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DTSTART;VALUE=DATE:20260720
DTEND;VALUE=DATE:20260721
DTSTAMP:20260907T032052
CREATED:20260407T040546Z
LAST-MODIFIED:20260820T104056Z
UID:14080-1784505600-1784591999@artgalleryapollo.com
SUMMARY:黑貓域｜高橋行雄 個展 ╳ 恆。好
DESCRIPTION:黑貓域｜高橋行雄 個展 ╳ 恆。好\n展期｜\n2026.04.28 – 07.28 \n本次展覽邀請日本藝術家高橋行雄，出生於日本東北地方的岩手縣，自1989年開始他以「貓」為主題，創作張張栩栩如生的作品。曾連續十年獲選參展法國LE SALON的他，在法國更是以「貓畫家」的美名備受肯定。從他的創作中，可以感受到他不僅是一位愛貓的紳士，同時對貓性格也瞭如指掌。自身為飼主，藉由長期對貓的觀察，描繪出貓各種動人的姿態及容顏，猶如花朵般地在一瞬之間綻放！行雲流水般的色鉛筆技法，畫出蓬鬆茸茸的貓毛，似棉花糖般的輕盈。高橋將自己對藝術的執著，透過貓系列的作品創作傳達給欣賞者，從而療癒人心。同時，高橋更關注「愛與被愛」，隱約流露出飼主給予愛，貓接受飼主的愛，展現飼主與貓之間互動的重現。 \n恆。好是阿波羅畫廊位於屏東恆春的空間，自2017年起，定期安排展覽展出，為阿波羅畫廊拓展南臺灣的據點。 \n→恆。好 \n  \n\nTakahashi Yukio Solo Exhibition\nDuration｜\nMid-April – Mid-July\, 2026 \n  \n\n\n\n\n\n\n\n\nThis exhibition features Japanese artist Takahashi Yukio\, who was born in Iwate Prefecture in the Tohoku region of Japan. Since 1989\, he has centered his work on the theme of “cats\,” creating vividly lifelike pieces. Having been selected for the prestigious LE SALON in France for ten consecutive years\, he has earned wide recognition there as the renowned “cat painter.” \nThrough his work\, one can sense that he is not only a gentleman who deeply loves cats\, but also someone who thoroughly understands their nature. As a cat owner himself\, his long-term observation allows him to capture a wide range of expressive feline postures and appearances—each moment blooming like a flower in an instant. With fluid\, graceful colored-pencil techniques\, he renders the cats’ soft\, fluffy fur with a lightness reminiscent of cotton candy. \nTakahashi conveys his dedication to art through his cat series\, offering viewers a sense of warmth and healing. At the same time\, his works subtly explore the theme of “love and being loved\,” revealing the tender relationship between owner and cat—the love given by the owner and received by the cat—capturing their intimate interactions. \n“HunHau” is Apollo Art Gallery’s space located in Hengchun\, Pingtung. Since 2017\, it has hosted regular exhibitions\, serving as an important extension of Apollo Gallery’s presence in southern Taiwan. \n\n\n\n\n\n\n\n\n\n\n\n\n→ HunHau
URL:https://artgalleryapollo.com/2021/event/%e9%ab%98%e6%a9%8b%e8%a1%8c%e9%9b%84-%e5%80%8b%e5%b1%95-%e2%95%b3-%e6%81%86%e3%80%82%e5%a5%bd/
LOCATION:恆。好 HunHau\, 東門路2巷11弄4號\, 恆春鎮\, 屏東縣\, 台灣
CATEGORIES:展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260808
DTEND;VALUE=DATE:20260913
DTSTAMP:20260907T032052
CREATED:20260707T064312Z
LAST-MODIFIED:20260826T105738Z
UID:15080-1786147200-1789257599@artgalleryapollo.com
SUMMARY:墨日重生｜劉默霖 個展 "Ink Reborn” Solo Exhibition by LIU Mo-Lin
DESCRIPTION:墨日重生｜劉默霖 個展\n展期｜\n2026.08.08 – 09.12\n開幕｜\n2026.08.15 (六) 15:00\n藝術家與談｜\n2026.08.22 (六) 15:00 \n  \n \n🔗劉默霖 簡歷 \n  \n阿波羅畫廊將推出藝術家劉默霖個展《墨日重生》，本展以當代水墨為媒介，重新詮釋海洋生態與人類文明之間既親密又脆弱的關係。藝術家以海龜、珊瑚、魚群、建築與人造物作為主要視覺元素，在傳統水墨的線條、皴擦與細膩筆觸中，開展一場介於療癒與衝突之間的深海寓言。 \n《墨日重生》延續劉默霖長期對海洋生態、城市環境與文明發展的關注。作品透過擬人化海龜的日常行為，將社群文化、消費習慣、科技依賴與環境污染等當代社會現象，轉化為荒謬卻真實的海底日常。海龜戴著耳機、滑著手機，或穿梭於食物、品牌與外送平台等符碼之間，看似幽默輕鬆，實則映照人類生活方式對自然環境造成的深層影響。 \n在展覽中，動物不只是畫面中的主角，更成為人類文明的鏡像。那些出現在海洋生物身上的物件，看似戲謔，卻指向真實存在於海底的漂流物與污染痕跡。藝術家藉由水墨的流動性與滲化性，將海底世界轉化為介於真實與夢境之間的「後自然山水」：珊瑚如山脈般堆疊，潮汐、島嶼與建築交錯其間，文明遺跡隱沒於海陸邊界，也暗示著人類與自然之間難以切割的依存關係。 \n展名中的「重生」，並非回到未受破壞的原點，而是在污染、暖化、珊瑚白化與文明侵襲之後，生命仍然持續修復、流動與重新生長的狀態。劉默霖將自身視為一位「海上花藝師」，重新編排海底生態、山水結構與文明遺跡，使海龜擬人化、珊瑚山水化，讓建築成為精神棲居的所在。