亦如彩虹淵絢麗多元的世界樣態。
王雯曾榮獲第二屆「構圖．臺灣」參獎。其作品呈現漆畫細緻的紋理和艷麗的色彩。「孔雀」是兒時美好的記憶，作為超現實的象徵意象，將日常生活中的自然景致與內心深處所嚮往的境界融合。《都市人的窺探》都市裡細看行道樹一角，如同森林裡樹木茂盛的蕨類，孔雀開屏的氣勢。期許平凡生活保有理想與創造不凡。
本次展覽感謝望春風文化藝術基金會陳秀麗董事長邀請，阿波羅畫廊長期推薦藝術家陳淑華、林祐如、王雯，策劃漆畫聯展，透過三位藝術家的作品，不僅欣賞漆畫的魅力，感受藝術家從大自然帶來的禮讚，醞釀成精彩的藝術創作。

關於藝術家 → 陳淑華.林祐如.王雯

“Tranquil Radiance” — Lacquer Painting Group ExhibitionCHEN Shu-Hwa · LIN Yu-Ju · Wang WenWang Chun-Feng Culture and Arts Foundation ╳ Apollo Art Gallery
Organizer | Wang Chun-Feng Culture and Arts FoundationCurator | Apollo Art GalleryDuration | 2026.03.21-06.06Opening | 2026.03.21 Sat. 15:00Venue | Spring Breeze Culture and Arts Foundation26F, HH Building, No. 868, Zhonghua 1st Rd., Gushan Dist., Kaohsiung, Taiwan

“Tranquil Radiance” brings together lacquer works by three female artists—CHEN Shu-Hwa, LIN Yu-Ju, and Wang Wen. Each begins with nature as a point of departure, drawing inspiration from flowers and trees, mountains and seas, waterfalls, animals, and the rhythms of life, revealing the vitality and flourishing energy of all living things. Lacquer, a medium derived from nature, requires meticulous processes such as layering, polishing, and repeated refinement. Through the passage of time, it is distilled into art. Immersed in nature, the artists build and carve layer upon layer, transforming inner landscapes of stillness into a unique radiance.
Senior artist CHEN Shu-Hwa graduated top of her class in oil painting from the Department of Fine Arts at National Taiwan Normal University, later earning a Ph.D. in Art History in Paris, embodying both artistic practice and academic achievement. In the 2000s, she encountered lacquer art by chance and became captivated by its natural texture and timeless simplicity, devoting herself to its practice. Returning to her alma mater as a professor, she has since dedicated herself to teaching lacquer art. Raised in the rural countryside of Changhua, nature has been a boundless source of joy for her. With delicate and composed brushwork, she depicts the natural world alongside memories from her childhood. In “Prosperity and longevity together,” blooming peonies and a bird perched on a branch present a vision of nature in full abundance. The subtle sheen and reflections within the composition evoke the quiet breath of nature, offering viewers a sense of balance and serenity.
LIN Yu-Ju received the First Prize in the Second “Go To Taiwan” competition, as well as First Prize in the Taiwan Image Painting Competition organized by the Spring Breeze Culture and Arts Foundation, for which she created “Butterfly in Flight” on a red Fazioli grand piano. Grounded in reflections on land and environment, she integrates lacquer techniques with painterly language, employing optical illusions of light and shadow to construct a visual field between abstraction and landscape. Her works transform into “memory landscapes” shaped by shifting light, rhythm, and perception, metaphorically reflecting the collective consciousness formed within the rapid flow of contemporary information. “Sunlight waterfall,” inspired by Shifen Waterfall, evokes the powerful of digital information, akin to a radiant, multifaceted world reminiscent of a rainbow-hued abyss.
Wang Wen was awarded Third Prize in the Second “Go To Taiwan” competition. Her works are distinguished by the intricate textures and vivid colors characteristic of lacquer painting. The “peacock,” a cherished childhood memory, becomes a surreal symbolic motif, merging everyday natural scenery with an inner realm of aspiration. In “Urbanites’s peek,” a close observation of roadside trees in the city recalls the كث lushness of forest ferns and the grandeur of a peacock displaying its plumage. Through this, she expresses a hope that even within ordinary life, one may retain ideals and create something extraordinary.
This exhibition is made possible through the kind invitation of Chairperson Chen Hsiu-Li of the Wang Chun-Feng Culture and Arts Foundation. Apollo Gallery has long supported and represented CHEN Shu-Hwa, LIN Yu-Ju, and Wang Wen, and has curated this lacquer group exhibition. Through the works of these three artists, viewers are invited not only to appreciate the unique charm of lacquer art, but also to experience a poetic tribute to nature—transformed into compelling and refined artistic expressions.

Artists’ CV → CHEN Shu-Hwa, LIN Yu-Ju, Wang Wen

冉茂芹，《遠眺基隆嶼》
2026-03-27 08:00 - 17:00
冉茂芹，《遠眺基隆嶼》
33×45cm，1992年
藝術家被和平島海邊的岩石獨特的造型吸引，先用沾有淡淡黑色畫筆呈現石頭造型的輪廓線，再上色 。色彩局部壓（輪廓）線。呈現岩石造型及色彩。
《遠眺基隆嶼》描繪北海岸的礁岩風景。前景鋪展大小不一的岩塊與沙色地面，岩面交織黃褐、灰綠與紫灰等色階；中景是一道湛藍海面，浪花在岩縫間泛白；遠方水平線上，基隆嶼靜置於畫面偏左，右側可見一艘小船。作品以近景礁石的質感描寫，對照遠方島嶼的明確輪廓，展現藝術家對自然景物的細膩觀察，以及寫生中所凝結的光影與空氣感。
與今日現地景觀相比，隨著時間推移，畫中風景與今日現地之間的差異，也使這件作品多了一層關於記憶與時間的意味。

YIM Mau-Kun, Overlooking Keelung Island
33×45cm，1992年
Fascinated by the distinctive forms of the rocks along the shore at Heping Island, the artist first traced their contours with a brush toned in a light black, and then applied color. In some passages, the paint is pressed against the contour lines, reinforcing both structure and chromatic character.
This work depicts the rocky coast of northern Taiwan. In the foreground, rocks of varied sizes spread across a sandy ground, rendered in layered ochres, gray-greens, and violet-grays. The middle distance opens onto a band of vivid blue sea, where white surf breaks between the stones. On the horizon, Keelung Island rests slightly to the left, with a small boat at the right.
Compared with the landscape today, the differences that time has brought between the painted scene and the present site add another layer of meaning, evoking memory and the passage of time.

冉茂芹，《黔東南苗家⼥》
2026-03-27 08:00 - 17:00
冉茂芹，《黔東南苗家⼥》
53×40.5cm，1997年
——節錄自藝術家創作感想——
這幅畫也很寫實，不僅是項圈、銀飾，姑娘的面容也很寫實。
回來後一度想將臉部改的唯美些……但，最終還是沒有動手，因為曾有過不成功的教訓。
YIM Mau-Kun, Miao Woman, Qiandongnan
53×40.5cm，1997年
Excerpt from the artist’s reflections-
This painting is highly realistic: not only the choker and silver ornaments, but also the young woman’s facial features are rendered with great fidelity. After returning, I once considered revising the face to make it more idealized… but in the end I did not, because I had learned from an earlier, unsuccessful attempt.

冉茂芹，《港灣正忙》：台灣．高雄
2026-03-27 08:00 - 17:00
冉茂芹，《港灣正忙》：台灣．高雄
40.5 × 52.5 cm，1998年
在《港灣正忙：高雄》中，冉茂芹描繪的是港邊修船的真實場景。畫面中央的大船被拖上岸停放維修，巨大的船體幾乎佔滿整個視野，和周圍人員、器具、地面空間形成鮮明對比，
也讓人更直接感受到港區工作的規模與重量。船身表面交錯著深藍、鏽紅與灰黑色塊，在光線下呈現出厚重、粗礪而帶有時間痕跡的質感。
據冉茂芹老師回憶，當時眼前這艘船非常巨大，實際場景比畫面所見更為震撼；船隻是從旁邊的海面拖上陸地維修，整個過程大約需要一個月左右。
這件作品所呈現的，不只是港灣忙碌的工作景象，也是一種來自現場觀看的真實壓迫感與視覺衝擊。

YIM Mau-Kun, Busy Harbor
40.5 × 52.5 cm，1998年
In Busy Harbor: Kaohsiung, YIM Mau-Kun depicts a real scene of ship repair at the harbor. The large vessel at the center has been hauled ashore for maintenance; its massive hull nearly fills the viewer’s field of vision, creating a stark contrast with the surrounding workers, equipment, and ground space, and making the scale and weight of labor feel immediate.
Across the surface of the ship, deep blues, rust reds, and gray-black tones intersect, forming a heavy, rugged texture marked by time under shifting light.
According to the artist’s recollection, the ship before him was enormous, and the actual scene was even more overwhelming than what the painting shows. The vessel was towed from the nearby water onto land for repairs, and the entire process took about a month.
What the work presents is not only a busy working harbor, but also a direct, on-site sense of pressure and visual impact born of looking.

冉茂芹，《櫻花樹下》：日本．奈良
2026-03-27 08:00 - 17:00
冉茂芹，《櫻花樹下》：日本．奈良
45.5×53cm，2005年

《櫻花樹下：日本 奈良》描繪春日假期裡的賞櫻景象。
畫面中一棵盛開的櫻花樹占滿畫面上方，
粉白花簇形成大片樹冠；樹幹位於畫面中央偏下，枝條向左右延展。
前景是一片草地與斜向延伸的小徑，樹下有兩位人物停留休息，左側另有一人行走。
背景可見建築立面與深綠樹叢，右側點綴紅色花灌木。

YIM Mau-Kun,Under the Cherry Blossom Tree, Nara, Japan
45.5×53cm，2005年
Under the Cherry Blossom Tree: Nara, Japan depicts a spring holiday scene of cherry-blossom viewing. A single tree in full bloom fills the upper half of the composition, its pale blossoms forming a broad canopy. Beneath it, figures pause along the path and lawn, while architecture and dark greenery recede into the background, accented by a small cluster of red blossoms at the right.

冉茂芹，《櫻花林（大阪城旁）》：日本．大阪
2026-03-27 08:00 - 17:00
冉茂芹，《櫻花林（大阪城旁）》：日本．大阪
38×45.5cm，2005年
正逢櫻花盛開，日本人相約一群人坐在地上，賞櫻、飲茶，聊天。
一排茂密的櫻花樹，引導觀者進入景深。ㄧ朵朵櫻花，透過灰色及淡淡的紫色，呈現明暗的效果。

YIM Mau-Kun,Cherry Blossom Grove (Beside Osaka Castle), Osaka, Japan
38×45.5cm，2005年
At the height of the cherry blossom season, people gather in groups to sit on the ground, admire the blossoms, drink tea, and chat. A row of dense cherry trees guides the viewer into depth; blossom after blossom, rendered through grays and soft purples, creates subtle contrasts of light and shadow.

冉茂芹，《肯亞青年》
2026-03-27 08:00 - 17:00
冉茂芹，《肯亞青年》
60×45cm，2007年
本作描繪一位年輕男子的半身肖像，人物置於畫面中央偏上，頭部微向右側轉，視線望向畫外。背景為灰綠色平塗空間，襯托出臉部深色膚調的明暗起伏；人物身穿白色上衣，
領口開襟處可見一枚小飾物。下方兩側以較深色塊帶出手臂與衣袖輪廓，視覺重點集中在臉部光影與凝視方向。
冉茂芹長期以寫實肖像描繪不同身分與文化背景的人物。1987年他在台北舉辦「油畫肖像寫生公開活動」引起關注，
李登輝、李煥、趙耀東等知名人士曾委託他繪製肖像。

YIM Mau-Kun,Youth in Kenya
60×45cm，2007年
This work portrays a young man in half-length. Placed slightly above center, his head turns subtly to the right and his gaze looks beyond the frame. A flat gray-green background sets off the tonal shifts of the dark complexion. He wears a white shirt; at the open collar a small ornament is visible. Darker passages at the lower edges suggest the arms and sleeves, while the focus remains on facial light and the direction of his gaze.
YIM Mau-Kun has long painted realistic portraits of people from different identities and cultural backgrounds. In 1987, he drew attention in Taipei with a public oil-portrait sketching event, and figures such as Lee Teng-hui, Lee Huan, and Zhao Yao-dong were among those who commissioned portraits.

冉茂芹，《黃昏一瞥》：美國．阿尼桑那
2026-03-27 08:00 - 17:00
冉茂芹，《黃昏一瞥》：美國．阿尼桑那
12.5×17.5cm，2009年
一段臨路的街景：畫面下方為道路，前景停放一輛深色車，路面散落紅色物件。中景是一排矮建築與屋頂，後方有灌木與樹叢。
數株高大的棕櫚樹分布於左右兩側與中段，樹幹直立、樹冠向外展開。背景以大片灰紫色天空鋪陳，視覺重點落在棕櫚樹的輪廓與低矮建築的水平線。

YIM Mau-Kun,A Glimpse of Dusk: Arizona, USA
12.5×17.5cm，2009年
This work depicts a roadside scene. A strip of road occupies the lower portion, with a dark car parked in the foreground and small red objects scattered on the pavement. Low buildings and rooftops extend across the middle distance, backed by shrubs and trees. Tall palms rise at left and center, their crowns spreading outward. A broad gray-violet sky sets the atmosphere, and the focus falls on the palm silhouettes against the horizontal line of the buildings.

