{"id":14017,"date":"2026-06-17T17:51:08","date_gmt":"2026-06-17T09:51:08","guid":{"rendered":"https:\/\/artgalleryapollo.com\/2021\/?post_type=tribe_events&p=14017"},"modified":"2026-06-26T13:36:00","modified_gmt":"2026-06-26T05:36:00","slug":"%e6%96%87%e6%98%8e%e7%9a%84%e5%9c%8d%e6%ac%84%ef%bd%9c%e9%bb%83%e6%b3%95%e8%aa%a0%e3%80%81%e5%ae%98%e5%ad%9f%e7%8e%84-%e8%81%af%e5%b1%95","status":"publish","type":"tribe_events","link":"https:\/\/artgalleryapollo.com\/2021\/event\/%e6%96%87%e6%98%8e%e7%9a%84%e5%9c%8d%e6%ac%84%ef%bd%9c%e9%bb%83%e6%b3%95%e8%aa%a0%e3%80%81%e5%ae%98%e5%ad%9f%e7%8e%84-%e8%81%af%e5%b1%95\/","title":{"rendered":"\u6587\u660e\u7684\u570d\u6b04\uff5c\u9ec3\u6cd5\u8aa0\u3001\u5b98\u5b5f\u7384 \u806f\u5c55"},"content":{"rendered":"

\u5c55\u671f\uff5c\u9810\u7d04\u5236
\n2026.06.20 \u2013 2026.08.17
\n\u2192 \u5831\u540d\u00a0<\/a><\/p>\n

\u958b\u5e55\uff5c\u9810\u7d04\u5236
\n2026.06.20 (\u516d) 15:00
\n\u2192 \u5831\u540d<\/a><\/p>\n

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<\/p>\n

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\u5b98\u5b5f\u7384\u5247\u5f9e\u53e6\u4e00\u7a2e\u89d2\u5ea6\u5207\u5165\u3002\u5979\u7684\u5275\u4f5c\u9577\u671f\u570d\u7e5e\u300c\u9003\u907f\u6587\u660e\u3001\u9003\u907f\u81ea\u7136\u300d\u7684\u77db\u76fe\u72c0\u614b\u3002\u5979\u95dc\u6ce8\u4eba\u985e\u65e2\u96e2\u4e0d\u958b\u6587\u660e\u7684\u4fdd\u8b77\uff0c\u537b\u53c8\u6301\u7e8c\u56ae\u5f80\u81ea\u7136\u8207\u91ce\u6027\uff0c\u800c\u9019\u7a2e\u5c0d\u81ea\u7136\u7684\u60f3\u50cf\uff0c\u5f80\u5f80\u53ea\u80fd\u900f\u904e\u4e00\u7a2e\u88ab\u91cd\u65b0\u5efa\u69cb\u7684\u300c\u4e2d\u9593\u666f\u89c0\u300d\u4f86\u5b8c\u6210\u3002<\/p>\n

\u5728\u5979\u7684\u4f5c\u54c1\u4e2d\uff0c\u516c\u5712\u3001\u52d5\u7269\u5712\u7b49\u5834\u57df\u88ab\u8996\u70ba\u6587\u660e\u8207\u81ea\u7136\u4e4b\u9593\u7684\u904e\u6e21\u7a7a\u9593\u3002\u4eba\u985e\u900f\u904e\u9650\u5236\u81ea\u7136\u3001\u6a21\u64ec\u81ea\u7136\u8207\u91cd\u73fe\u81ea\u7136\uff0c\u6253\u9020\u51fa\u4e00\u7a2e\u8fd1\u4f3c\u70cf\u6258\u90a6\u7684\u5e7b\u89ba\u3002\u7136\u800c\uff0c\u9019\u6a23\u7684\u5e7b\u89ba\u6975\u5176\u8106\u5f31\uff0c\u53ea\u8981\u79e9\u5e8f\u7a0d\u5fae\u5931\u8861\uff0c\u4eba\u5011\u4fbf\u6703\u610f\u8b58\u5230\u5176\u4e2d\u7684\u300c\u4e0d\u81ea\u7136\u300d\u3002<\/p>\n

