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DTSTART;VALUE=DATE:20261029
DTEND;VALUE=DATE:20261103
DTSTAMP:20261027T052221
CREATED:20261003T081847Z
LAST-MODIFIED:20261017T064717Z
UID:15245-1793232000-1793663999@artgalleryapollo.com
SUMMARY:2026 台北國際藝術博覽會 ART TAIPEI | B06 & M03 展位
DESCRIPTION:2026 台北國際藝術博覽會 ART TAIPEI\n藝術家 |\n江漢東.冉茂芹.戴壁吟.許維忠.Uwe Mertsch.黃法誠.趙馥樂.黃至正.郭俊佑\nMIT新人推薦特區｜\n傅聖雅\n展位 |\nB06 & M03 \n▌《觀看的邊界》\n在影像、資訊與感知不斷重組的時代，「觀看」早已不只是單純的凝視，而是一種介於真實、記憶與想像之間的生成過程。我們透過雙眼理解世界，卻也同時被影像、文化與科技重新塑造觀看的方式。當現實與虛構逐漸交錯，人們所看見的景象，也開始產生新的邊界與距離。 \n阿波羅畫廊於2026台北國際藝術博覽會，以《觀看的邊界》為策展主題，邀集九位來自不同世代與文化背景的藝術家，包括江漢東、冉茂芹、戴壁吟、許維忠、Uwe Mertsch、黃法誠、趙馥樂、黃至正與郭俊佑。藝術家們透過油彩、水墨、手造紙、金屬箔材與複合媒材等多元創作語彙，重新思考人與世界之間的觀看關係。與此同時，阿波羅畫廊亦媒合於「文化部 MIT 新人推薦特區」展出的青年藝術家傅聖雅。其創作始終圍繞著「痕跡是如何留下的」核心提問，從版印壓印受力、摺紙與裱褙出發，將紙張視為人體表皮的隱喻，作品由家屋、女性勞動與照護工作中的傷口及皮膚出發，延伸至城市公共空間中無家者的日常物件與停留狀態。她藉由感溫油墨與身體溫度的介入，讓圖像在顯現與隱沒間流轉，使「痕跡」轉化為關於照護、親密與社會關係的存在方式，重新喚起那些日常中容易被忽略的微小印記。 \n江漢東以鮮明色彩、民俗記憶與童年經驗，建構出充滿生命力與想像性的視覺世界。冉茂芹則以深厚寫實技法與減筆筆觸，描繪人物精神、歷史情感與人文溫度。戴壁吟長年深耕「紙藝術」，藉由手造紙、壓印與抽象肌理，使紙張本身成為承載時間與內在意識的創作空間。許維忠的雕塑從人體出發，透過鏤空結構與空間量體，探討身體、精神與存在之間的關係。來自德國的Uwe Mertsch 透過簡潔俐落的線條，與鮮明的色彩，結合浮雕效果，豐富平面創作的層次性，表現日常的景象，呈現簡單即是美，藝術融入生活的創作精神。黃法誠長期關注文明與自然之間的矛盾，畫面中的支架、水池、假山與人工景觀，映照出人類對自然的控制、投射與擬像化觀看。趙馥樂以幾何結構與建築性的畫面語彙，探討空間秩序與感知邊界。黃至正結合金屬箔材、影像與記憶敘事，回應當代觀看經驗中真實與感知的流動狀態。郭俊佑則從數位介面、日常場景與荒誕感出發，延伸出介於真實與虛構之間的當代視覺場域。 \n本次展覽試圖透過不同藝術語言的交會，呈現觀看如何被文化、時間、記憶與科技所形塑。當觀者穿梭於主展位與 MIT 特區凝視作品的同時，也重新回望自身所處的世界，以及內心深處那些尚未被言說的感知經驗。 \n  \n尊榮貴賓預展 |\n2026.10.29 (四) 12:00-21:00\n貴賓預展｜\n2026.10.29 (四) 15:00-21:00\n2026.10.30 (五) 11:00-14:00\n公眾開放｜\n2026.10.30 (五) 14:00-19:00\n2026.10.31-11.01 (六.日) 11:00-19:00\n2026.11.02 (一) 11:00-18:00\n地點｜台北世界貿易中心一館 (台北市信義區信義路五段5號) \n台北國際藝術博覽會 | \n展會資訊 \n \n  \n \n📺 收聽｜MIT 新人推薦藝術家：傅聖雅 / 漢聲廣播電台 \n\nArtists |\nCHIANG Han-Tung\, YIM Mau-Kun\, DAI Bih-In\, SHEU Wei-Jong\, Uwe Mertsch\, HUANG Fa-Cheng\, CHAO Fu-Le\, HUANG Chih-Cheng\, KUO Jun-You\nMIT New Artists Recommendation Section |\nFU Sheng-Ya\nBooths |\nB06 & M03 \n▌The Boundaries of Seeing\nIn an age when images\, information\, and perception are constantly being reshaped and reconfigured\, “seeing” is no longer simply an act of looking\, but a generative process situated between reality\, memory\, and imagination. We understand the world through our eyes\, while the ways in which we see are simultaneously reshaped by images\, culture\, and technology. As reality and fiction increasingly intertwine\, the scenes we perceive begin to acquire new boundaries and distances. \nFor Art Taipei 2026\, Apollo Art Gallery presents The Boundaries of Seeing as its curatorial theme\, bringing together nine artists from different generations and cultural backgrounds: CHIANG Han-Tung\, YIM Mau-Kun\, DAI Bih-In\, SHEU Wei-Jong\, Uwe Mertsch\, HUANG Fa-Cheng\, CHAO Fu-Le\, HUANG Chih-Cheng\, KUO Jun-You. Through diverse artistic vocabularies including oil painting\, ink painting\, handmade paper\, metal leaf\, and mixed media\, the artists reconsider the relationship between human beings and the world through the act of seeing. \nCHIANG Han-Tung constructs a vibrant and imaginative visual world through vivid colors\, folk memories\, and childhood experiences. YIM Mau-Kun\, with his accomplished realist techniques and restrained brushwork\, portrays the spirit of his subjects\, historical emotions\, and a profound sense of human warmth. DAI Bih-In has devoted years to the exploration of “paper art\,” using handmade paper\, embossing\, and abstract textures to transform paper itself into a creative space that carries time and inner consciousness. \nSHEU Wei-Jong’s sculptures begin with the human body. Through hollow structures and spatial volumes\, he explores the relationship between the body\, the spirit\, and existence. German artist Uwe Mertsch employs clean\, precise lines and vivid colors\, combined with relief-like effects\, to enrich the dimensionality of his two-dimensional