冉茂芹，《斜陽將收》：莉莎白家．院落，美國．鳳凰郊區
2026-03-27 08:00 - 17:00
冉茂芹，《斜陽將收》：莉莎白家．院落，美國．鳳凰郊區
12.5×17.5cm，2009年
一處院落景象：畫面下方為土色地面與一條紫灰色陰影帶，中景以深綠色矮牆或植栽帶橫向分隔。
左側有一團鮮紅色灌木，旁邊接續黃綠色樹叢；右上方兩株高瘦樹幹直立，樹冠伸入天空。背景為大片灰白天空，重點落在紅色灌木與樹影的色塊對比。

YIM Mau-Kun,Slanting Sun at Dusk: Courtyard of Lisa White’s Home, Suburban Phoeni×, USA
12.5×17.5cm，2009年
A courtyard scene: earth-toned ground and a band of violet-gray shadow occupy the lower area, while a dark green low wall or planted strip runs horizontally through the middle. At left, a vivid red shrub is followed by yellow-green foliage; at the upper right, two slender trunks rise and their canopies reach into the sky. A pale gray-white sky forms the backdrop, and the composition turns on the color-block contrast between the red shrub and the surrounding shadows.

冉茂芹，《新店後山》
2026-03-27 08:00 - 17:00
冉茂芹，《新店後山》
32×41cm，2013年
從新店駕車前往宜蘭，在北宜公路上見到路邊鮮紅色的房子，得知是當地原住民的家。黃昏的光線照射在這棟紅色小屋的外牆上，非常醒目。隨著光線漸暗，從對方開來的車，已開了大燈。

YIM Mau-Kun,The Back Hills of ×indian
32×41cm，2013年
Driving from Xindian toward Yilan, I noticed a vivid red house by the roadside on the North Yilan Highway and learned that it belonged to a local Indigenous family. In the dusk light, the red exterior wall stood out strikingly. As the light gradually faded, the cars approaching from the opposite direction had already switched on their headlights.

冉茂芹，《半塘春水》：宜蘭
2026-03-27 08:00 - 17:00
冉茂芹，《半塘春水》：宜蘭
31.5×41cm，2015年
一處池塘與遠山景色：下半部為深綠色水面，水上浮現零散的淺色水草與倒影；中景是一道岸邊草地與樹叢，綠色植被以塊面層疊。
右側可見幾株細長樹幹與樹冠點出垂直節奏；左後方是一座藍紫色山體。背景天空以淡灰白色鋪陳，重點落在水面反光與岸邊綠意的對比。

YIM Mau-Kun,Half a Pond of Spring Water (Yilan)
31.5×41cm，2015年
A pond with distant mountains: the lower half is a deep green water surface, where scattered pale aquatic plants and reflections appear. In the middle ground, a strip of shoreline grass and trees forms layered green planes. On the right, several slender trunks and canopies create a vertical rhythm; on the left in the distance, a bluish-purple mountain mass rises. The sky is laid in a light gray-white tone, with emphasis placed on the contrast between the water’s reflected light and the greenery along the bank.

冉茂芹，《遠眺藥師寺》
2026-03-27 08:00 - 17:00
冉茂芹，《遠眺藥師寺》
53×38cm，2005年
畫面以大片水面作前景。中景是一條低矮的岸線與建築群，靠近畫面左中可見兩座深色的塔狀建物與屋頂輪廓，後方疊上藍灰色山脈。天空佔據上半部，以淡藍與薄雲鋪陳。整體視覺重點落在水面留白、岸線的水平延伸，以及塔影與遠山之間的層次。

YIM Mau-Kun,A Distant View of Yakushi-ji Temple
53×38cm，2005年
The foreground is dominated by a broad expanse of water. In the middle ground, a low shoreline and a cluster of buildings appear; near the left-center are two dark, tower-like forms and roof silhouettes, layered against blue-gray mountains behind. The upper half is given to a pale blue sky with thin clouds. The composition emphasizes the openness of the water, the horizontal stretch of the shoreline, and the spatial layering between the towers and the distant mountains.

冉茂芹，《福⼭植物園》
2026-03-27 08:00 - 17:00
冉茂芹，《福⼭植物園》
45.5×53cm，2007年
描繪宜蘭福山植物園的一片池塘，旁邊有濃密的樹木倒影在清澈的水面上，猶如一片鏡子。綠色系層層堆疊。藝術家雖然花比較多的時間完成，但對這件作品非常的滿意。

YIM Mau-Kun,Fushan Botanical Garden
45.5×53cm，2007年
This work depicts a pond in Fushan Botanical Garden in Yilan. Dense trees along the bank are reflected in the clear water like a mirror, with layers of greens built up throughout. Although the artist spent more time completing this painting, he was very satisfied with the result.

《夜遊者》練佳昕 個展
2026-04-11 - 2026-05-30 | 阿波羅畫廊, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈), 台北市, 106, 台灣
《夜遊者》練佳昕 個展
展期｜
2026.04.11 – 05.30
開幕｜
2026.04.11 (六) 15:00
藝術家與談｜
2026.05.09 (六) 15:00
→ 報名

練佳昕以膠彩作為創作媒材，運用礦物顏料細緻堆疊色層，建立出沉靜而內斂的畫面節奏，並以藍色作為作品中反覆出現的重要視覺語彙。對她而言，藍色不只是夜晚的色彩，也是一種能夠承載情緒、時間感與空間感的表現方式。
本次展覽以〈藍夜〉與〈城市裡的夜遊者〉系列為主軸，呈現藝術家近年對夜間城市景象、生活場景與心理感受的觀察與轉化。藝術家將攝影中的取景經驗帶入繪畫，透過多視角的畫面安排與構圖轉換，使作品不只是對外在景物的描繪，也包含對生活經驗與內在狀態的整理。畫面中的空間往往安靜、開闊，帶有停頓感，呈現夜晚特有的節奏與觀看方式。
在練佳昕的作品中，人物並不常直接出現，但畫面並非全然空無。桌上的甜點、冒著熱氣的器物、室內微亮的燈光，或遠方城市的光點，都成為暗示生活痕跡的重要線索。這些細節使畫面在冷色基調之中保有溫度，也讓作品所描繪的夜色不只是寂靜，更帶有某種與日常相連的親近感。
除了室內與街景題材，展覽中也可見海洋、建築與城市邊界等較為寬廣的場景。巨大的自然或建築空間，映照出人與環境之間的尺度關係，也進一步擴展了作品對「夜遊者」狀態的思考。練佳昕並不刻意強調孤獨或疏離，而是透過夜色中的光線、物件與空間安排，引導觀者重新觀看那些平日容易略過的細微片刻，重新思考熟悉景象中的陌生性，並開展出介於現實與感知之間的敘事層次。
練佳昕，畢業於國立臺灣藝術大學書畫藝術學系，曾參與「楊桃派—阿波羅畫廊新銳藝術家助長計畫」聯展，並於2023年獲得新北市美展膠彩類第三名，以及於2024的台南藝博以及2025年的台中藝博於阿波羅展位展出作品，逐步累積創作能量與展覽經驗。

→ 練佳昕 簡歷

“Night walkers” — Solo Exhibition by LIAN Chia-ShinOpening｜11.04, 2026 Sat. 15:00Duration｜11.04 – 30.05, 2026Artist Talk｜09.05, 2026 Sat. 15:00

Lian Chia-Shin works primarily with nihonga-inspired mineral pigments, meticulously layering colors to construct a quite, restrained visual rhythm. Blue serves as a recurring and essential visual language in her practice. For the artist, blue is not merely the color of night, but a means of carrying emotion, a sense of time, and spatial perception.
This exhibition centers on the series Blue Night and Night Walkers in the City, presenting the artist’s recent explorations and transformations of nocturnal urban landscapes, everyday scenes, and psychological states. Incorporating her experience in photographic framing into painting, Lian employs multi-perspective compositions and shifting viewpoints. Her works thus move beyond depictions of external scenery, becoming reflections on lived experience and inner conditions. The spaces within her paintings are often quiet and expansive, imbued with a sense of pause that captures the distinctive rhythm and mode of perception associated with nighttime.
Figures rarely appear directly in Lian’s work, yet her compositions are far from empty. Desserts placed on a table, steaming vessels, softly lit interiors, or distant city lights all act as subtle traces of human presence. These details introduce warmth into her cool-toned palette, allowing the nocturnal scenes she depicts to feel not only tranquil, but also intimately connected to everyday life.
In addition to interior and street scenes, the exhibition also features broader subjects such as the ocean, architecture, and urban boundaries. These vast natural and built environments reflect the relationship of scale between humans and their surroundings, further expanding the notion of the “Night walker.” Rather than emphasizing loneliness or alienation, Lian uses light, objects, and spatial arrangements within the night to guide viewers toward moments that are often overlooked. Through this process, she invites a reconsideration of the unfamiliar within the familiar, unfolding a narrative that exists between reality and perception.
Lian Chia-Shin graduated from the Department of Calligraphy and Painting Arts at National Taiwan University of Arts. She has participated in the group exhibition“Young &Top – Apollo Gallery Emerging Artist Exhibition”and was awarded Third Prize in the Nihonga category at the 2023 New Taipei City Art Exhibition. Her works were also presented at the Apollo Gallery booth in ART TAINAN 2024 and ART TAICHUNG 2025, through which she has steadily developed her artistic practice and exhibition experience.

→ LIAN Chia-Shin’s CV

台中藝術博覽會_阿波羅畫廊_展位B08
2026-06-04 - 2026-06-07
《映像之所》

「映像」不只是畫面，更是情感與記憶的投射；「之所」則是一方安放這些思緒的空間。本展匯集 戴壁吟、胡文賢、Uwe Mertsch、廖迎晰、裵秀英、黃至正、洪司丞、劉默霖、練佳昕、彭冠銘，以及臺藝新人獎 王蘊臻，十一位來自不同世代與文化背景的藝術家，透過各自的創作實踐，回應世界、時間與自我之間的關係。
在這些作品中，觀看呈現出多樣而不一致的狀態。有些藝術家以細膩而專注的方式貼近現實經驗，試圖捕捉感知中的細節與質地；也有創作選擇保留模糊、留白或沉默，使觀看成為一種未完成、持續生成的過程。媒材橫跨繪畫、水墨、工藝、雕塑、裝置與複合形式，藝術家將個人的生命經驗、情感狀態與環境感受，轉化為畫面、材料與空間結構，使作品成為被保留下來的感知痕跡。
《映像之所》並不試圖建立單一的觀看標準，而是並置多種理解世界的方式，讓不同創作在同一空間中彼此對話。作品所承載的，不只是對外在世界的回應，也是一種回望自身的過程。每一件作品都是一則靜謐的故事，等待觀者在行走與停留之間，映照自身的記憶、感受與所處的位置。

欣賞 → 虛擬展廳

━━━━━━━━━━━━━━尊榮貴賓預展2026.06.04（四）12:00－20:00公眾展覽2026.06.05（五）11:00－19:002026.06.06（六）11:00－19:002026.06.07（日）11:00－18:00地點｜臺中國際會展中心 4樓 H廳地址｜臺中市西屯區黎明路三段1000號

2026 Art Taichung Exhibition Proposal
Curatorial Theme: 《Reflections》
Reflections brings together artists from different generations and cultural backgrounds, including Dai Bih-In, Santos Hu, Uwe Mertsch, Liao Ying-Hsi, Bae Soo-Young, Huang Chih-Cheng, Hung Shih-Cheng, Liu Mo-Lin, Lian Chia-Shin, and Peng Guan-Ming, as well as the NTUA Emerging Artist Award — Wang Yun-Zhen
Through their individual artistic practices, the exhibition explores the relationships between the world, time, and the self.
Within these works, the act of seeing unfolds in diverse and non-uniform ways. Some artists approach lived experience with precision and attentiveness, seeking to capture subtle details and textures of perception. Others deliberately preserve ambiguity, blankness, or silence, allowing viewing to remain an open-ended and continuously evolving process. Spanning media such as painting, ink, craft, sculpture, installation, and mixed forms, the artists transform personal life experiences, emotional states, and environmental awareness into images, materials, and spatial structures. Each work thus becomes a trace of perception, preserved through artistic form.
Rather than proposing a single mode of interpretation, Reflections places multiple ways of understanding the world side by side, enabling dialogue among different artistic approaches within a shared space. The works do not merely respond to external realities, but also embody a process of self-reflection. Each piece stands as a quiet narrative, inviting viewers—through movement and pause—to reflect upon their own memories, emotions, and sense of place.

