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DTSTART;VALUE=DATE:20250627
DTEND;VALUE=DATE:20260101
DTSTAMP:20260605T223045
CREATED:20250627T065525Z
LAST-MODIFIED:20250704T104004Z
UID:12785-1750982400-1767225599@artgalleryapollo.com
SUMMARY:《映照》李萬全 個展 ╳ The One南園
DESCRIPTION:《映照》李萬全 個展\n展期 | 2025.06.27 – 12.31 \n地點 | The One南園人文客棧 (新竹縣新埔鎮九芎湖32號) \n  \n藝術家李萬全曾拜師前輩藝術家李石樵，在國立師範大學美術系畢業後，前往美國就讀紐約市立大學布魯克林學院研究所，爾後到法國生活數十年。這段旅外生活，除了受到不同文化的洗禮與交融，西方藝術的思維拓展其視野，以更為宏觀多元的角度融入創作，使其風景靜物作品展現獨具一格的藝術風格。 \n李萬全的創作取材於大自然，利用光線的素描原理構圖，從具象繪畫的古典主義發展到印象主義，對自然的客觀形體已有了充分的探求，進一步從外在形象的隱喻，轉化為內心主觀意識的表現。李萬全細膩觀察眼前的景象，不僅寫實描繪，經由心中反覆迴盪內化，映照藝術家心境。 \n李萬全將日常遊走的城市鄉間，繪下自然的壯麗和遼闊、船隻停泊於湖光水面等，捕捉當下瞬間的光影和場景，凝結於作品裡，流露人們生活於此，與大自然連結，隨著時間流轉有不同的景致和光線。從這次展出的作品，能感受到大自然在不同時刻的瞬息萬變。李萬全的畫筆一如相機，從他的角度，映照他的內在風景。 \n  \n\n#移動畫廊\n阿波羅畫廊成立以來致力於推廣藝術，藝術展出不局限於畫廊空間。自2018年起與異數悅遊 The One南園人文客棧 以「共好」的精神攜手合作，將藝術進駐於南園同心樓的公共空間以及各個廂房裡，讓來此隱山歇心的旅人們，恣意游於藝術之間，深入體驗臺灣原創藝術能量與實力。\n\n\n\n展期 | 2024.11.12 – 2025.04.30\n地點 | The One 南園人文客棧\n地址 | 新竹縣新埔鎮九芎湖32號\n\n\n\n**參觀及遊園請電話預約**\n預約中心 | (02)2562-1777 週一至週六 09:00~18:00\n現場服務專線 | (03)589-0011#1101、1102\n\n  \n關於藝術家 → 李萬全 \nThe One官網
URL:https://artgalleryapollo.com/2021/event/%e3%80%8a%e6%98%a0%e7%85%a7%e3%80%8b%e6%9d%8e%e8%90%ac%e5%85%a8-%e5%80%8b%e5%b1%95-%e2%95%b3-the-one%e5%8d%97%e5%9c%92/
LOCATION:The One\, 九芎湖32號\, 新埔鎮\, 新竹縣\, 台灣
CATEGORIES:slide show,展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250830
DTEND;VALUE=DATE:20251201
DTSTAMP:20260605T223045
CREATED:20250723T060018Z
LAST-MODIFIED:20251212T102726Z
UID:13257-1756512000-1764547199@artgalleryapollo.com
SUMMARY:新銳藝術家Young&Top 聯展 ╳ 恆。好
DESCRIPTION:新銳藝術家 Young&Top 聯展 ╳ 恆。好\n藝術家｜\n蘇泓諺.張凱閔.林禹良.江為彬\n展期｜\n2025.08.30 – 11.30 \n本次展出邀請四位新銳藝術家：蘇泓諺、張凱閔、林禹良、江為彬，各自以不同的視角，透過藝術展現對日常、空間與生命的獨到觀察。 \n蘇泓諺以黑白灰為主調，構築出既靜默又緊繃的視覺場域。他筆下的空間經常無人、無聲，彷彿記憶的斷面或感官的殘響。這些作品不僅是單純的場景描繪，也是一種情緒的建築，一場針 對感知與記憶的實驗。  \n張凱閔常以遊戲化的場景與模擬性的畫面構成為特色，呈現出介於真實與虛構之間的觀察角度。他擅長從日常生活中擷取題材，轉化為帶有荒誕感的圖像結構，使人物彷彿陷入規則未明 的任務之中，如同一場靜默的模擬實驗，在秩序與混亂之間反覆運行。 \n 林禹良多以森林、林道、夜色等自然場域為背景，人物與環境之間的關係緊密卻不明確，彷彿屬於某種既定系統中的一部分。作品中的人物背對畫面、面容模糊及穿著類似服裝這些帶有系統性卻難以定義的場景，表現出對生命觀察的解讀與詮釋，讓畫面在沉靜中浮現細膩且具 思辨性的感知體驗。  \n江為彬以水族缸造景為靈感，構築出如同微型生態系的繪畫世界。畫面中常見水草、石塊、飼料魚與沉靜的空間佈局，在自由生長與理性編排之間取得平衡的秩序。他關注生命被觀看與分類時所承擔的價值差異，透過這些微觀的水中場景，喚起對生命韌性與共生關係的再認識。 \n  \n恆。好是阿波羅畫廊位於屏東恆春的空間，自2017年起，定期安排展覽展出，為阿波羅畫廊拓展南臺灣的據點。 \n→恆。好
URL:https://artgalleryapollo.com/2021/event/%e6%96%b0%e9%8a%b3%e8%97%9d%e8%a1%93%e5%ae%b6youngtop-%e8%81%af%e5%b1%95-%e2%95%b3-%e6%81%86%e3%80%82%e5%a5%bd/
LOCATION:恆。好 HunHau\, 東門路2巷11弄4號\, 恆春鎮\, 屏東縣\, 台灣
CATEGORIES:展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20251011
DTEND;VALUE=DATE:20251123
DTSTAMP:20260605T223045
CREATED:20250913T053502Z
LAST-MODIFIED:20260103T060043Z
UID:13301-1760140800-1763855999@artgalleryapollo.com
SUMMARY:第四屆《構圖·臺灣》入圍者聯展