當世界逐漸崩解，墨色仍持續流動，生命也在潮汐之中悄然重生。 \n劉默霖為台灣當代水墨藝術家，現任復興商工美術科主任，畢業於國立臺灣藝術大學書畫藝術學系碩士，目前亦於國立臺北教育大學博士班進修。其創作與教學、研究並行，長期探索水墨在當代語境中的轉化可能，並曾多次參與國內外藝術博覽會與水墨交流展。 \n劉默霖與阿波羅畫廊已有持續合作關係。藝術家曾於 2024 年在阿波羅畫廊舉辦個展《默契》，並多次參與阿波羅畫廊於台北藝術博覽會、台中藝術博覽會、台南藝術博覽會、新竹藝術博覽會等展位展出。此次《墨日重生》個展，亦可視為藝術家在前一階段創作脈絡之後，進一步將水墨語彙、海洋生態與當代文明議題深化交織的重要呈現。 \n  \n  \n🔗虛擬展廳  \n\n“Ink Reborn” Solo Exhibition by LIU Mo-Lin\nDuration｜2026.08.08 – 09.12\nOpening｜2026.08.15 Sat.15:00\nArtist Talking｜2026.08.22 Sat. 15:00 \n \n🔗LIU Mo-Lin’s CV\n🔗AR Exhibition\nAR Exhibition  \nApollo Art Gallery is pleased to present《Ink Reborn》\, a solo exhibition by artist  LIU Mo-Lin. Using contemporary ink painting as her medium\, Liu reinterprets the intimate yet fragile relationship between marine ecology and human civilization. Taking sea turtles\, coral reefs\, fish\, architecture\, and man-made objects as key visual elements\, the artist unfolds a deep-sea allegory between healing and conflict through the lines\, texture strokes\, and delicate brushwork of traditional ink painting. \n《Ink Reborn》 continues Liu’s long-standing concern with marine ecology\, urban environments\, and the development of human civilization. Through the daily behaviors of anthropomorphized sea turtles\, the works transform contemporary social phenomena\, including social media culture\, consumer habits\, technological dependence\, and environmental pollution\, into absurd yet strangely realistic scenes of everyday life beneath the sea. Sea turtles are shown wearing headphones\, using smartphones\, or moving among symbols of food\, brands\, and delivery platforms. These humorous and seemingly lighthearted images in fact reflect the deeper impact of human lifestyles on the natural environment. \nIn this exhibition\, animals are not merely protagonists within the picture plane. They also serve as mirrors of human civilization. The objects that appear on marine creatures may seem playful or satirical\, yet they point toward the drifting debris and traces of pollution that truly exist in the ocean today. Through the fluidity and diffusion of ink\, Liu transforms the underwater world into a form of “post-natural landscape” suspended between reality and dream. Coral reefs rise like mountain ranges\, while tides\, islands\, and architectural forms intersect across the composition. Ruins of civilization appear along the boundary between land and sea\, suggesting the inseparable relationship of dependence between humanity and nature. \nThe “rebirth” in the exhibition title does not refer to a return to an untouched origin. Rather\, it describes a state in which life continues to heal\, flow\, and regenerate after pollution\, global warming\, coral bleaching\, and the intrusion of human civilization. Liu imagines herself as a “floral artist of the sea\,” rearranging marine ecosystems\, landscape structures\, and remnants of civilization. In her works\, sea turtles are anthropomorphized\, coral reefs become landscapes\, and architecture becomes a dwelling place for the spirit. As the world gradually fractures\, ink continues to flow\, and life quietly begins again within the tides. \nLIU Mo-Lin is a Taiwanese contemporary ink artist and currently serves as the Director of the Fine Arts Department at Fu-Hsin Trade and Arts School. She received her master’s degree from the Department of Calligraphy and Painting Arts at National Taiwan University of