View AR Exhibition

VIP Preview2026.06.04 (Thu) 12:00–20:00
Public Exhibition2026.06.05 (Fri) 11:00–19:002026.06.06 (Sat) 11:00–19:002026.06.07 (Sun) 11:00–18:00
Venue｜4F, Hall H, Taichung International Convention & Exhibition CenterAddress｜No. 1000, Sec. 3, Liming Rd., Xitun Dist., Taichung City, Taiwan

黃至正 HUANG Chih-Cheng 《流轉 Stream》
2026-06-04 - 2026-06-07
黃至正，《流轉》 150×105cm，2025年墨.複合媒材.銀箔.韓國壯紙
黃至正對生命循環與記憶長期關注。創作試圖在影像的縫隙中捕捉生命消逝與重生的動態。他將個人生命經歷的感悟轉化為抽象的流動感，探討存在如何於時間中不斷位移，反應出萬物界線的曖昧與不確定性。特色在於黃至正標誌性的金屬箔技法。透過箔材與墨色的堆疊，作品會隨觀看角度與光線產生幽暗閃動的視覺變化，模擬記憶在腦海中閃爍、流轉且不穩定的特質。這種結合水墨訓練與金屬光澤的複合媒材技法，打破了畫面的平面性，營造出一種既沉靜又具備強烈能動性的視覺空間，引導觀者進入自我生命經驗的交會點。

HUANG Chih-Cheng, Stream 150×105cm，2025Ink, Mixed media, silver foil on paper
HUANG Chih-Cheng has long been concerned with the cycles of life and the nature of memory. His practice seeks to capture the dynamics of disappearance and rebirth within the gaps of imagery. Transforming reflections drawn from personal life experiences into abstract sensations of flow, he explores how existence continuously shifts through time, revealing the ambiguity and uncertainty of the boundaries between all things.
A distinctive feature of his work lies in his signature use of metallic foil techniques. Through layered applications of foil and ink, the surfaces produce subtle, shadow-like flickers that change according to light and viewing angle, evoking the unstable and fluid qualities of memory as it glimmers and drifts through the mind. By combining traditional ink painting training with the reflective qualities of metal, his mixed-media approach breaks away from the flatness of the picture plane, creating a visual space that is both meditative and intensely dynamic, guiding viewers toward a point of intersection with their own lived experiences.

黃至正 HUANG Chih-Cheng

個展2025《會飲》黃至正個展，阿波羅畫廊，臺北，臺灣2025《雪地是一塊快要碎的玻璃》，双方畫廊，臺北，臺灣2024《人間喜劇》黃至正個展，毓繡美術館，南投，臺灣2023 黃至正個展，阿波羅畫廊x恆‧好，屏東，臺灣2023《有影》黃至正個展，双方藝廊，臺北，臺灣2022《萊辛頓的幽靈》個展，107畫廊，臺中，臺灣2022《返景》黃至正個展，木木藝術，臺南，臺灣2021《水銀落地》個展，當代一畫廊，臺北，臺灣2019《奶油正好融化》個展，木木藝術，臺南，臺灣2018《房間裡的大象》個展，疊藝術，臺北，臺灣2018《胼胝日記》個展，潮州黑白壇，屏東，臺灣2017 黃至正個展，陶華灼藝廊，新北，臺灣2016《黃至正Art Taipei 2016 延伸展》個展，疊藝術，臺北，臺灣2016《同日而語》個展，御書房，高雄，臺灣2015《彼岸遊蕩》個展，當代一畫廊，臺北，臺灣2015《空氣樂園》個展，好氏品牌研究室，臺北，臺灣2014《甦醒的季節》個展，雅痞藝廊，臺北，臺灣 2013《幻化的永恆》個展，Z書房，臺中，臺灣

聯展2025 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2025 臺中國際藝術博覽會，阿波羅畫廊展位，臺中，臺灣2025 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2024 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2024 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024《隱風景》，誠品畫廊，臺北，臺灣 2024《我記得……》，國立臺灣美術館，臺中，臺灣2024《技術的酷兒論Ｉ：Q.O.O》，關渡美術館，臺北，臺灣2023 亞洲插畫藝術博覽會，阿波羅畫廊展位，高雄，臺灣2023《繪心抗癌》ACC美僑x雅詩蘭黛，阿波羅畫廊展位，臺北市美僑協會，臺北，臺灣2023 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2023 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2023 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2023《我們在此相遇》，嘉義市立美術館，嘉義，臺灣2022 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2022 新竹藝術博覽會，阿波羅畫廊展位，新竹，臺灣2022 WHATZ國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2022《謐境》三人聯展，異雲書屋，臺北，臺灣​2022《2022臺南新藝獎：森林的秘密》聯展，劉鳳鴒x黃至正，藝非凡，臺南，臺灣2021 ONE ART Taipei藝術臺北，阿波羅畫廊展位，臺北，臺灣2021 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2021 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2021《擺盪中的時間意識》聯展，清風畫廊，臺中，臺灣2021《非常群聚》聯展，非常廟藝文空間，臺北，臺灣2021《愛的羅曼史》聯展，亞米藝術，台中，台灣2021《沙灘上的房子》聯展，嘉俬房，臺北，臺灣2021《黃金時刻》聯展，雷相藝廊，臺北，臺灣2021《世代切片》，双方藝廊，臺北，臺灣2020《構圖‧臺灣》第三屆視覺藝術創作徵件入圍作品聯展，阿波羅畫廊，臺北，臺灣2020《到城藝遊‧構圖臺灣》聯展，阿波羅畫廊×大稻埕國際藝術節，學藝埕，臺北|2019《封景．志異》臺南市美術館典藏主題展，臺南市美術館，臺南，臺灣2018《花之禮讚》四大美術館聯合大展，國立臺灣美術館，臺中，臺灣2018《曼谷雙年展》，TENTACLES，曼谷，泰國2018 臺北國際藝術博覽-新人推薦特區，臺北，臺灣2017 臺北國際當代藝術博覽會，臺北，臺灣2016 臺北國際藝術博覽-新人推薦特區，台北，台灣2015《夢‧棲地》館藏青年藝術主題展，國立臺灣美術館，臺中，臺灣2015 新進藝術家育成展，筑波美術館，筑波，日本2014 高雄獎，高雄市立美術館，高雄，臺灣2013 臺南新藝獎，Room A，臺南，臺灣2012 臺北國際藝術博覽，臺北，臺灣2012 屏東美展，屏東美術館，屏東，臺灣2012 高雄獎，高雄市立美術館，高雄，臺灣2012 桃園創作獎，桃園縣文化局，桃園，臺灣2011 第29屆桃源美展，桃園縣文化局，桃園，臺灣2011 新北市創作新人獎，新北市文化局，新北，臺灣

獲獎2021 天美藝術基金會-臺灣當代藝術家出版計畫2020 獲得第三屆「構圖‧臺灣」視覺藝術徵件比賽入選2019 天美藝術基金會臺灣當代藝術家海外參訪計畫，阿姆斯特丹/巴塞爾/威尼斯2018 入圍臺灣美術新貌獎2016 臺灣製造新人推薦特區2016 天美藝術基金會臺灣當代藝術家海外參訪計畫，上海/北京2015 臺南新藝獎首獎2014 高雄獎版畫類入選2013 臺南新藝獎入圍2012 新北市新人獎入選2012 桃園創作獎入選2012 高雄獎攝影類入選2011 新北市創作新人獎入選2011 桃源美展膠彩組第三名2011 新世代書封設計比賽創意獎典藏2024〈折射〉，藝術銀行，臺中，臺灣2024〈瓜棚〉，中國醫藥大學，臺中，臺灣2023〈遠方03〉，臺中市立美術館，臺中，臺灣2022〈聖傷04〉，藝術銀行，臺中，臺灣2021〈博物館2〉，藝術銀行，臺中，臺灣2020〈備忘錄3〉，藝術銀行，臺中，臺灣2019〈蘇摩7〉〈蘇摩8〉，藝術銀行，臺中，臺灣2018〈侵蝕的記憶家-堡壘〉〈侵蝕的記憶家-孿生〉，藝術銀行，臺中，臺灣2017〈侵蝕的記憶3〉，國立台灣美術館，臺中，臺灣2017〈侵蝕的記憶家12〉，藝術銀行，臺中，臺灣2016〈相遇時刻3〉，國立臺灣美術館，臺中，臺灣2015〈花草偈3〉，國立臺灣美術館，臺中，臺灣 2015〈腐朽花園〉、〈相遇時刻〉、〈花草偈〉，臺南美術館，臺南，臺灣

出版 2022《謄真集》Transmography ，黃至正發行
HUANG Chih-Cheng1988 Born in Miaoli, TaiwanDegree2013 Graduated from the Master of Fine Arts, Tunghai University2010 Graduated from the Visual Arts, Pingtung University of Education

Solo Exhibitions2025“Symposium”Solo exhibition at Apollo Art Gallery, Taipei, Taiwan2024 Solo exhibition at Yuhsiu Museum, Nantou, Taiwan2023 Solo exhibition at Hun Hau(Apollo Art Gallery x Hun Hau), Pingtung, Taiwan2023 Solo exhibition at Double Square, Taipei, Taiwan2022 Solo exhibition at 107 Gallery, Taichung, Taiwan2022 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2022 Solo exhibition at Banqiao 435 Art Zone, New Taipei, Taiwan2021 Solo exhibition at A Gallery, Taiepi, Taiwan2019 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2018 Solo exhibition at Telling Arts, Taiepi, Taiwan2018 Solo exhibition at Black and white altar, Pingtung, Taiwan2017 Solo exhibition at THZ Gallery, New Taipei, Taiwan2016 Solo exhibition at Telling Arts, Taiepi, Taiwan2016 Solo exhibition at isart gallery, Kaohsiung, Taiwan2015 Solo exhibition at A Gallery, Taiepi, Taiwan2015 Solo exhibition at ODD INSTITUTE, Taiepi, Taiwan2014 Solo exhibition at Yup Arts, Taiepi, Taiwan 2013 Solo exhibition at Z space, Taichung, Taiwan

Joint Exhibitions2025 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2025 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2025 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2024 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2024 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2024 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2023 STAART Illustration Art Fair, Apollo Art Gallery Booth, Kaohsiung, Taiwan2023 “Art Against Cancer” ACC X Estee Lauder, Apollo Art Gallery Booth, American Club Taipei, Taipei, Taiwan2023 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2023 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 WHATZ, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan 2022 “Serene Scene”​Joint exhibition at Yiyun art, Taipei, Taiwan2022 Joint exhibition at MEZZO ART, Tainan, Taiwan2021 ONE ART Taipei, Apollo Art Gallery Booth, Taipei, Taiwan2021 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2021 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2021 Joint exhibition, Mr. Wing Gallery, Taichung, Taiwan2021 Joint exhibition, VT Artsalon, Taipei, Taiwan2021 Joint exhibition, YAMI ART SPACE, Taichung, Taiwan2021 Joint exhibition, & other Art things, Taipei, Taiwan2021 Joint exhibition, Lei Xiang Gallery, Taipei, Taiwan2021 Younger Than Buddha, Double Square Gallery, Taipei, Taiwan2020 “GO TO TAIWAN” Joint exhibition at O-Bank Gallery x Apollo Art Gallery, Taipei, Taiwan2020 Tua-Tiu-Tiann International Festival of Arts, Apollo Art Gallery & Tua-Tiu-Tiann International Festival of Arts, Taipei2019 Sealed Landscapes, Records of Anomalies – Selected Works from the TNAM Collection, Tainan Art Museum, Tainan, Taiwan2018 “Flowers of Immense Charm” A Masterpiece Exhibition by Four Major Museums, National Taiwan Museum of Fine Arts, Taichung, Taiwan2018 Bangkok Biennial ,TENTACLES ,Bangkok , Thailand2018 Art Taipei MIT, Taipei, Taiwan2017 Young Art Taipei, Taipei, Taiwan2016 Art Taipei MIT, Taipei, Taiwan2015 “Dreams & Habitations” NTMoFA Young Artist Collection Exhibition at the National Taiwan Museum of Fine Arts, Taichung, Taiwan2015 FINE ART / UNIVERSITY SELECTION, Tsukuba Museum of Art, Tsukuba, Japan2014 Kaohsiung Awards 2014, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2013 Art Tainan, Room A, Tainan, Taiwan2012 Art Taipei, Taipei, Taiwan2012 Pingtung Fine Arts Exhibition, Pingtung Art Museum, Pingtung, Taiwan2012 Kaohsiung Awards, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2012 Taoyuan Creation Award, Cultural Affairs Bureau of Taoyuan County Government, Taoyuan, Taiwan2011 The 29 th Taoyuan Fine Arts Exhibition, Taoyuan, Taiwan2011 The Arising Arist Award of New Taipei City, Taipei, Taiwan

Awards2021 Tianmei Art Foundation Taiwan Contemporary Artists Publishing Project2020 Selected for the 3rd “GO TO TAIWAN” O-Bank Education Foundation & Apollo Art Awards2019 The 6th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program(Amsterdam/Basel/Venice)2018 Selected for the Taiwan Emerging Art Awards2016 Made in Taiwan Young Artist Discovery2016 The 3th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program (Shanghai/Beijing)2015 Won the first prize in the Next Art Tainan2014 Selected for the Kaohsiung Awards, Printmaking Category2013 Selected for the Next Art Tainan2012 Selected for the Arising Arist Award of New Taipei City2012 Selected for the 12th Taoyuan Contemporary Art Award2012 Selected for the Kaohsiung Awards, Digital Category2011 Selected for the Arising Arist Award of New Taipei City2011 The 29 th Taoyuan Fine Arts Exhibition, Gouache Group, Third Place Award2011 Won the Innovation Award in the New Generation Book Cover Desing CompetitionCollections 2024 < Refraction >, Art Bank Taiwan, Taichung, Taiwan 2024 < Trellis >, China Medical University, Taichung, Taiwan 2023 Taichung Museum of Art, Taichung, Taiwan 2022 < Stigmata 04>, Art Bank Taiwan, Taichung, Taiwan 2021 Art Bank Taiwan, Taichung, Taiwan 2020 < Memo 3>, Art Bank Taiwan, Taichung, Taiwan 2019 Art Bank Taiwan, Taichung, Taiwan 2018 Art Bank Taiwan, Taichung, Taiwan 2017 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2017 Art Bank Taiwan, Taichung, Taiwan 2016 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < The Flower Sutras3>, National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < Decadent garden>< The moments >< The Flower Sutras>,Tainan Art Museum,Tainan, Taiwan