\u5b98\u5b5f\u7384\u65e9\u671f\u4ee5\u7248\u756b\u5275\u4f5c\u70ba\u4e3b\uff0c\u8fd1\u5e74\u5247\u4ee5\u6578\u4f4d\u7e6a\u756b\u4f5c\u70ba\u4e3b\u8981\u5a92\u6750\uff0c\u4e26\u4ee5\u7d30\u81a9\u3001\u5b89\u975c\u4e14\u5e36\u6709\u8ddd\u96e2\u611f\u7684\u756b\u9762\u98a8\u683c\uff0c\u63cf\u7e6a\u52d5\u7269\u5712\u4e2d\u7684\u98a8\u666f\u8207\u52d5\u7269\u3002\u5176\u4f5c\u54c1\u300aViews from the zoos\u300b\u5165\u9078 2026 \u7fa9\u5927\u5229\u6ce2\u9686\u90a3\u63d2\u756b\u5c55\uff08BCBF Illustrators Exhibition\uff09\u3002<\/p>\n

\u5c0d\u5b98\u5b5f\u7384\u800c\u8a00\uff0c\u52d5\u7269\u5712\u59cb\u7d42\u662f\u4e00\u500b\u5145\u6eff\u77db\u76fe\u7684\u5730\u65b9\u3002\u7576\u89c0\u773e\u51dd\u8996\u88ab\u5708\u990a\u7684\u52d5\u7269\u6642\uff0c\u7a76\u7adf\u770b\u898b\u7684\u662f\u52d5\u7269\u672c\u8eab\uff0c\u9084\u662f\u4eba\u985e\u81ea\u8eab\u5c0d\u81ea\u7136\u7684\u6b32\u671b\u8207\u6295\u5c04\uff1f\u5979\u5f15\u7528 John Berger \u5728\u3008\u70ba\u4f55\u51dd\u8996\u52d5\u7269\uff1f\u3009\u4e2d\u7684\u63d0\u554f\uff0c\u91cd\u65b0\u601d\u8003\u52d5\u7269\u5712\u4f5c\u70ba\u89c0\u770b\u5834\u57df\u7684\u610f\u7fa9\u3002\u5728\u5979\u7684\u756b\u9762\u88e1\uff0c\u52d5\u7269\u7d93\u5e38\u5448\u73fe\u51fa\u7f3a\u5e2d\u3001\u8eb2\u85cf\u3001\u505c\u9813\u6216\u5982\u540c\u5e7d\u9748\u822c\u7684\u72c0\u614b\uff0c\u89c0\u773e\u4e0d\u65b7\u5c0b\u627e\u7260\u5011\u7684\u4f4d\u7f6e\uff0c\u537b\u4e5f\u9010\u6f38\u610f\u8b58\u5230\uff0c\u771f\u6b63\u88ab\u89c0\u770b\u7684\uff0c\u4e5f\u8a31\u662f\u6587\u660e\u672c\u8eab\u3002<\/p>\n

\u5728\u300aA zoo in winter\u300b\u7cfb\u5217\u4e2d\uff0c\u5979\u8a18\u9304\u4e86\u51ac\u5b63\u8d6b\u723e\u8f9b\u57fa\u52d5\u7269\u5712\u7684\u7d93\u9a57\u3002\u4f4d\u65bc\u6d77\u4e2d\u5b64\u5cf6\u4e0a\u7684\u52d5\u7269\u5712\uff0c\u5728\u5bd2\u51b7\u3001\u7a7a\u66e0\u8207\u7f3a\u4e4f\u904a\u5ba2\u7684\u72c0\u614b\u4e0b\uff0c\u5448\u73fe\u51fa\u6975\u5ea6\u5b89\u975c\u751a\u81f3\u8fd1\u4e4e\u8d85\u73fe\u5be6\u7684\u6c1b\u570d\u3002\u52d5\u7269\u5011\u5f77\u5f7f\u6d88\u5931\u5728\u9727\u6c23\u8207\u7a7a\u666f\u4e4b\u4e2d\uff0c\u53ea\u7559\u4e0b\u89c0\u770b\u8005\u5728\u5712\u5340\u88e1\u4e0d\u65b7\u5c0b\u627e\u8207\u51dd\u8996\u3002\u90a3\u4e9b\u554f\u984c\u2014\u2014\u300c\u718a\u5728\u54ea\u88e1\uff1f\u300d\u300c\u8001\u864e\u5728\u54ea\u88e1\uff1f\u300d\u300c\u8ab0\u5728\u9019\u88e1\uff1f\u300d\u300c\u6211\u5728\u54ea\u88e1\uff1f\u300d\u2014\u2014\u4e0d\u518d\u53ea\u662f\u5c0b\u627e\u52d5\u7269\u7684\u4f4d\u7f6e\uff0c\u800c\u66f4\u50cf\u662f\u5c0d\u4eba\u985e\u81ea\u8eab\u5b58\u5728\u72c0\u614b\u7684\u63d0\u554f\u3002<\/p>\n