Arts and is currently pursuing doctoral studies at National Taipei University of Education. Working across artistic practice\, teaching\, and research\, Liu has long explored the possibilities of transforming ink painting within a contemporary context. She has participated in numerous art fairs and ink art exchange exhibitions in Taiwan and abroad. \n  \nLIU Mo-Lin is a Taiwanese contemporary ink artist and currently serves as the Director of the Fine Arts Department at Fu-Hsin Trade and Arts School. She received her master’s degree from the Department of Calligraphy and Painting Arts at National Taiwan University of Arts and is currently pursuing doctoral studies at National Taipei University of Education. Working across artistic practice\, teaching\, and research\, Liu has long explored the possibilities of transforming ink painting within a contemporary context. She has participated in numerous art fairs and ink art exchange exhibitions in Taiwan and abroad.
URL:https://artgalleryapollo.com/2021/event/%e5%a2%a8%e6%97%a5%e9%87%8d%e7%94%9f%ef%bd%9c%e5%8a%89%e9%bb%98%e9%9c%96-%e5%80%8b%e5%b1%95/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
CATEGORIES:slide show,展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20261018
DTSTAMP:20260907T032052
CREATED:20260905T072533Z
LAST-MODIFIED:20260905T091233Z
UID:15168-1790380800-1792281599@artgalleryapollo.com
SUMMARY:分水嶺｜王綺穗 個展 "Watershed" Solo Exhibition by WANG Chi-Sui
DESCRIPTION:分水嶺｜王綺穗 個展\n展期｜\n2026.09.26 – 10.17\n開幕｜\n2026.09.26 (六) 15:00\n藝術家與談｜\n2026.10.03 (六) 15:00\n→報名 \n  \n \n🔗王綺穗 簡歷 \n  \n藝術家王綺穗在《Watershed 分水嶺》個展，結合繪畫、編織等複合媒材，以水為主軸，探討時間流轉、記憶承載與身份認同的內在關係。為觀者帶來連結自然、自我與族群歷史的藝術體驗。 \n王綺穗出身臺東，母系隸屬西拉雅族、父系溯源為卑南族的原住民。獨特的成長背景與族群經歷，讓她對「流動、歸屬、溯源」有著極為深刻的體悟。「Watershed」不僅止於水，而是水與地形的互動關係。一場雨落下來，水滴形成溪，匯聚成河流，流向海洋。各方的水流，循著不同的地貌與路徑前行，共同形塑廣大的流域。Watershed也意指轉折點，每一滴水皆有其源頭，帶著留存的記憶，隨著流動的過程，構築獨特的生命歷程。如同水，身份亦非固定不變的存在，經不斷流動、分散與匯聚逐漸形成，漫長的旅程中尋回原始歸屬的可能。 \n王綺穗以「水具有記憶」為創作核心，寄託對自身族群身份的探尋、梳理與回望。新系列作品以纖維織物、水的形體與未被收束的經線等，探討記憶、結構與流動之間的關係。織物既是一種被組織的形式，也承載著時間累積的痕跡；垂落於表面的線則停留在尚未完成和固定的狀態。水在其間聚集、下墜與滲流，如同記憶穿越既有結構，在時間與移動之中持續改變形態。作品並不試圖指向一個完整而固定的身份，而是將「形成」本身視為持續發生的過程——在編織與鬆解、聚合與離散之間，尋找尚未被決定的流向。「分水嶺」不是界線的終點，而是一個流向開始分岔、重新生成的臨界時刻。 \n透過繪畫與編織，不僅表現水的各種型態，更跳脫水的物理表象，反映個人生命遷徙與時代變遷的隱喻象徵。既是對自然景致的細膩觀察，也是藝術家人生境遇的真實寫照。從家族歷史的追尋、記憶的重構，逐漸理解自身為原住民身分的歷程。 \n王綺穗畢業英國新堡大學美術系取得藝術創作研究博士，現任國立臺北藝術大學電影與新媒體學院教授教授。曾於台南市美術館、高雄市立美術館，英國、奧地利等國內外舉辦展覽。阿波羅畫廊於今年台南藝術博覽會展出王綺穗作品，此次首度於畫廊舉辦個展，發表王綺穗最新作品，展覽於9月26日開幕，10月3日舉辦藝術家與談，誠摯邀請您蒞臨欣賞！ \n\n  \n“Watershed” Solo Exhibition by WANG Chi-Sui\nDuration｜2026.09.26 – 10.17\nOpening｜2026.09.26 Sat.15:00\nArtist Talking｜2026.10.03 Sat. 15:00\n→Sign up \n \n🔗WANG Chi-Sui’s CV \n  \nArtist Wang Chi-Sui’s solo exhibition Watershed brings together painting\, weaving\, and mixed media to explore the intrinsic connections between the passage of time\, the carrying of memory\, and identity\, with water as its central theme. The exhibition offers viewers an artistic experience that connects nature\, the self\, and the histories of communities. \nBorn in Taitung\, Wang Chi-Sui is an Indigenous artist whose maternal lineage belongs to the Siraya people and whose paternal lineage traces back to the Puyuma people. Her distinctive upbringing and experiences with her cultural heritage have given her a profound understanding of “flow\, belonging\, and tracing one’s origins.” Watershed refers not simply to water\, but to the interaction