DESCRIPTION:第四屆《構圖·臺灣》入圍者聯展\n藝術家｜\n余采軒.林千瑋.林芃穎.金祺龍.高冠羣.陳廷菲.陳怡安.傅聖雅.彭冠銘.劉康彥\n時間｜\n2025.09.12-10.03 王道銀行藝廊 / 2025.10.11-11.22 阿波羅畫廊 \n自2014年起，由阿波羅畫廊與王道銀行教育基金會攜手推動的「構圖‧臺灣」視覺藝術創作徵件，致力於發掘並扶植35歲以下具潛力的新銳藝術家。2025年迎來第四屆，陪伴青年創作者拓展視野，形塑個人創作語彙，累積穩健的基礎。 \n  \n本屆入圍有十位藝術家，以多元的媒材，各自表現不一樣的臺灣樣貌。首獎陳怡安《魅他域的漫遊者系列－漂浮的邊界》以膠彩呈現現實與虛擬邊界日漸模糊景觀，反映當今時代現象。貳獎傅聖雅《平整收折的時間 02》將影像透過摺紙，勾勒與外婆生活的家族記憶，呈現女性在家庭角色被期待的身影。參獎由兩位藝術家獲得：陳廷菲《5000ml》從提水的生活經驗，日常的瓶裝水容器為出發，透過紅銅敲擊塑形，轉化成新的視覺語彙。劉康彥《你家就是我家》以油畫棒和墨，繪出臺灣特有建築肌理，重塑日常熟悉的城市風景。 \n  \n入圍作品亦各懷特色。余采軒《遺落的顏色：臺灣海岸的低語》以攝影呈現人類遺留於自然的斑斕色彩，強烈對比訴說臺灣海岸對人類的控訴。林千瑋《+∞CXQD》以纖維表現臺灣季節流轉，展現臺灣島嶼隨時間不斷推移的多重輪廓。林芃穎《巷弄中的寧靜》以油彩捕捉陽光映照的臺灣巷弄，光影變化賦予平凡角落新的生命。金祺龍《台北東區夕象》臺北繁華都市街道，在夕陽照射下，金黃與藍紫光影相互輝映，構成另一面城市面貌。高冠羣《Land撕cape-城市風景線-售本區》取材自鐵皮圍籬中的塗鴉風景，標示「售本區」，呈現自然與文明的矛盾。彭冠銘《繩像-1》以臺灣傳統護身符為題材，透過互動裝置表現信仰與生命劫難的成長力量，期許配戴者能找回面對困境的能量。 \n  \n本次展覽將與台北藝術週共襄盛舉，10月18日舉辦開幕。邀請觀眾將近距離感受臺灣新生代的創作能量，進入他們對時代與個人的深層凝視，展現當代藝術的多元風貌，見證臺灣當代藝術未來的無限可能。 \n  \n  \n\nThe 4th Go to Taiwan Finalists’ Group Exhibition\nArtists｜\nYU Cai-Xuan\, LIN Chien-Wei\, LIN Peng-Ying\, JIN Chi-Lung\, KAO Kuan-Chun\, CHEN Ting-Fei\, CHEN Yi-An\, FU Sheng-Ya\, PENG Guan-Ming\, LIU Kang -Yen\nDuration｜\n2025.09.12-10.03 O-Bank Gallery / 2025.10.11-11.22 Apollo Art Gallery \nSince 2014\, Apollo Art Gallery and the O-Bank Education Foundation have jointly organized the Composition Taiwan Visual Arts Call for Entries\, dedicated to discovering and supporting emerging artists under the age of 35. In 2025\, the program enters its fourth edition\, continuing to accompany young creators in broadening their horizons\, shaping their artistic vocabularies\, and building a solid foundation for their practice. \n  \nAmong this year’s ten shortlisted artists\, Chen Yi-An received first prize with Wanderer of the Metaverse Series – Floating Boundaries\, a mineral pigment painting that captures the increasingly blurred line between reality and the virtual\, reflecting contemporary phenomena. Fu Sheng-Ya\, awarded second prize for Flattened and Folded Time 02\, used origami to transform images into memories of living with her grandmother\, portraying women’s expected roles within the family. Third prize went to two artists: Chen Ting-Fei\, whose work 5000ml draws on the daily experience of carrying water and reshapes bottled containers in hammered red copper to create a new visual language; and Liu Kang-Yen\, whose Your Home Is My Home uses oil pastels and ink to depict the textures of Taiwanese architecture\, reimagining familiar urban landscapes. \n  \nThe other shortlisted works also reveal distinct perspectives. Yu Tsai-Hsuan’s Forgotten Colors: Whispers of Taiwan’s Coastline photographs the vivid traces humans leave in nature\, contrasting colors that voice the coastline’s indictment of humanity. Lin Chien-Wei’s +∞CXQD employs fiber to express Taiwan’s seasonal cycles\, evoking the island’s shifting contours through time. Lin Peng-Ying’s Tranquility in the Alleyways captures sunlit Taiwanese alleyways in oil\, where light