Publications 2022 Publication of “Transmography” Published by HUANG Chih-Cheng

黃至正 HUANG Chih-Cheng 《時雪 Temporal Snow》
2026-06-04 - 2026-06-07
黃至正，《時雪》 84×59cm，2025年 墨.複合媒材.銀箔.韓國壯紙
《時雪》植根於黃至正對物體脆弱性與時間流動的著迷。創作脈絡常往返於年幼記憶與現實之間，以「雪」這類轉瞬即逝的自然意象，隱喻生命中難以留存的片刻與佚失的時間。作品關注的是在習以為常的平庸日子裡，暗示另一個知覺性世界存在的可能。藝術特色展現在銀箔與韓國壯紙的媒材對話。透過噴墨轉印、塗抹與刮擦，他形塑出極具開放性的神祕圖像，銀箔在此營造出如雪地般純淨、冷感且脆弱的肌理。畫面的影像邊界曖昧且模糊，彷彿正隨著時間消散。這種技法不僅保存了生命幽微的一刻，也藉由箔材「剛硬與脆弱」的二元性，引發觀者產生深刻的悼念與生命同理。

HUANG Chih-Cheng, Temporal Snow, 84×59cm，2025 Ink, Mixed media, silver foil on paper

HUNAG Chih-Cheng’s Temporal Snow is rooted in his fascination with the fragility of objects and the flow of time. His creative practice often moves between childhood memories and present reality, using fleeting natural imagery such as “snow” as a metaphor for transient moments and lost fragments of time that resist preservation. The work reflects on the possibility of another perceptual world existing beneath the familiarity of ordinary daily life.
Its artistic language is distinguished by the dialogue between silver foil and Korean janggji paper. Through inkjet transfer, smearing, and scraping techniques, Huang constructs enigmatic and highly open-ended imagery. The silver foil evokes a texture that is pure, cold, and fragile, reminiscent of a snow-covered landscape. The boundaries of the image remain ambiguous and blurred, as though gradually dissolving with time itself. Through this process, the work preserves a subtle and fleeting instant of life while simultaneously invoking a profound sense of mourning and empathy through the dual nature of the foil material—both rigid and fragile.

黃至正 HUANG Chih-Cheng

1988 出生於苗栗，臺灣
學歷2013 畢業於東海大學美術研究所創作組，臺灣2010 畢業於屏東教育大學視覺藝術系，臺灣

個展2025《會飲》黃至正個展，阿波羅畫廊，臺北，臺灣2025《雪地是一塊快要碎的玻璃》，双方畫廊，臺北，臺灣2024《人間喜劇》黃至正個展，毓繡美術館，南投，臺灣2023 黃至正個展，阿波羅畫廊x恆‧好，屏東，臺灣2023《有影》黃至正個展，双方藝廊，臺北，臺灣2022《萊辛頓的幽靈》個展，107畫廊，臺中，臺灣2022《返景》黃至正個展，木木藝術，臺南，臺灣2021《水銀落地》個展，當代一畫廊，臺北，臺灣2019《奶油正好融化》個展，木木藝術，臺南，臺灣2018《房間裡的大象》個展，疊藝術，臺北，臺灣2018《胼胝日記》個展，潮州黑白壇，屏東，臺灣2017 黃至正個展，陶華灼藝廊，新北，臺灣2016《黃至正Art Taipei 2016 延伸展》個展，疊藝術，臺北，臺灣2016《同日而語》個展，御書房，高雄，臺灣2015《彼岸遊蕩》個展，當代一畫廊，臺北，臺灣2015《空氣樂園》個展，好氏品牌研究室，臺北，臺灣2014《甦醒的季節》個展，雅痞藝廊，臺北，臺灣 2013《幻化的永恆》個展，Z書房，臺中，臺灣

聯展2025 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2025 臺中國際藝術博覽會，阿波羅畫廊展位，臺中，臺灣2025 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2024 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2024 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024《隱風景》，誠品畫廊，臺北，臺灣 2024《我記得……》，國立臺灣美術館，臺中，臺灣2024《技術的酷兒論Ｉ：Q.O.O》，關渡美術館，臺北，臺灣2023 亞洲插畫藝術博覽會，阿波羅畫廊展位，高雄，臺灣2023《繪心抗癌》ACC美僑x雅詩蘭黛，阿波羅畫廊展位，臺北市美僑協會，臺北，臺灣2023 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2023 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2023 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2023《我們在此相遇》，嘉義市立美術館，嘉義，臺灣2022 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2022 新竹藝術博覽會，阿波羅畫廊展位，新竹，臺灣2022 WHATZ國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2022《謐境》三人聯展，異雲書屋，臺北，臺灣​2022《2022臺南新藝獎：森林的秘密》聯展，劉鳳鴒x黃至正，藝非凡，臺南，臺灣2021 ONE ART Taipei藝術臺北，阿波羅畫廊展位，臺北，臺灣2021 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2021 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2021《擺盪中的時間意識》聯展，清風畫廊，臺中，臺灣2021《非常群聚》聯展，非常廟藝文空間，臺北，臺灣2021《愛的羅曼史》聯展，亞米藝術，台中，台灣2021《沙灘上的房子》聯展，嘉俬房，臺北，臺灣2021《黃金時刻》聯展，雷相藝廊，臺北，臺灣2021《世代切片》，双方藝廊，臺北，臺灣2020《構圖‧臺灣》第三屆視覺藝術創作徵件入圍作品聯展，阿波羅畫廊，臺北，臺灣2020《到城藝遊‧構圖臺灣》聯展，阿波羅畫廊×大稻埕國際藝術節，學藝埕，臺北|2019《封景．志異》臺南市美術館典藏主題展，臺南市美術館，臺南，臺灣2018《花之禮讚》四大美術館聯合大展，國立臺灣美術館，臺中，臺灣2018《曼谷雙年展》，TENTACLES，曼谷，泰國2018 臺北國際藝術博覽-新人推薦特區，臺北，臺灣2017 臺北國際當代藝術博覽會，臺北，臺灣2016 臺北國際藝術博覽-新人推薦特區，台北，台灣2015《夢‧棲地》館藏青年藝術主題展，國立臺灣美術館，臺中，臺灣2015 新進藝術家育成展，筑波美術館，筑波，日本2014 高雄獎，高雄市立美術館，高雄，臺灣2013 臺南新藝獎，Room A，臺南，臺灣2012 臺北國際藝術博覽，臺北，臺灣2012 屏東美展，屏東美術館，屏東，臺灣2012 高雄獎，高雄市立美術館，高雄，臺灣2012 桃園創作獎，桃園縣文化局，桃園，臺灣2011 第29屆桃源美展，桃園縣文化局，桃園，臺灣2011 新北市創作新人獎，新北市文化局，新北，臺灣

獲獎2021 天美藝術基金會-臺灣當代藝術家出版計畫2020 獲得第三屆「構圖‧臺灣」視覺藝術徵件比賽入選2019 天美藝術基金會臺灣當代藝術家海外參訪計畫，阿姆斯特丹/巴塞爾/威尼斯2018 入圍臺灣美術新貌獎2016 臺灣製造新人推薦特區2016 天美藝術基金會臺灣當代藝術家海外參訪計畫，上海/北京2015 臺南新藝獎首獎2014 高雄獎版畫類入選2013 臺南新藝獎入圍2012 新北市新人獎入選2012 桃園創作獎入選2012 高雄獎攝影類入選2011 新北市創作新人獎入選2011 桃源美展膠彩組第三名2011 新世代書封設計比賽創意獎典藏2024〈折射〉，藝術銀行，臺中，臺灣2024〈瓜棚〉，中國醫藥大學，臺中，臺灣2023〈遠方03〉，臺中市立美術館，臺中，臺灣2022〈聖傷04〉，藝術銀行，臺中，臺灣2021〈博物館2〉，藝術銀行，臺中，臺灣2020〈備忘錄3〉，藝術銀行，臺中，臺灣2019〈蘇摩7〉〈蘇摩8〉，藝術銀行，臺中，臺灣2018〈侵蝕的記憶家-堡壘〉〈侵蝕的記憶家-孿生〉，藝術銀行，臺中，臺灣2017〈侵蝕的記憶3〉，國立台灣美術館，臺中，臺灣2017〈侵蝕的記憶家12〉，藝術銀行，臺中，臺灣2016〈相遇時刻3〉，國立臺灣美術館，臺中，臺灣2015〈花草偈3〉，國立臺灣美術館，臺中，臺灣 2015〈腐朽花園〉、〈相遇時刻〉、〈花草偈〉，臺南美術館，臺南，臺灣

出版 2022《謄真集》Transmography ，黃至正發行
HUANG Chih-Cheng1988 Born in Miaoli, TaiwanDegree2013 Graduated from the Master of Fine Arts, Tunghai University2010 Graduated from the Visual Arts, Pingtung University of Education

Solo Exhibitions2025“Symposium”Solo exhibition at Apollo Art Gallery, Taipei, Taiwan2024 Solo exhibition at Yuhsiu Museum, Nantou, Taiwan2023 Solo exhibition at Hun Hau(Apollo Art Gallery x Hun Hau), Pingtung, Taiwan2023 Solo exhibition at Double Square, Taipei, Taiwan2022 Solo exhibition at 107 Gallery, Taichung, Taiwan2022 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2022 Solo exhibition at Banqiao 435 Art Zone, New Taipei, Taiwan2021 Solo exhibition at A Gallery, Taiepi, Taiwan2019 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2018 Solo exhibition at Telling Arts, Taiepi, Taiwan2018 Solo exhibition at Black and white altar, Pingtung, Taiwan2017 Solo exhibition at THZ Gallery, New Taipei, Taiwan2016 Solo exhibition at Telling Arts, Taiepi, Taiwan2016 Solo exhibition at isart gallery, Kaohsiung, Taiwan2015 Solo exhibition at A Gallery, Taiepi, Taiwan2015 Solo exhibition at ODD INSTITUTE, Taiepi, Taiwan2014 Solo exhibition at Yup Arts, Taiepi, Taiwan 2013 Solo exhibition at Z space, Taichung, Taiwan

Joint Exhibitions2025 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2025 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2025 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2024 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2024 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2024 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2023 STAART Illustration Art Fair, Apollo Art Gallery Booth, Kaohsiung, Taiwan2023 “Art Against Cancer” ACC X Estee Lauder, Apollo Art Gallery Booth, American Club Taipei, Taipei, Taiwan2023 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2023 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 WHATZ, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan 2022 “Serene Scene”​Joint exhibition at Yiyun art, Taipei, Taiwan2022 Joint exhibition at MEZZO ART, Tainan, Taiwan2021 ONE ART Taipei, Apollo Art Gallery Booth, Taipei, Taiwan2021 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2021 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2021 Joint exhibition, Mr. Wing Gallery, Taichung, Taiwan2021 Joint exhibition, VT Artsalon, Taipei, Taiwan2021 Joint exhibition, YAMI ART SPACE, Taichung, Taiwan2021 Joint exhibition, & other Art things, Taipei, Taiwan2021 Joint exhibition, Lei Xiang Gallery, Taipei, Taiwan2021 Younger Than Buddha, Double Square Gallery, Taipei, Taiwan2020 “GO TO TAIWAN” Joint exhibition at O-Bank Gallery x Apollo Art Gallery, Taipei, Taiwan2020 Tua-Tiu-Tiann International Festival of Arts, Apollo Art Gallery & Tua-Tiu-Tiann International Festival of Arts, Taipei2019 Sealed Landscapes, Records of Anomalies – Selected Works from the TNAM Collection, Tainan Art Museum, Tainan, Taiwan2018 “Flowers of Immense Charm” A Masterpiece Exhibition by Four Major Museums, National Taiwan Museum of Fine Arts, Taichung, Taiwan2018 Bangkok Biennial ,TENTACLES ,Bangkok , Thailand2018 Art Taipei MIT, Taipei, Taiwan2017 Young Art Taipei, Taipei, Taiwan2016 Art Taipei MIT, Taipei, Taiwan2015 “Dreams & Habitations” NTMoFA Young Artist Collection Exhibition at the National Taiwan Museum of Fine Arts, Taichung, Taiwan2015 FINE ART / UNIVERSITY SELECTION, Tsukuba Museum of Art, Tsukuba, Japan2014 Kaohsiung Awards 2014, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2013 Art Tainan, Room A, Tainan, Taiwan2012 Art Taipei, Taipei, Taiwan2012 Pingtung Fine Arts Exhibition, Pingtung Art Museum, Pingtung, Taiwan2012 Kaohsiung Awards, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2012 Taoyuan Creation Award, Cultural Affairs Bureau of Taoyuan County Government, Taoyuan, Taiwan2011 The 29 th Taoyuan Fine Arts Exhibition, Taoyuan, Taiwan2011 The Arising Arist Award of New Taipei City, Taipei, Taiwan