\u5169\u4f4d\u85dd\u8853\u5bb6\u7684\u4f5c\u54c1\u96d6\u7136\u5f62\u5f0f\u4e0d\u540c\uff0c\u537b\u5171\u540c\u6307\u5411\u7576\u4ee3\u6587\u660e\u4e2d\u7684\u4e00\u7a2e\u6df1\u5c64\u77db\u76fe\u3002\u9ec3\u6cd5\u8aa0\u63cf\u7e6a\u7684\u662f\u88ab\u652f\u67b6\u56fa\u5b9a\u3001\u88ab\u9077\u5f99\u7684\u6a39\u6728\uff1b\u5b98\u5b5f\u7384\u95dc\u6ce8\u7684\u662f\u88ab\u570d\u6b04\u5708\u990a\u3001\u88ab\u89c0\u770b\u7684\u52d5\u7269\u3002\u5169\u8005\u7686\u63ed\u793a\u4e86\u4eba\u985e\u5982\u4f55\u4ee5\u4fdd\u8b77\u3001\u7f8e\u5316\u3001\u7ba1\u7406\u8207\u89c0\u770b\u4e4b\u540d\uff0c\u6301\u7e8c\u4ecb\u5165\u4e26\u91cd\u5851\u81ea\u7136\u3002<\/p>\n

\u5c55\u89bd\u4e2d\u7684\u652f\u67b6\u3001\u7d05\u7dda\u3001\u570d\u6b04\u8207\u4eba\u5de5\u666f\u89c0\uff0c\u4e0d\u53ea\u662f\u8996\u89ba\u5143\u7d20\uff0c\u540c\u6642\u4e5f\u662f\u4e00\u7a2e\u6587\u660e\u7d50\u69cb\u7684\u8c61\u5fb5\u3002\u90a3\u4e9b\u770b\u4f3c\u8f15\u76c8\u3001\u5e7d\u9ed8\u751a\u81f3\u5b89\u975c\u7684\u756b\u9762\u80cc\u5f8c\uff0c\u5be6\u969b\u4e0a\u53cd\u6620\u7684\u662f\u4eba\u985e\u5c0d\u79e9\u5e8f\u3001\u8212\u9069\u8207\u63a7\u5236\u7684\u4f9d\u8cf4\uff0c\u4ee5\u53ca\u81ea\u7136\u5728\u9ad8\u5ea6\u6587\u660e\u793e\u6703\u4e2d\u9010\u6f38\u88ab\u53d6\u4ee3\u3001\u6a21\u64ec\u8207\u898f\u683c\u5316\u7684\u904e\u7a0b\u3002<\/p>\n

\u7576\u771f\u5be6\u81ea\u7136\u9010\u6f38\u7f3a\u5e2d\uff0c\u4eba\u985e\u6240\u89c0\u770b\u8207\u63a5\u8fd1\u7684\uff0c\u4e5f\u8a31\u65e9\u5df2\u4e0d\u662f\u81ea\u7136\u672c\u8eab\uff0c\u800c\u662f\u4e00\u7a2e\u88ab\u91cd\u65b0\u8a2d\u8a08\u904e\u7684\u98a8\u666f\u3002<\/p>\n

 <\/p>\n

\u2192 \u9ec3\u6cd5\u8aa0<\/a>\u3001\u5b98\u5b5f\u7384<\/a> \u7c21\u6b77<\/p>\n

 <\/p>\n

Fences of Civilization
\nArtists\uff5cHUANG Fa-Cheng, Kuan Meng-Hsuan<\/p>\n

Exhibition\uff5cBy Appointment Only
\n2026.06.20 \u2013 2026.08.17
\n\u2192 Registration<\/a><\/p>\n

Opening\uff5cBy Appointment Only
\n2026.06.20 (Sat.) 15:00
\n\u2192 Registration<\/a><\/p>\n

 <\/p>\n

Fences<\/strong><\/p>\n

A fence is more than a physical barrier; it is a symbol of how civilization operates. The construction of civilization has always been accompanied by restrictions placed upon the freedom of other forms of life. Through boundaries, humanity distinguishes comfort from danger, civilization from wilderness, while continually redefining the place of life within these divisions.<\/p>\n

This two-person exhibition brings together Huang Fa-Cheng and Kuan Meng-Hsuan, whose distinct artistic practices explore the increasingly complex relationship between humanity and nature. Although working through different visual languages, both artists examine how human-made environments reshape nature, while revealing the contradictions embedded within contemporary civilization. We cannot truly exist outside civilization, yet we continue to romanticize nature. We long to approach the wild, only to constrain it once again through systems of order, landscape, and observation.<\/p>\n