between water and the landscape. When rain falls\, droplets gather into streams\, converge into rivers\, and eventually flow toward the sea. Water from different directions follows distinct terrains and pathways\, collectively shaping vast watersheds. Watershed also signifies a turning point. Every drop of water has an origin\, carrying traces of memory as it moves\, and through this process of flow\, forms a unique life trajectory. Like water\, identity is not a fixed or immutable entity. It gradually takes shape through continuous movement\, dispersal\, and convergence\, and along this long journey\, there remains the possibility of rediscovering an original sense of belonging. \nAt the core of Wang’s practice is the idea that “water holds memory\,” through which she explores\, traces\, and reflects upon her own cultural identity. Her new series employs woven fibers\, the forms of water\, and loose\, unfinished warp threads to examine the relationships between memory\, structure\, and flow. Textile is both an organized form and a carrier of traces accumulated over time\, while the threads hanging across its surface remain in a state that is neither complete nor fixed. Water gathers\, falls\, and seeps through these structures\, much like memory moving through established frameworks and continually transforming through time and movement. Rather than pointing toward a complete and fixed identity\, the works regard “becoming” itself as an ongoing process. Between weaving and unraveling\, convergence and dispersion\, they search for a direction that has yet to be determined. The “watershed” is not the endpoint of a boundary\, but a critical moment when a flow begins to diverge and generate new possibilities. \nThrough painting and weaving\, Wang not only depicts the various forms of water but also moves beyond its physical appearance\, using it as a metaphor for personal migration and the transformations of an era. Her works are at once subtle observations of natural landscapes and authentic reflections of her own life experiences. Through tracing family history and reconstructing memories\, she gradually comes to understand and embrace her Indigenous identity. \nWang Chi-Sui received a PhD in Fine Art from Newcastle University in the United Kingdom and is currently a professor at the School of Film and New Media\, Taipei National University of the Arts. She has exhibited extensively in Taiwan and internationally\, including exhibitions at the Tainan Art Museum and the Kaohsiung Museum of Fine Arts\, as well as in the United Kingdom\, Austria\, and other countries. \nApollo Art Gallery presented Wang Chi-Sui’s works at Art Tainan earlier this year. Watershed marks her first solo exhibition at the gallery and presents her latest works. The exhibition opens on September 26\, followed by an artist talk on October 3. We sincerely invite you to join us and experience the exhibition.
URL:https://artgalleryapollo.com/2021/event/%e5%88%86%e6%b0%b4%e5%b6%ba%ef%bd%9c%e7%8e%8b%e7%b6%ba%e7%a9%97-%e5%80%8b%e5%b1%95-watershed-solo-exhibition-by-wang-chi-sui/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
CATEGORIES:slide show,展覽
ATTACH;FMTTYPE=image/jpeg:https://artgalleryapollo.com/2021/wp-content/uploads/2026/09/官網_王綺穗個展-scaled.jpg
ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
END:VEVENT
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