Awards2021 Tianmei Art Foundation Taiwan Contemporary Artists Publishing Project2020 Selected for the 3rd “GO TO TAIWAN” O-Bank Education Foundation & Apollo Art Awards2019 The 6th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program(Amsterdam/Basel/Venice)2018 Selected for the Taiwan Emerging Art Awards2016 Made in Taiwan Young Artist Discovery2016 The 3th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program (Shanghai/Beijing)2015 Won the first prize in the Next Art Tainan2014 Selected for the Kaohsiung Awards, Printmaking Category2013 Selected for the Next Art Tainan2012 Selected for the Arising Arist Award of New Taipei City2012 Selected for the 12th Taoyuan Contemporary Art Award2012 Selected for the Kaohsiung Awards, Digital Category2011 Selected for the Arising Arist Award of New Taipei City2011 The 29 th Taoyuan Fine Arts Exhibition, Gouache Group, Third Place Award2011 Won the Innovation Award in the New Generation Book Cover Desing CompetitionCollections 2024 < Refraction >, Art Bank Taiwan, Taichung, Taiwan 2024 < Trellis >, China Medical University, Taichung, Taiwan 2023 Taichung Museum of Art, Taichung, Taiwan 2022 < Stigmata 04>, Art Bank Taiwan, Taichung, Taiwan 2021 Art Bank Taiwan, Taichung, Taiwan 2020 < Memo 3>, Art Bank Taiwan, Taichung, Taiwan 2019 Art Bank Taiwan, Taichung, Taiwan 2018 Art Bank Taiwan, Taichung, Taiwan 2017 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2017 Art Bank Taiwan, Taichung, Taiwan 2016 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < The Flower Sutras3>, National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < Decadent garden>< The moments >< The Flower Sutras>,Tainan Art Museum,Tainan, Taiwan

Publications 2022 Publication of “Transmography” Published by HUANG Chih-Cheng

1988 出生於苗栗，臺灣
學歷2013 畢業於東海大學美術研究所創作組，臺灣2010 畢業於屏東教育大學視覺藝術系，臺灣

個展2025《會飲》黃至正個展，阿波羅畫廊，臺北，臺灣2025《雪地是一塊快要碎的玻璃》，双方畫廊，臺北，臺灣2024《人間喜劇》黃至正個展，毓繡美術館，南投，臺灣2023 黃至正個展，阿波羅畫廊x恆‧好，屏東，臺灣2023《有影》黃至正個展，双方藝廊，臺北，臺灣2022《萊辛頓的幽靈》個展，107畫廊，臺中，臺灣2022《返景》黃至正個展，木木藝術，臺南，臺灣2021《水銀落地》個展，當代一畫廊，臺北，臺灣2019《奶油正好融化》個展，木木藝術，臺南，臺灣2018《房間裡的大象》個展，疊藝術，臺北，臺灣2018《胼胝日記》個展，潮州黑白壇，屏東，臺灣2017 黃至正個展，陶華灼藝廊，新北，臺灣2016《黃至正Art Taipei 2016 延伸展》個展，疊藝術，臺北，臺灣2016《同日而語》個展，御書房，高雄，臺灣2015《彼岸遊蕩》個展，當代一畫廊，臺北，臺灣2015《空氣樂園》個展，好氏品牌研究室，臺北，臺灣2014《甦醒的季節》個展，雅痞藝廊，臺北，臺灣 2013《幻化的永恆》個展，Z書房，臺中，臺灣

聯展2025 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2025 臺中國際藝術博覽會，阿波羅畫廊展位，臺中，臺灣2025 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2024 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2024 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024《隱風景》，誠品畫廊，臺北，臺灣 2024《我記得……》，國立臺灣美術館，臺中，臺灣2024《技術的酷兒論Ｉ：Q.O.O》，關渡美術館，臺北，臺灣2023 亞洲插畫藝術博覽會，阿波羅畫廊展位，高雄，臺灣2023《繪心抗癌》ACC美僑x雅詩蘭黛，阿波羅畫廊展位，臺北市美僑協會，臺北，臺灣2023 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2023 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2023 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2023《我們在此相遇》，嘉義市立美術館，嘉義，臺灣2022 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2022 新竹藝術博覽會，阿波羅畫廊展位，新竹，臺灣2022 WHATZ國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2022《謐境》三人聯展，異雲書屋，臺北，臺灣​2022《2022臺南新藝獎：森林的秘密》聯展，劉鳳鴒x黃至正，藝非凡，臺南，臺灣2021 ONE ART Taipei藝術臺北，阿波羅畫廊展位，臺北，臺灣2021 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2021 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2021《擺盪中的時間意識》聯展，清風畫廊，臺中，臺灣2021《非常群聚》聯展，非常廟藝文空間，臺北，臺灣2021《愛的羅曼史》聯展，亞米藝術，台中，台灣2021《沙灘上的房子》聯展，嘉俬房，臺北，臺灣2021《黃金時刻》聯展，雷相藝廊，臺北，臺灣2021《世代切片》，双方藝廊，臺北，臺灣2020《構圖‧臺灣》第三屆視覺藝術創作徵件入圍作品聯展，阿波羅畫廊，臺北，臺灣2020《到城藝遊‧構圖臺灣》聯展，阿波羅畫廊×大稻埕國際藝術節，學藝埕，臺北|2019《封景．志異》臺南市美術館典藏主題展，臺南市美術館，臺南，臺灣2018《花之禮讚》四大美術館聯合大展，國立臺灣美術館，臺中，臺灣2018《曼谷雙年展》，TENTACLES，曼谷，泰國2018 臺北國際藝術博覽-新人推薦特區，臺北，臺灣2017 臺北國際當代藝術博覽會，臺北，臺灣2016 臺北國際藝術博覽-新人推薦特區，台北，台灣2015《夢‧棲地》館藏青年藝術主題展，國立臺灣美術館，臺中，臺灣2015 新進藝術家育成展，筑波美術館，筑波，日本2014 高雄獎，高雄市立美術館，高雄，臺灣2013 臺南新藝獎，Room A，臺南，臺灣2012 臺北國際藝術博覽，臺北，臺灣2012 屏東美展，屏東美術館，屏東，臺灣2012 高雄獎，高雄市立美術館，高雄，臺灣2012 桃園創作獎，桃園縣文化局，桃園，臺灣2011 第29屆桃源美展，桃園縣文化局，桃園，臺灣2011 新北市創作新人獎，新北市文化局，新北，臺灣

獲獎2021 天美藝術基金會-臺灣當代藝術家出版計畫2020 獲得第三屆「構圖‧臺灣」視覺藝術徵件比賽入選2019 天美藝術基金會臺灣當代藝術家海外參訪計畫，阿姆斯特丹/巴塞爾/威尼斯2018 入圍臺灣美術新貌獎2016 臺灣製造新人推薦特區2016 天美藝術基金會臺灣當代藝術家海外參訪計畫，上海/北京2015 臺南新藝獎首獎2014 高雄獎版畫類入選2013 臺南新藝獎入圍2012 新北市新人獎入選2012 桃園創作獎入選2012 高雄獎攝影類入選2011 新北市創作新人獎入選2011 桃源美展膠彩組第三名2011 新世代書封設計比賽創意獎典藏2024〈折射〉，藝術銀行，臺中，臺灣2024〈瓜棚〉，中國醫藥大學，臺中，臺灣2023〈遠方03〉，臺中市立美術館，臺中，臺灣2022〈聖傷04〉，藝術銀行，臺中，臺灣2021〈博物館2〉，藝術銀行，臺中，臺灣2020〈備忘錄3〉，藝術銀行，臺中，臺灣2019〈蘇摩7〉〈蘇摩8〉，藝術銀行，臺中，臺灣2018〈侵蝕的記憶家-堡壘〉〈侵蝕的記憶家-孿生〉，藝術銀行，臺中，臺灣2017〈侵蝕的記憶3〉，國立台灣美術館，臺中，臺灣2017〈侵蝕的記憶家12〉，藝術銀行，臺中，臺灣2016〈相遇時刻3〉，國立臺灣美術館，臺中，臺灣2015〈花草偈3〉，國立臺灣美術館，臺中，臺灣 2015〈腐朽花園〉、〈相遇時刻〉、〈花草偈〉，臺南美術館，臺南，臺灣

出版 2022《謄真集》Transmography ，黃至正發行
HUANG Chih-Cheng1988 Born in Miaoli, TaiwanDegree2013 Graduated from the Master of Fine Arts, Tunghai University2010 Graduated from the Visual Arts, Pingtung University of Education

Solo Exhibitions2025“Symposium”Solo exhibition at Apollo Art Gallery, Taipei, Taiwan2024 Solo exhibition at Yuhsiu Museum, Nantou, Taiwan2023 Solo exhibition at Hun Hau(Apollo Art Gallery x Hun Hau), Pingtung, Taiwan2023 Solo exhibition at Double Square, Taipei, Taiwan2022 Solo exhibition at 107 Gallery, Taichung, Taiwan2022 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2022 Solo exhibition at Banqiao 435 Art Zone, New Taipei, Taiwan2021 Solo exhibition at A Gallery, Taiepi, Taiwan2019 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2018 Solo exhibition at Telling Arts, Taiepi, Taiwan2018 Solo exhibition at Black and white altar, Pingtung, Taiwan2017 Solo exhibition at THZ Gallery, New Taipei, Taiwan2016 Solo exhibition at Telling Arts, Taiepi, Taiwan2016 Solo exhibition at isart gallery, Kaohsiung, Taiwan2015 Solo exhibition at A Gallery, Taiepi, Taiwan2015 Solo exhibition at ODD INSTITUTE, Taiepi, Taiwan2014 Solo exhibition at Yup Arts, Taiepi, Taiwan 2013 Solo exhibition at Z space, Taichung, Taiwan

Joint Exhibitions2025 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2025 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2025 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2024 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2024 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2024 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2023 STAART Illustration Art Fair, Apollo Art Gallery Booth, Kaohsiung, Taiwan2023 “Art Against Cancer” ACC X Estee Lauder, Apollo Art Gallery Booth, American Club Taipei, Taipei, Taiwan2023 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2023 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 WHATZ, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan 2022 “Serene Scene”​Joint exhibition at Yiyun art, Taipei, Taiwan2022 Joint exhibition at MEZZO ART, Tainan, Taiwan2021 ONE ART Taipei, Apollo Art Gallery Booth, Taipei, Taiwan2021 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2021 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2021 Joint exhibition, Mr. Wing Gallery, Taichung, Taiwan2021 Joint exhibition, VT Artsalon, Taipei, Taiwan2021 Joint exhibition, YAMI ART SPACE, Taichung, Taiwan2021 Joint exhibition, & other Art things, Taipei, Taiwan2021 Joint exhibition, Lei Xiang Gallery, Taipei, Taiwan2021 Younger Than Buddha, Double Square Gallery, Taipei, Taiwan2020 “GO TO TAIWAN” Joint exhibition at O-Bank Gallery x Apollo Art Gallery, Taipei, Taiwan2020 Tua-Tiu-Tiann International Festival of Arts, Apollo Art Gallery & Tua-Tiu-Tiann International Festival of Arts, Taipei2019 Sealed Landscapes, Records of Anomalies – Selected Works from the TNAM Collection, Tainan Art Museum, Tainan, Taiwan2018 “Flowers of Immense Charm” A Masterpiece Exhibition by Four Major Museums, National Taiwan Museum of Fine Arts, Taichung, Taiwan2018 Bangkok Biennial ,TENTACLES ,Bangkok , Thailand2018 Art Taipei MIT, Taipei, Taiwan2017 Young Art Taipei, Taipei, Taiwan2016 Art Taipei MIT, Taipei, Taiwan2015 “Dreams & Habitations” NTMoFA Young Artist Collection Exhibition at the National Taiwan Museum of Fine Arts, Taichung, Taiwan2015 FINE ART / UNIVERSITY SELECTION, Tsukuba Museum of Art, Tsukuba, Japan2014 Kaohsiung Awards 2014, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2013 Art Tainan, Room A, Tainan, Taiwan2012 Art Taipei, Taipei, Taiwan2012 Pingtung Fine Arts Exhibition, Pingtung Art Museum, Pingtung, Taiwan2012 Kaohsiung Awards, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2012 Taoyuan Creation Award, Cultural Affairs Bureau of Taoyuan County Government, Taoyuan, Taiwan2011 The 29 th Taoyuan Fine Arts Exhibition, Taoyuan, Taiwan2011 The Arising Arist Award of New Taipei City, Taipei, Taiwan