and shadow breathe new life into ordinary corners. Jin Chi-Long’s Evening Glow in Taipei’s East District portrays Taipei’s bustling streets at sunset\, where golden hues and bluish-purple tones reveal another facet of urban life. Kao Kuan-Chun’s Land-sc(r)ape – Urban Skyline – For Sale draws from graffiti landscapes on corrugated iron fences marked with “For Sale\,” highlighting the tension between nature and civilization. Peng Kuan-Ming’s Rope Image–1 references traditional Taiwanese amulets in an interactive installation that embodies faith and resilience\, offering wearers renewed energy to face challenges. \n  \nPresented in conjunction with Taipei Art Week\, the exhibition opens on October 18. Audiences are invited to experience firsthand the creative energy of Taiwan’s new generation\, to encounter their profound reflections on both the times and the self\, and to witness the diverse facets of contemporary art along with the boundless possibilities for the future of Taiwanese art.
URL:https://artgalleryapollo.com/2021/event/%e7%ac%ac%e5%9b%9b%e5%b1%86%e3%80%8a%e6%a7%8b%e5%9c%96%c2%b7%e8%87%ba%e7%81%a3%e3%80%8b%e8%a6%96%e8%a6%ba%e8%97%9d%e8%a1%93%e5%89%b5%e4%bd%9c%e5%85%a5%e5%9c%8d%e4%bd%9c%e5%93%81%e5%b1%95/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
CATEGORIES:展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20251129
DTEND;VALUE=DATE:20251214
DTSTAMP:20260605T223045
CREATED:20251011T090900Z
LAST-MODIFIED:20251220T031707Z
UID:13442-1764374400-1765670399@artgalleryapollo.com
SUMMARY:李石樵紀念展｜巨擘薪傳-前輩藝術家系列 XIV
DESCRIPTION:李石樵紀念展｜巨擘薪傳-前輩藝術家系列 XIV\n展期｜\n2025.11.29 – 12.13\n開幕｜\n2025.11.29 (六) 15:00\n講座｜講者 / 白雪蘭\n2025.11.06 (六) 15:00 \n「藝術是一場眞刀實槍的輸贏，要有極大的勇氣與堅強的決心。它並非是一場拿刀揮劍的比舞，因為那只要比劃精采美妙即可。所以繪畫不只求畫面的完美，而要有深刻的意義與文化内容。」 ── 李石樵 \n  \n1908年出生的李石樵，在臺灣美術史有著重要的地位。1923年就讀台北師範學院，師從石川欽一郎，前往日本留學。作品曾經獲選「臺灣美術展覽會」、「帝國美術展覽會」、新「文部省美術展覽會」等多次肯定，更獲得新「文部省美術展覽會」免審查資格，是臺灣首位獲此殊榮的藝術家。爾後，擔任美術教育者，培育無數的後輩。 \n  \n李石樵不僅止於追求繪畫技術，希冀創作蘊含深刻的意義與文化內涵，作品往往反映當下的時代性。從日治時期繪出台灣特有風景，彰顯台灣本土意識；戰後歷經政權更迭，畫筆下隱喻戰後不安的歷史。面對政局的動盪，潛心研究當代各個藝術派別，力求創新；1980年代隨著台灣經濟起飛，社會逐步穩定，畫面變得明亮。以厚實亮麗的色塊，聚焦於光線的佈局，表現大自然以及台灣景色下的風俗民情。創作歷程皆流露對台灣這塊土地與人文的關懷。 \n  \n阿波羅畫廊感念臺灣前輩藝術家作為開創者，為臺灣美術立下穩固的根基，每年舉辦「巨擘薪傳」向臺灣前輩藝術家致敬。阿波羅畫廊曾舉辦5次李石樵個展，分別在1979、1984、1988、1989、1996年在1979、1984、1988、1989、1996年。今年是李石樵逝世三十週年，將展出1980年代創作的十多件作品，呈現陽光下的海灘、花卉、山林等。11月29日舉行開幕，12月6日邀請白雪蘭進行與談。誠摯邀請您蒞臨欣賞李石樵於晚期眼中的臺灣與藝術觀，以及感受當時的臺灣藝術史。 \n→ 李石樵 簡歷\n→ 虛擬展廳 \n\n“Taiwanese Masters Series XIV” —  LI Shih-Chiao Memorial ExhibitionOpening｜11.29\, 2025 Sat. 15:00Duration｜11.29 – 12.13\, 2025Speech｜12.6\, 2025 Sat. 15:00 / Speaker: Pai Hsueh-Lan \n“Art is a real battle of wins and losses\, requiring great courage and unwavering determination. It is not a graceful performance of waving swords—because in such performances\, beauty alone is enough. Painting must therefore pursue not only visual perfection but also profound