works. Drawing inspiration from everyday scenes\, his work conveys the beauty of simplicity and reflects a creative spirit in which art becomes an integral part of everyday life. \nHUANG Fa-Cheng has long explored the tension between civilization and nature. Supports\, pools\, artificial rockeries\, and constructed landscapes within his paintings reflect humanity’s attempts to control\, project upon\, and construct representations of nature. Through geometric structures and architectural visual vocabularies\, CHAO Fu-Le examines spatial order and the boundaries of perception. HUANG Chih-Cheng combines metal leaf\, imagery\, and narratives of memory to respond to the fluid relationship between reality and perception in contemporary experiences of seeing. KUO Jun-You draws from digital interfaces\, everyday scenes\, and a sense of the absurd to create contemporary visual spaces situated between reality and fiction. \nAt the same time\, Apollo Art Gallery is also presenting FU Sheng-Ya\, a young artist selected for the Ministry of Culture’s MIT New Artists Recommendation Section. Her practice consistently revolves around the fundamental question of how traces are left behind. Beginning with the physical pressure created through printmaking and embossing\, as well as paper folding and mounting\, she regards paper as a metaphor for the human skin. Her works draw from houses\, women’s labor\, and wounds and skin encountered through caregiving\, extending toward the everyday objects and states of temporary dwelling associated with unhoused people in urban public spaces. Through the interaction between thermochromic ink and body temperature\, images move between revelation and disappearance\, transforming “traces” into a form of existence connected to care\, intimacy\, and social relationships. In doing so\, her work brings renewed attention to the small imprints in everyday life that are easily overlooked. \nThrough the intersection of diverse artistic languages\, the exhibition explores how seeing is shaped by culture\, time\, memory\, and technology. As visitors move between the main booth and the MIT New Artists Recommendation Section\, encountering the works through acts of looking\, they are also invited to turn their gaze back toward the world they inhabit—and toward those yet-unspoken perceptual experiences within themselves. \n  \nVIP Preview |\nOctober 29\, 2026 (Thu.) 12:00–21:00 \nVIP Preview |\nOctober 29\, 2026 (Thu.) 15:00–21:00\nOctober 30\, 2026 (Fri.) 11:00–14:00 \nPublic Opening |\nOctober 30\, 2026 (Fri.) 14:00–19:00\nOctober 31–November 1\, 2026 (Sat.–Sun.) 11:00–19:00\nNovember 2\, 2026 (Mon.) 11:00–18:00 \nVenue |\nTaipei World Trade Center Hall 1\nNo. 5\, Section 5\, Xinyi Road\, Xinyi District\, Taipei City\, Taiwan \nArt Taipei |\nhttps://2026.art-taipei.com/taipei/tw/
URL:https://artgalleryapollo.com/2021/event/2026-%e5%8f%b0%e5%8c%97%e5%9c%8b%e9%9a%9b%e8%97%9d%e8%a1%93%e5%8d%9a%e8%a6%bd%e6%9c%83-art-taipei-b06-%e5%b1%95%e4%bd%8d/
LOCATION:台北世貿一館\, 台北市信義區信義路五段5號\, 台北市\, 台灣
CATEGORIES:slide show,展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261219
DTEND;VALUE=DATE:20270131
DTSTAMP:20261027T052221
CREATED:20261014T035522Z
LAST-MODIFIED:20261014T035522Z
UID:15292-1797638400-1801353599@artgalleryapollo.com
SUMMARY:樸覺｜洛貞 個展 "The Awareness of Being" Solo Exhibition by Lo Tsen
DESCRIPTION:樸覺｜洛貞 個展\n展期｜\n2026.12.19 – 2027.01.30\n開幕｜\n2026.12.19 (六) 15:00\n與談｜\n2027.01.09 (六) 15:00 \n“The Awareness of Being” Solo Exhibition by Lo Tsen\nDuration｜2026.12.19 – 2027.01.30\nOpening｜2026.12.19 Sat.15:00\nArtist Talk｜2027.01.09 Sat.15:00
URL:https://artgalleryapollo.com/2021/event/%e6%a8%b8%e8%a6%ba%ef%bd%9c%e6%b4%9b%e8%b2%9e-%e5%80%8b%e5%b1%95-the-awareness-of-being-solo-exhibition-by-lo-tsen/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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