Awards2021 Tianmei Art Foundation Taiwan Contemporary Artists Publishing Project2020 Selected for the 3rd “GO TO TAIWAN” O-Bank Education Foundation & Apollo Art Awards2019 The 6th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program(Amsterdam/Basel/Venice)2018 Selected for the Taiwan Emerging Art Awards2016 Made in Taiwan Young Artist Discovery2016 The 3th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program (Shanghai/Beijing)2015 Won the first prize in the Next Art Tainan2014 Selected for the Kaohsiung Awards, Printmaking Category2013 Selected for the Next Art Tainan2012 Selected for the Arising Arist Award of New Taipei City2012 Selected for the 12th Taoyuan Contemporary Art Award2012 Selected for the Kaohsiung Awards, Digital Category2011 Selected for the Arising Arist Award of New Taipei City2011 The 29 th Taoyuan Fine Arts Exhibition, Gouache Group, Third Place Award2011 Won the Innovation Award in the New Generation Book Cover Desing CompetitionCollections 2024 < Refraction >, Art Bank Taiwan, Taichung, Taiwan 2024 < Trellis >, China Medical University, Taichung, Taiwan 2023 Taichung Museum of Art, Taichung, Taiwan 2022 < Stigmata 04>, Art Bank Taiwan, Taichung, Taiwan 2021 Art Bank Taiwan, Taichung, Taiwan 2020 < Memo 3>, Art Bank Taiwan, Taichung, Taiwan 2019 Art Bank Taiwan, Taichung, Taiwan 2018 Art Bank Taiwan, Taichung, Taiwan 2017 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2017 Art Bank Taiwan, Taichung, Taiwan 2016 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < The Flower Sutras3>, National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < Decadent garden>< The moments >< The Flower Sutras>,Tainan Art Museum,Tainan, Taiwan

Publications 2022 Publication of “Transmography” Published by HUANG Chih-Cheng

1988 出生於苗栗，臺灣
學歷2013 畢業於東海大學美術研究所創作組，臺灣2010 畢業於屏東教育大學視覺藝術系，臺灣

個展2025《會飲》黃至正個展，阿波羅畫廊，臺北，臺灣2025《雪地是一塊快要碎的玻璃》，双方畫廊，臺北，臺灣2024《人間喜劇》黃至正個展，毓繡美術館，南投，臺灣2023 黃至正個展，阿波羅畫廊x恆‧好，屏東，臺灣2023《有影》黃至正個展，双方藝廊，臺北，臺灣2022《萊辛頓的幽靈》個展，107畫廊，臺中，臺灣2022《返景》黃至正個展，木木藝術，臺南，臺灣2021《水銀落地》個展，當代一畫廊，臺北，臺灣2019《奶油正好融化》個展，木木藝術，臺南，臺灣2018《房間裡的大象》個展，疊藝術，臺北，臺灣2018《胼胝日記》個展，潮州黑白壇，屏東，臺灣2017 黃至正個展，陶華灼藝廊，新北，臺灣2016《黃至正Art Taipei 2016 延伸展》個展，疊藝術，臺北，臺灣2016《同日而語》個展，御書房，高雄，臺灣2015《彼岸遊蕩》個展，當代一畫廊，臺北，臺灣2015《空氣樂園》個展，好氏品牌研究室，臺北，臺灣2014《甦醒的季節》個展，雅痞藝廊，臺北，臺灣 2013《幻化的永恆》個展，Z書房，臺中，臺灣

聯展2025 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2025 臺中國際藝術博覽會，阿波羅畫廊展位，臺中，臺灣2025 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2024 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2024 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024《隱風景》，誠品畫廊，臺北，臺灣 2024《我記得……》，國立臺灣美術館，臺中，臺灣2024《技術的酷兒論Ｉ：Q.O.O》，關渡美術館，臺北，臺灣2023 亞洲插畫藝術博覽會，阿波羅畫廊展位，高雄，臺灣2023《繪心抗癌》ACC美僑x雅詩蘭黛，阿波羅畫廊展位，臺北市美僑協會，臺北，臺灣2023 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2023 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2023 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2023《我們在此相遇》，嘉義市立美術館，嘉義，臺灣2022 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2022 新竹藝術博覽會，阿波羅畫廊展位，新竹，臺灣2022 WHATZ國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2022《謐境》三人聯展，異雲書屋，臺北，臺灣​2022《2022臺南新藝獎：森林的秘密》聯展，劉鳳鴒x黃至正，藝非凡，臺南，臺灣2021 ONE ART Taipei藝術臺北，阿波羅畫廊展位，臺北，臺灣2021 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2021 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2021《擺盪中的時間意識》聯展，清風畫廊，臺中，臺灣2021《非常群聚》聯展，非常廟藝文空間，臺北，臺灣2021《愛的羅曼史》聯展，亞米藝術，台中，台灣2021《沙灘上的房子》聯展，嘉俬房，臺北，臺灣2021《黃金時刻》聯展，雷相藝廊，臺北，臺灣2021《世代切片》，双方藝廊，臺北，臺灣2020《構圖‧臺灣》第三屆視覺藝術創作徵件入圍作品聯展，阿波羅畫廊，臺北，臺灣2020《到城藝遊‧構圖臺灣》聯展，阿波羅畫廊×大稻埕國際藝術節，學藝埕，臺北|2019《封景．志異》臺南市美術館典藏主題展，臺南市美術館，臺南，臺灣2018《花之禮讚》四大美術館聯合大展，國立臺灣美術館，臺中，臺灣2018《曼谷雙年展》，TENTACLES，曼谷，泰國2018 臺北國際藝術博覽-新人推薦特區，臺北，臺灣2017 臺北國際當代藝術博覽會，臺北，臺灣2016 臺北國際藝術博覽-新人推薦特區，台北，台灣2015《夢‧棲地》館藏青年藝術主題展，國立臺灣美術館，臺中，臺灣2015 新進藝術家育成展，筑波美術館，筑波，日本2014 高雄獎，高雄市立美術館，高雄，臺灣2013 臺南新藝獎，Room A，臺南，臺灣2012 臺北國際藝術博覽，臺北，臺灣2012 屏東美展，屏東美術館，屏東，臺灣2012 高雄獎，高雄市立美術館，高雄，臺灣2012 桃園創作獎，桃園縣文化局，桃園，臺灣2011 第29屆桃源美展，桃園縣文化局，桃園，臺灣2011 新北市創作新人獎，新北市文化局，新北，臺灣

獲獎2021 天美藝術基金會-臺灣當代藝術家出版計畫2020 獲得第三屆「構圖‧臺灣」視覺藝術徵件比賽入選2019 天美藝術基金會臺灣當代藝術家海外參訪計畫，阿姆斯特丹/巴塞爾/威尼斯2018 入圍臺灣美術新貌獎2016 臺灣製造新人推薦特區2016 天美藝術基金會臺灣當代藝術家海外參訪計畫，上海/北京2015 臺南新藝獎首獎2014 高雄獎版畫類入選2013 臺南新藝獎入圍2012 新北市新人獎入選2012 桃園創作獎入選2012 高雄獎攝影類入選2011 新北市創作新人獎入選2011 桃源美展膠彩組第三名2011 新世代書封設計比賽創意獎典藏2024〈折射〉，藝術銀行，臺中，臺灣2024〈瓜棚〉，中國醫藥大學，臺中，臺灣2023〈遠方03〉，臺中市立美術館，臺中，臺灣2022〈聖傷04〉，藝術銀行，臺中，臺灣2021〈博物館2〉，藝術銀行，臺中，臺灣2020〈備忘錄3〉，藝術銀行，臺中，臺灣2019〈蘇摩7〉〈蘇摩8〉，藝術銀行，臺中，臺灣2018〈侵蝕的記憶家-堡壘〉〈侵蝕的記憶家-孿生〉，藝術銀行，臺中，臺灣2017〈侵蝕的記憶3〉，國立台灣美術館，臺中，臺灣2017〈侵蝕的記憶家12〉，藝術銀行，臺中，臺灣2016〈相遇時刻3〉，國立臺灣美術館，臺中，臺灣2015〈花草偈3〉，國立臺灣美術館，臺中，臺灣 2015〈腐朽花園〉、〈相遇時刻〉、〈花草偈〉，臺南美術館，臺南，臺灣

出版 2022《謄真集》Transmography ，黃至正發行
HUANG Chih-Cheng1988 Born in Miaoli, TaiwanDegree2013 Graduated from the Master of Fine Arts, Tunghai University2010 Graduated from the Visual Arts, Pingtung University of Education

Solo Exhibitions2025“Symposium”Solo exhibition at Apollo Art Gallery, Taipei, Taiwan2024 Solo exhibition at Yuhsiu Museum, Nantou, Taiwan2023 Solo exhibition at Hun Hau(Apollo Art Gallery x Hun Hau), Pingtung, Taiwan2023 Solo exhibition at Double Square, Taipei, Taiwan2022 Solo exhibition at 107 Gallery, Taichung, Taiwan2022 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2022 Solo exhibition at Banqiao 435 Art Zone, New Taipei, Taiwan2021 Solo exhibition at A Gallery, Taiepi, Taiwan2019 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2018 Solo exhibition at Telling Arts, Taiepi, Taiwan2018 Solo exhibition at Black and white altar, Pingtung, Taiwan2017 Solo exhibition at THZ Gallery, New Taipei, Taiwan2016 Solo exhibition at Telling Arts, Taiepi, Taiwan2016 Solo exhibition at isart gallery, Kaohsiung, Taiwan2015 Solo exhibition at A Gallery, Taiepi, Taiwan2015 Solo exhibition at ODD INSTITUTE, Taiepi, Taiwan2014 Solo exhibition at Yup Arts, Taiepi, Taiwan 2013 Solo exhibition at Z space, Taichung, Taiwan

Joint Exhibitions2025 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2025 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2025 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2024 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2024 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2024 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2023 STAART Illustration Art Fair, Apollo Art Gallery Booth, Kaohsiung, Taiwan2023 “Art Against Cancer” ACC X Estee Lauder, Apollo Art Gallery Booth, American Club Taipei, Taipei, Taiwan2023 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2023 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 WHATZ, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan 2022 “Serene Scene”​Joint exhibition at Yiyun art, Taipei, Taiwan2022 Joint exhibition at MEZZO ART, Tainan, Taiwan2021 ONE ART Taipei, Apollo Art Gallery Booth, Taipei, Taiwan2021 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2021 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2021 Joint exhibition, Mr. Wing Gallery, Taichung, Taiwan2021 Joint exhibition, VT Artsalon, Taipei, Taiwan2021 Joint exhibition, YAMI ART SPACE, Taichung, Taiwan2021 Joint exhibition, & other Art things, Taipei, Taiwan2021 Joint exhibition, Lei Xiang Gallery, Taipei, Taiwan2021 Younger Than Buddha, Double Square Gallery, Taipei, Taiwan2020 “GO TO TAIWAN” Joint exhibition at O-Bank Gallery x Apollo Art Gallery, Taipei, Taiwan2020 Tua-Tiu-Tiann International Festival of Arts, Apollo Art Gallery & Tua-Tiu-Tiann International Festival of Arts, Taipei2019 Sealed Landscapes, Records of Anomalies – Selected Works from the TNAM Collection, Tainan Art Museum, Tainan, Taiwan2018 “Flowers of Immense Charm” A Masterpiece Exhibition by Four Major Museums, National Taiwan Museum of Fine Arts, Taichung, Taiwan2018 Bangkok Biennial ,TENTACLES ,Bangkok , Thailand2018 Art Taipei MIT, Taipei, Taiwan2017 Young Art Taipei, Taipei, Taiwan2016 Art Taipei MIT, Taipei, Taiwan2015 “Dreams & Habitations” NTMoFA Young Artist Collection Exhibition at the National Taiwan Museum of Fine Arts, Taichung, Taiwan2015 FINE ART / UNIVERSITY SELECTION, Tsukuba Museum of Art, Tsukuba, Japan2014 Kaohsiung Awards 2014, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2013 Art Tainan, Room A, Tainan, Taiwan2012 Art Taipei, Taipei, Taiwan2012 Pingtung Fine Arts Exhibition, Pingtung Art Museum, Pingtung, Taiwan2012 Kaohsiung Awards, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2012 Taoyuan Creation Award, Cultural Affairs Bureau of Taoyuan County Government, Taoyuan, Taiwan2011 The 29 th Taoyuan Fine Arts Exhibition, Taoyuan, Taiwan2011 The Arising Arist Award of New Taipei City, Taipei, Taiwan

Awards2021 Tianmei Art Foundation Taiwan Contemporary Artists Publishing Project2020 Selected for the 3rd “GO TO TAIWAN” O-Bank Education Foundation & Apollo Art Awards2019 The 6th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program(Amsterdam/Basel/Venice)2018 Selected for the Taiwan Emerging Art Awards2016 Made in Taiwan Young Artist Discovery2016 The 3th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program (Shanghai/Beijing)2015 Won the first prize in the Next Art Tainan2014 Selected for the Kaohsiung Awards, Printmaking Category2013 Selected for the Next Art Tainan2012 Selected for the Arising Arist Award of New Taipei City2012 Selected for the 12th Taoyuan Contemporary Art Award2012 Selected for the Kaohsiung Awards, Digital Category2011 Selected for the Arising Arist Award of New Taipei City2011 The 29 th Taoyuan Fine Arts Exhibition, Gouache Group, Third Place Award2011 Won the Innovation Award in the New Generation Book Cover Desing CompetitionCollections 2024 < Refraction >, Art Bank Taiwan, Taichung, Taiwan 2024 < Trellis >, China Medical University, Taichung, Taiwan 2023 Taichung Museum of Art, Taichung, Taiwan 2022 < Stigmata 04>, Art Bank Taiwan, Taichung, Taiwan 2021 Art Bank Taiwan, Taichung, Taiwan 2020 < Memo 3>, Art Bank Taiwan, Taichung, Taiwan 2019 Art Bank Taiwan, Taichung, Taiwan 2018 Art Bank Taiwan, Taichung, Taiwan 2017 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2017 Art Bank Taiwan, Taichung, Taiwan 2016 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < The Flower Sutras3>, National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < Decadent garden>< The moments >< The Flower Sutras>,Tainan Art Museum,Tainan, Taiwan