Huang Fa-Cheng has long focused on the notion of the “artificial landscape” within urban environments. In his view, much of Taiwan’s forests have already been transformed by human intervention. Whether through the pruning of roadside trees, the management of mountain landscapes, or the transplantation and support of trees, nature has gradually become an integral part of the civilizational system. For Huang, these phenomena serve as metaphors for the relationship between humans and the natural world.<\/p>\n

A recurring motif in Huang’s paintings is the ubiquitous tree support frame found throughout cities. Trees growing in their native environment require no such structures. Yet once uprooted and relocated, they depend upon artificial supports to survive. Huang further blurs the roles of trees and humans by depicting figures performing martial arts, flying, climbing, or balancing with the aid of these supports. While these gestures appear lighthearted and even humorous, they subtly reveal a condition of structural constraint. Civilization promises freedom and progress, yet simultaneously binds humanity within the systems of order, desire, and regulation that it has created.<\/p>\n

His paintings frequently incorporate elements such as red guide lines, pools, retaining walls, and constructed landscapes. Combining acrylic paint with ink and glitter, Huang creates hazy, unstable spaces imbued with a sense of simulation. Landscapes that appear natural are, in fact, carefully designed and maintained. He recalls seeing rows of roadside trees in China painted with identical bands of white, their uniformity evoking standardized systems of political authority and power. Following Typhoon Krathon’s devastation in Kaohsiung, Huang also documented uprooted trees with exposed roots, reflecting on the fragile and contradictory relationship between the city and nature.<\/p>\n

Kuan Meng-Hsuan approaches similar questions from another perspective. Her practice revolves around the paradox of simultaneously escaping civilization and escaping nature. She explores humanity’s dependence upon the protection of civilization while continuing to yearn for nature and wilderness. Yet this longing can only be fulfilled through a reconstructed intermediary landscape.<\/p>\n

Within Kuan’s work, sites such as parks and zoos function as transitional spaces between civilization and nature. By restricting, simitating, and reconstructing nature, humanity fabricates an illusion that resembles a utopia. Yet this illusion remains profoundly fragile. The slightest disruption of order immediately reveals its artificiality.<\/p>\n

Initially trained as a printmaker, Kuan has in recent years shifted toward digital drawing as her primary medium. Through meticulous, quiet, and emotionally restrained imagery, she depicts landscapes and animals within zoos. Her series Views from the Zoos<\/em> was selected for the 2026 Bologna Children’s Book Fair Illustrators Exhibition.<\/p>\n

For Kuan, the zoo remains an inherently paradoxical place. When visitors gaze upon captive animals, are they truly seeing the animals themselves, or merely witnessing humanity’s own desires and projections onto nature? Drawing upon John Berger’s influential essay Why Look at Animals?<\/em>, she reconsiders the meaning of the zoo as a site of observation. Animals in her images often appear absent, concealed, motionless, or ghostlike. As viewers continue searching for them, they gradually realize that what is truly being observed may, in fact, be civilization itself.<\/p>\n

In her series A Zoo in Winter<\/em>, Kuan documents her experience at Helsinki Zoo during winter. Situated on an isolated island surrounded by the sea, the zoo becomes extraordinarily quiet under cold weather, empty pathways, and the near absence of visitors. The atmosphere borders on the surreal. Animals seem to dissolve into mist and vacant landscapes, leaving only the viewer wandering through the grounds in search of them. Questions such as “Where is the bear?”, “Where is the tiger?”, “Who is here?”, and “Where am I?” no longer concern the animals’ whereabouts alone, but evolve into reflections upon the human condition itself.<\/p>\n

Although differing greatly in form, the works of Huang Fa-Cheng and Kuan Meng-Hsuan ultimately converge upon a shared contradiction within contemporary civilization. Huang portrays transplanted trees secured by supporting frames, while Kuan examines animals enclosed by fences and subjected to human observation. Together, their works reveal the ways in which humanity continually intervenes in and reshapes nature under the names of protection, beautification, management, and surveillance.<\/p>\n

Throughout the exhibition, tree supports, red guide lines, fences, and artificial landscapes function not merely as visual motifs, but as symbols of the structures of civilization itself. Beneath their seemingly light, humorous, or tranquil appearances lies a deeper reflection on humanity’s dependence upon order, comfort, and control, as well as the gradual replacement, simulation, and standardization of nature within highly civilized societies.<\/p>\n

As authentic nature steadily recedes, what we encounter\u2014and what we believe we are approaching\u2014may no longer be nature itself, but a landscape carefully redesigned in its image.<\/p>\n

\u2192 CVs of HUANG Fa-Cheng<\/a> and Kuan Meng-Hsuan<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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