meaning and cultural substance.” — LI Shih-Chiao \nBorn in 1908\, LI Shih-Chiao occupies a significant place in the history of Taiwanese art. In 1923\, he enrolled in the Taipei Normal School and studied under Ishikawa Kinichiro before pursuing further studies in Japan. His works were repeatedly selected for the Taiwan Fine Arts Exhibition\, the Imperial Fine Arts Exhibition\, and the new Ministry of Education Fine Arts Exhibition\, earning him widespread acclaim. He later received exemption from review by the new Ministry of Education Fine Arts Exhibition—the first Taiwanese artist to be granted this honor. LI went on to devote himself to art education\, nurturing generations of younger artists. \nLI Shih-Chiao’s pursuits extended far beyond technical mastery; he sought to infuse his works with deep meaning and cultural resonance\, often reflecting the spirit of the times. During the Japanese colonial period\, he painted uniquely Taiwanese landscapes that emphasized a growing local consciousness. After the war\, his works subtly conveyed the uneasy atmosphere of political transition. Amid changing regimes\, he immersed himself in various contemporary art movements and strove for innovation. By the 1980s\, as Taiwan’s economy blossomed and society stabilized\, his works took on a brighter tone. Through vibrant\, solid blocks of color and meticulous attention to light\, he depicted nature and Taiwan’s customs and scenery. Throughout his artistic journey\, LI consistently expressed profound care for Taiwan—its land and its people. \nApollo Art Gallery honors the pioneering contributions of senior Taiwanese artists who established the foundations of Taiwanese art. Each year\, the gallery presents the “Taiwanese Masters ” series as a tribute. Apollo Art Gallery has previously held five solo exhibitions for LI Shih-Chiao\, in 1979\, 1984\, 1988\, 1989\, and 1996. This year marks the 30th anniversary of LI’s passing. The exhibition will feature more than ten works from the 1980s\, showcasing scenes of sunlit beaches\, flowers\, forests\, and more. \nThe opening will take place on November 29\, and on December 6\, Pai Hsueh-Lan will join us for an in-depth dialogue.You are sincerely invited to attend\, to appreciate LI Shih-Chiao’s late artistic vision of Taiwan\, and to experience the era of Taiwanese art history that shaped his work. \n→ LI Shih-Chiao’s CV\n→ AR Exhibition
URL:https://artgalleryapollo.com/2021/event/%e7%ac%ac%e5%8d%81%e5%9b%9b%e5%b1%86-%e5%b7%a8%e6%93%98%e8%96%aa%e5%82%b3-%e6%9d%8e%e7%9f%b3%e6%a8%b5%e7%b4%80%e5%bf%b5%e5%b1%95/
LOCATION:阿波羅畫廊\, 大安區忠孝東路四段218-6號A棟2樓 (阿波羅大廈)\, 台北市\, 106\, 台灣
CATEGORIES:展覽
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ORGANIZER;CN="%E9%98%BF%E6%B3%A2%E7%BE%85%E7%95%AB%E5%BB%8A":MAILTO:artgalleryapollo@gmail.com
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