Publications 2022 Publication of “Transmography” Published by HUANG Chih-Cheng

1988 出生於苗栗，臺灣
學歷2013 畢業於東海大學美術研究所創作組，臺灣2010 畢業於屏東教育大學視覺藝術系，臺灣

個展2025《會飲》黃至正個展，阿波羅畫廊，臺北，臺灣2025《雪地是一塊快要碎的玻璃》，双方畫廊，臺北，臺灣2024《人間喜劇》黃至正個展，毓繡美術館，南投，臺灣2023 黃至正個展，阿波羅畫廊x恆‧好，屏東，臺灣2023《有影》黃至正個展，双方藝廊，臺北，臺灣2022《萊辛頓的幽靈》個展，107畫廊，臺中，臺灣2022《返景》黃至正個展，木木藝術，臺南，臺灣2021《水銀落地》個展，當代一畫廊，臺北，臺灣2019《奶油正好融化》個展，木木藝術，臺南，臺灣2018《房間裡的大象》個展，疊藝術，臺北，臺灣2018《胼胝日記》個展，潮州黑白壇，屏東，臺灣2017 黃至正個展，陶華灼藝廊，新北，臺灣2016《黃至正Art Taipei 2016 延伸展》個展，疊藝術，臺北，臺灣2016《同日而語》個展，御書房，高雄，臺灣2015《彼岸遊蕩》個展，當代一畫廊，臺北，臺灣2015《空氣樂園》個展，好氏品牌研究室，臺北，臺灣2014《甦醒的季節》個展，雅痞藝廊，臺北，臺灣 2013《幻化的永恆》個展，Z書房，臺中，臺灣

聯展2025 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2025 臺中國際藝術博覽會，阿波羅畫廊展位，臺中，臺灣2025 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2024 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2024 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024《隱風景》，誠品畫廊，臺北，臺灣 2024《我記得……》，國立臺灣美術館，臺中，臺灣2024《技術的酷兒論Ｉ：Q.O.O》，關渡美術館，臺北，臺灣2023 亞洲插畫藝術博覽會，阿波羅畫廊展位，高雄，臺灣2023《繪心抗癌》ACC美僑x雅詩蘭黛，阿波羅畫廊展位，臺北市美僑協會，臺北，臺灣2023 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2023 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2023 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2023《我們在此相遇》，嘉義市立美術館，嘉義，臺灣2022 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2022 新竹藝術博覽會，阿波羅畫廊展位，新竹，臺灣2022 WHATZ國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2022《謐境》三人聯展，異雲書屋，臺北，臺灣​2022《2022臺南新藝獎：森林的秘密》聯展，劉鳳鴒x黃至正，藝非凡，臺南，臺灣2021 ONE ART Taipei藝術臺北，阿波羅畫廊展位，臺北，臺灣2021 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2021 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2021《擺盪中的時間意識》聯展，清風畫廊，臺中，臺灣2021《非常群聚》聯展，非常廟藝文空間，臺北，臺灣2021《愛的羅曼史》聯展，亞米藝術，台中，台灣2021《沙灘上的房子》聯展，嘉俬房，臺北，臺灣2021《黃金時刻》聯展，雷相藝廊，臺北，臺灣2021《世代切片》，双方藝廊，臺北，臺灣2020《構圖‧臺灣》第三屆視覺藝術創作徵件入圍作品聯展，阿波羅畫廊，臺北，臺灣2020《到城藝遊‧構圖臺灣》聯展，阿波羅畫廊×大稻埕國際藝術節，學藝埕，臺北|2019《封景．志異》臺南市美術館典藏主題展，臺南市美術館，臺南，臺灣2018《花之禮讚》四大美術館聯合大展，國立臺灣美術館，臺中，臺灣2018《曼谷雙年展》，TENTACLES，曼谷，泰國2018 臺北國際藝術博覽-新人推薦特區，臺北，臺灣2017 臺北國際當代藝術博覽會，臺北，臺灣2016 臺北國際藝術博覽-新人推薦特區，台北，台灣2015《夢‧棲地》館藏青年藝術主題展，國立臺灣美術館，臺中，臺灣2015 新進藝術家育成展，筑波美術館，筑波，日本2014 高雄獎，高雄市立美術館，高雄，臺灣2013 臺南新藝獎，Room A，臺南，臺灣2012 臺北國際藝術博覽，臺北，臺灣2012 屏東美展，屏東美術館，屏東，臺灣2012 高雄獎，高雄市立美術館，高雄，臺灣2012 桃園創作獎，桃園縣文化局，桃園，臺灣2011 第29屆桃源美展，桃園縣文化局，桃園，臺灣2011 新北市創作新人獎，新北市文化局，新北，臺灣

獲獎2021 天美藝術基金會-臺灣當代藝術家出版計畫2020 獲得第三屆「構圖‧臺灣」視覺藝術徵件比賽入選2019 天美藝術基金會臺灣當代藝術家海外參訪計畫，阿姆斯特丹/巴塞爾/威尼斯2018 入圍臺灣美術新貌獎2016 臺灣製造新人推薦特區2016 天美藝術基金會臺灣當代藝術家海外參訪計畫，上海/北京2015 臺南新藝獎首獎2014 高雄獎版畫類入選2013 臺南新藝獎入圍2012 新北市新人獎入選2012 桃園創作獎入選2012 高雄獎攝影類入選2011 新北市創作新人獎入選2011 桃源美展膠彩組第三名2011 新世代書封設計比賽創意獎典藏2024〈折射〉，藝術銀行，臺中，臺灣2024〈瓜棚〉，中國醫藥大學，臺中，臺灣2023〈遠方03〉，臺中市立美術館，臺中，臺灣2022〈聖傷04〉，藝術銀行，臺中，臺灣2021〈博物館2〉，藝術銀行，臺中，臺灣2020〈備忘錄3〉，藝術銀行，臺中，臺灣2019〈蘇摩7〉〈蘇摩8〉，藝術銀行，臺中，臺灣2018〈侵蝕的記憶家-堡壘〉〈侵蝕的記憶家-孿生〉，藝術銀行，臺中，臺灣2017〈侵蝕的記憶3〉，國立台灣美術館，臺中，臺灣2017〈侵蝕的記憶家12〉，藝術銀行，臺中，臺灣2016〈相遇時刻3〉，國立臺灣美術館，臺中，臺灣2015〈花草偈3〉，國立臺灣美術館，臺中，臺灣 2015〈腐朽花園〉、〈相遇時刻〉、〈花草偈〉，臺南美術館，臺南，臺灣

出版 2022《謄真集》Transmography ，黃至正發行
HUANG Chih-Cheng1988 Born in Miaoli, TaiwanDegree2013 Graduated from the Master of Fine Arts, Tunghai University2010 Graduated from the Visual Arts, Pingtung University of Education

Solo Exhibitions2025“Symposium”Solo exhibition at Apollo Art Gallery, Taipei, Taiwan2024 Solo exhibition at Yuhsiu Museum, Nantou, Taiwan2023 Solo exhibition at Hun Hau(Apollo Art Gallery x Hun Hau), Pingtung, Taiwan2023 Solo exhibition at Double Square, Taipei, Taiwan2022 Solo exhibition at 107 Gallery, Taichung, Taiwan2022 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2022 Solo exhibition at Banqiao 435 Art Zone, New Taipei, Taiwan2021 Solo exhibition at A Gallery, Taiepi, Taiwan2019 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2018 Solo exhibition at Telling Arts, Taiepi, Taiwan2018 Solo exhibition at Black and white altar, Pingtung, Taiwan2017 Solo exhibition at THZ Gallery, New Taipei, Taiwan2016 Solo exhibition at Telling Arts, Taiepi, Taiwan2016 Solo exhibition at isart gallery, Kaohsiung, Taiwan2015 Solo exhibition at A Gallery, Taiepi, Taiwan2015 Solo exhibition at ODD INSTITUTE, Taiepi, Taiwan2014 Solo exhibition at Yup Arts, Taiepi, Taiwan 2013 Solo exhibition at Z space, Taichung, Taiwan

Joint Exhibitions2025 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2025 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2025 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2024 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2024 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2024 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2023 STAART Illustration Art Fair, Apollo Art Gallery Booth, Kaohsiung, Taiwan2023 “Art Against Cancer” ACC X Estee Lauder, Apollo Art Gallery Booth, American Club Taipei, Taipei, Taiwan2023 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2023 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 WHATZ, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan 2022 “Serene Scene”​Joint exhibition at Yiyun art, Taipei, Taiwan2022 Joint exhibition at MEZZO ART, Tainan, Taiwan2021 ONE ART Taipei, Apollo Art Gallery Booth, Taipei, Taiwan2021 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2021 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2021 Joint exhibition, Mr. Wing Gallery, Taichung, Taiwan2021 Joint exhibition, VT Artsalon, Taipei, Taiwan2021 Joint exhibition, YAMI ART SPACE, Taichung, Taiwan2021 Joint exhibition, & other Art things, Taipei, Taiwan2021 Joint exhibition, Lei Xiang Gallery, Taipei, Taiwan2021 Younger Than Buddha, Double Square Gallery, Taipei, Taiwan2020 “GO TO TAIWAN” Joint exhibition at O-Bank Gallery x Apollo Art Gallery, Taipei, Taiwan2020 Tua-Tiu-Tiann International Festival of Arts, Apollo Art Gallery & Tua-Tiu-Tiann International Festival of Arts, Taipei2019 Sealed Landscapes, Records of Anomalies – Selected Works from the TNAM Collection, Tainan Art Museum, Tainan, Taiwan2018 “Flowers of Immense Charm” A Masterpiece Exhibition by Four Major Museums, National Taiwan Museum of Fine Arts, Taichung, Taiwan2018 Bangkok Biennial ,TENTACLES ,Bangkok , Thailand2018 Art Taipei MIT, Taipei, Taiwan2017 Young Art Taipei, Taipei, Taiwan2016 Art Taipei MIT, Taipei, Taiwan2015 “Dreams & Habitations” NTMoFA Young Artist Collection Exhibition at the National Taiwan Museum of Fine Arts, Taichung, Taiwan2015 FINE ART / UNIVERSITY SELECTION, Tsukuba Museum of Art, Tsukuba, Japan2014 Kaohsiung Awards 2014, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2013 Art Tainan, Room A, Tainan, Taiwan2012 Art Taipei, Taipei, Taiwan2012 Pingtung Fine Arts Exhibition, Pingtung Art Museum, Pingtung, Taiwan2012 Kaohsiung Awards, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2012 Taoyuan Creation Award, Cultural Affairs Bureau of Taoyuan County Government, Taoyuan, Taiwan2011 The 29 th Taoyuan Fine Arts Exhibition, Taoyuan, Taiwan2011 The Arising Arist Award of New Taipei City, Taipei, Taiwan

Awards2021 Tianmei Art Foundation Taiwan Contemporary Artists Publishing Project2020 Selected for the 3rd “GO TO TAIWAN” O-Bank Education Foundation & Apollo Art Awards2019 The 6th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program(Amsterdam/Basel/Venice)2018 Selected for the Taiwan Emerging Art Awards2016 Made in Taiwan Young Artist Discovery2016 The 3th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program (Shanghai/Beijing)2015 Won the first prize in the Next Art Tainan2014 Selected for the Kaohsiung Awards, Printmaking Category2013 Selected for the Next Art Tainan2012 Selected for the Arising Arist Award of New Taipei City2012 Selected for the 12th Taoyuan Contemporary Art Award2012 Selected for the Kaohsiung Awards, Digital Category2011 Selected for the Arising Arist Award of New Taipei City2011 The 29 th Taoyuan Fine Arts Exhibition, Gouache Group, Third Place Award2011 Won the Innovation Award in the New Generation Book Cover Desing CompetitionCollections 2024 < Refraction >, Art Bank Taiwan, Taichung, Taiwan 2024 < Trellis >, China Medical University, Taichung, Taiwan 2023 Taichung Museum of Art, Taichung, Taiwan 2022 < Stigmata 04>, Art Bank Taiwan, Taichung, Taiwan 2021 Art Bank Taiwan, Taichung, Taiwan 2020 < Memo 3>, Art Bank Taiwan, Taichung, Taiwan 2019 Art Bank Taiwan, Taichung, Taiwan 2018 Art Bank Taiwan, Taichung, Taiwan 2017 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2017 Art Bank Taiwan, Taichung, Taiwan 2016 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < The Flower Sutras3>, National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < Decadent garden>< The moments >< The Flower Sutras>,Tainan Art Museum,Tainan, Taiwan

Publications 2022 Publication of “Transmography” Published by HUANG Chih-Cheng

1988 出生於苗栗，臺灣
學歷2013 畢業於東海大學美術研究所創作組，臺灣2010 畢業於屏東教育大學視覺藝術系，臺灣

個展2025《會飲》黃至正個展，阿波羅畫廊，臺北，臺灣2025《雪地是一塊快要碎的玻璃》，双方畫廊，臺北，臺灣2024《人間喜劇》黃至正個展，毓繡美術館，南投，臺灣2023 黃至正個展，阿波羅畫廊x恆‧好，屏東，臺灣2023《有影》黃至正個展，双方藝廊，臺北，臺灣2022《萊辛頓的幽靈》個展，107畫廊，臺中，臺灣2022《返景》黃至正個展，木木藝術，臺南，臺灣2021《水銀落地》個展，當代一畫廊，臺北，臺灣2019《奶油正好融化》個展，木木藝術，臺南，臺灣2018《房間裡的大象》個展，疊藝術，臺北，臺灣2018《胼胝日記》個展，潮州黑白壇，屏東，臺灣2017 黃至正個展，陶華灼藝廊，新北，臺灣2016《黃至正Art Taipei 2016 延伸展》個展，疊藝術，臺北，臺灣2016《同日而語》個展，御書房，高雄，臺灣2015《彼岸遊蕩》個展，當代一畫廊，臺北，臺灣2015《空氣樂園》個展，好氏品牌研究室，臺北，臺灣2014《甦醒的季節》個展，雅痞藝廊，臺北，臺灣 2013《幻化的永恆》個展，Z書房，臺中，臺灣

聯展2025 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2025 臺中國際藝術博覽會，阿波羅畫廊展位，臺中，臺灣2025 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2024 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2024 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2024《隱風景》，誠品畫廊，臺北，臺灣 2024《我記得……》，國立臺灣美術館，臺中，臺灣2024《技術的酷兒論Ｉ：Q.O.O》，關渡美術館，臺北，臺灣2023 亞洲插畫藝術博覽會，阿波羅畫廊展位，高雄，臺灣2023《繪心抗癌》ACC美僑x雅詩蘭黛，阿波羅畫廊展位，臺北市美僑協會，臺北，臺灣2023 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2023 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2023 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2023《我們在此相遇》，嘉義市立美術館，嘉義，臺灣2022 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2022 新竹藝術博覽會，阿波羅畫廊展位，新竹，臺灣2022 WHATZ國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2022 臺南藝術博覽會，阿波羅畫廊展位，臺南，臺灣2022《謐境》三人聯展，異雲書屋，臺北，臺灣​2022《2022臺南新藝獎：森林的秘密》聯展，劉鳳鴒x黃至正，藝非凡，臺南，臺灣2021 ONE ART Taipei藝術臺北，阿波羅畫廊展位，臺北，臺灣2021 臺中藝術博覽會，阿波羅畫廊展位，臺中，臺灣2021 臺北國際藝術博覽會，阿波羅畫廊展位，臺北，臺灣2021《擺盪中的時間意識》聯展，清風畫廊，臺中，臺灣2021《非常群聚》聯展，非常廟藝文空間，臺北，臺灣2021《愛的羅曼史》聯展，亞米藝術，台中，台灣2021《沙灘上的房子》聯展，嘉俬房，臺北，臺灣2021《黃金時刻》聯展，雷相藝廊，臺北，臺灣2021《世代切片》，双方藝廊，臺北，臺灣2020《構圖‧臺灣》第三屆視覺藝術創作徵件入圍作品聯展，阿波羅畫廊，臺北，臺灣2020《到城藝遊‧構圖臺灣》聯展，阿波羅畫廊×大稻埕國際藝術節，學藝埕，臺北|2019《封景．志異》臺南市美術館典藏主題展，臺南市美術館，臺南，臺灣2018《花之禮讚》四大美術館聯合大展，國立臺灣美術館，臺中，臺灣2018《曼谷雙年展》，TENTACLES，曼谷，泰國2018 臺北國際藝術博覽-新人推薦特區，臺北，臺灣2017 臺北國際當代藝術博覽會，臺北，臺灣2016 臺北國際藝術博覽-新人推薦特區，台北，台灣2015《夢‧棲地》館藏青年藝術主題展，國立臺灣美術館，臺中，臺灣2015 新進藝術家育成展，筑波美術館，筑波，日本2014 高雄獎，高雄市立美術館，高雄，臺灣2013 臺南新藝獎，Room A，臺南，臺灣2012 臺北國際藝術博覽，臺北，臺灣2012 屏東美展，屏東美術館，屏東，臺灣2012 高雄獎，高雄市立美術館，高雄，臺灣2012 桃園創作獎，桃園縣文化局，桃園，臺灣2011 第29屆桃源美展，桃園縣文化局，桃園，臺灣2011 新北市創作新人獎，新北市文化局，新北，臺灣

獲獎2021 天美藝術基金會-臺灣當代藝術家出版計畫2020 獲得第三屆「構圖‧臺灣」視覺藝術徵件比賽入選2019 天美藝術基金會臺灣當代藝術家海外參訪計畫，阿姆斯特丹/巴塞爾/威尼斯2018 入圍臺灣美術新貌獎2016 臺灣製造新人推薦特區2016 天美藝術基金會臺灣當代藝術家海外參訪計畫，上海/北京2015 臺南新藝獎首獎2014 高雄獎版畫類入選2013 臺南新藝獎入圍2012 新北市新人獎入選2012 桃園創作獎入選2012 高雄獎攝影類入選2011 新北市創作新人獎入選2011 桃源美展膠彩組第三名2011 新世代書封設計比賽創意獎典藏2024〈折射〉，藝術銀行，臺中，臺灣2024〈瓜棚〉，中國醫藥大學，臺中，臺灣2023〈遠方03〉，臺中市立美術館，臺中，臺灣2022〈聖傷04〉，藝術銀行，臺中，臺灣2021〈博物館2〉，藝術銀行，臺中，臺灣2020〈備忘錄3〉，藝術銀行，臺中，臺灣2019〈蘇摩7〉〈蘇摩8〉，藝術銀行，臺中，臺灣2018〈侵蝕的記憶家-堡壘〉〈侵蝕的記憶家-孿生〉，藝術銀行，臺中，臺灣2017〈侵蝕的記憶3〉，國立台灣美術館，臺中，臺灣2017〈侵蝕的記憶家12〉，藝術銀行，臺中，臺灣2016〈相遇時刻3〉，國立臺灣美術館，臺中，臺灣2015〈花草偈3〉，國立臺灣美術館，臺中，臺灣 2015〈腐朽花園〉、〈相遇時刻〉、〈花草偈〉，臺南美術館，臺南，臺灣

出版 2022《謄真集》Transmography ，黃至正發行
HUANG Chih-Cheng1988 Born in Miaoli, TaiwanDegree2013 Graduated from the Master of Fine Arts, Tunghai University2010 Graduated from the Visual Arts, Pingtung University of Education

Solo Exhibitions2025“Symposium”Solo exhibition at Apollo Art Gallery, Taipei, Taiwan2024 Solo exhibition at Yuhsiu Museum, Nantou, Taiwan2023 Solo exhibition at Hun Hau(Apollo Art Gallery x Hun Hau), Pingtung, Taiwan2023 Solo exhibition at Double Square, Taipei, Taiwan2022 Solo exhibition at 107 Gallery, Taichung, Taiwan2022 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2022 Solo exhibition at Banqiao 435 Art Zone, New Taipei, Taiwan2021 Solo exhibition at A Gallery, Taiepi, Taiwan2019 Solo exhibition at MUMU GALLERY, Tainan, Taiwan2018 Solo exhibition at Telling Arts, Taiepi, Taiwan2018 Solo exhibition at Black and white altar, Pingtung, Taiwan2017 Solo exhibition at THZ Gallery, New Taipei, Taiwan2016 Solo exhibition at Telling Arts, Taiepi, Taiwan2016 Solo exhibition at isart gallery, Kaohsiung, Taiwan2015 Solo exhibition at A Gallery, Taiepi, Taiwan2015 Solo exhibition at ODD INSTITUTE, Taiepi, Taiwan2014 Solo exhibition at Yup Arts, Taiepi, Taiwan 2013 Solo exhibition at Z space, Taichung, Taiwan

Joint Exhibitions2025 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2025 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2025 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2024 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2024 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2024 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2023 STAART Illustration Art Fair, Apollo Art Gallery Booth, Kaohsiung, Taiwan2023 “Art Against Cancer” ACC X Estee Lauder, Apollo Art Gallery Booth, American Club Taipei, Taipei, Taiwan2023 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2023 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2022 WHATZ, Apollo Art Gallery Booth, Taipei, Taiwan2022 ART TAINAN, Apollo Art Gallery Booth, Tainan, Taiwan 2022 “Serene Scene”​Joint exhibition at Yiyun art, Taipei, Taiwan2022 Joint exhibition at MEZZO ART, Tainan, Taiwan2021 ONE ART Taipei, Apollo Art Gallery Booth, Taipei, Taiwan2021 ART TAICHUNG, Apollo Art Gallery Booth, Taichung, Taiwan2021 ART TAIPEI, Apollo Art Gallery Booth, Taipei, Taiwan2021 Joint exhibition, Mr. Wing Gallery, Taichung, Taiwan2021 Joint exhibition, VT Artsalon, Taipei, Taiwan2021 Joint exhibition, YAMI ART SPACE, Taichung, Taiwan2021 Joint exhibition, & other Art things, Taipei, Taiwan2021 Joint exhibition, Lei Xiang Gallery, Taipei, Taiwan2021 Younger Than Buddha, Double Square Gallery, Taipei, Taiwan2020 “GO TO TAIWAN” Joint exhibition at O-Bank Gallery x Apollo Art Gallery, Taipei, Taiwan2020 Tua-Tiu-Tiann International Festival of Arts, Apollo Art Gallery & Tua-Tiu-Tiann International Festival of Arts, Taipei2019 Sealed Landscapes, Records of Anomalies – Selected Works from the TNAM Collection, Tainan Art Museum, Tainan, Taiwan2018 “Flowers of Immense Charm” A Masterpiece Exhibition by Four Major Museums, National Taiwan Museum of Fine Arts, Taichung, Taiwan2018 Bangkok Biennial ,TENTACLES ,Bangkok , Thailand2018 Art Taipei MIT, Taipei, Taiwan2017 Young Art Taipei, Taipei, Taiwan2016 Art Taipei MIT, Taipei, Taiwan2015 “Dreams & Habitations” NTMoFA Young Artist Collection Exhibition at the National Taiwan Museum of Fine Arts, Taichung, Taiwan2015 FINE ART / UNIVERSITY SELECTION, Tsukuba Museum of Art, Tsukuba, Japan2014 Kaohsiung Awards 2014, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2013 Art Tainan, Room A, Tainan, Taiwan2012 Art Taipei, Taipei, Taiwan2012 Pingtung Fine Arts Exhibition, Pingtung Art Museum, Pingtung, Taiwan2012 Kaohsiung Awards, Kaohsiung museum of fine arts, Kaohsiung, Taiwan2012 Taoyuan Creation Award, Cultural Affairs Bureau of Taoyuan County Government, Taoyuan, Taiwan2011 The 29 th Taoyuan Fine Arts Exhibition, Taoyuan, Taiwan2011 The Arising Arist Award of New Taipei City, Taipei, Taiwan

Awards2021 Tianmei Art Foundation Taiwan Contemporary Artists Publishing Project2020 Selected for the 3rd “GO TO TAIWAN” O-Bank Education Foundation & Apollo Art Awards2019 The 6th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program(Amsterdam/Basel/Venice)2018 Selected for the Taiwan Emerging Art Awards2016 Made in Taiwan Young Artist Discovery2016 The 3th Tianmei Art Foundation Taiwan Contemporary Artists Overseas Visit Program (Shanghai/Beijing)2015 Won the first prize in the Next Art Tainan2014 Selected for the Kaohsiung Awards, Printmaking Category2013 Selected for the Next Art Tainan2012 Selected for the Arising Arist Award of New Taipei City2012 Selected for the 12th Taoyuan Contemporary Art Award2012 Selected for the Kaohsiung Awards, Digital Category2011 Selected for the Arising Arist Award of New Taipei City2011 The 29 th Taoyuan Fine Arts Exhibition, Gouache Group, Third Place Award2011 Won the Innovation Award in the New Generation Book Cover Desing CompetitionCollections 2024 < Refraction >, Art Bank Taiwan, Taichung, Taiwan 2024 < Trellis >, China Medical University, Taichung, Taiwan 2023 Taichung Museum of Art, Taichung, Taiwan 2022 < Stigmata 04>, Art Bank Taiwan, Taichung, Taiwan 2021 Art Bank Taiwan, Taichung, Taiwan 2020 < Memo 3>, Art Bank Taiwan, Taichung, Taiwan 2019 Art Bank Taiwan, Taichung, Taiwan 2018 Art Bank Taiwan, Taichung, Taiwan 2017 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2017 Art Bank Taiwan, Taichung, Taiwan 2016 National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < The Flower Sutras3>, National Taiwan Museum of Fine Arts, Taichung, Taiwan 2015 < Decadent garden>< The moments >< The Flower Sutras>,Tainan Art Museum,Tainan, Taiwan

Publications 2022 Publication of “Transmography” Published by HUANG Chih-Cheng
